The Audio Engineer as an Industry Professional
As soon as the beats of our favourite songs or musics pierces our ears, feet tap as fingers mingle. Music is what fascinates one and all, but is anyone bothered about who in which are behind this fascination and happiness? Is it the musician, singer or the album producer? Yes, they all have their part to play but it is the audio engineers who help even singers or musicians in the 21st century to realise their dream. These audio engineers are people that have brought about the dramatic changes to the face of music.
Audio engineers have a noteworthy combination of character and traits. They have a tendency to love music and want to play a hand in making it and at the same time are lovers of technology and ‘cool gear’. Together with the interest in technology sometimes comes associate interest in how it works. They have the desire to form new technology which can provide the final touches to a recording in listening/processing/recording etc. Experienced audio engineer in a daily’s hard work operate and build amplifiers, loudspeakers, microphones, pre amplifiers, tape machines etc.
An associate audio engineer has four areas of responsibility: direction audio technicians and technologists, project management, working with purchasers, and providing advice and acting as a resource. An associate audio engineer is provided charge for the operation of the cavity resonator and different equipment within the recording of music, words, sounds or any combination of such materials. Working in various motion-picture shows, music recordings, theatre or game industries, an audio engineer is also chargeable for winning implementation of all audio related components for such events even in live ...
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...hnicians of other fields. Their potential to work well can’t be ignored. Technicians of different streams together make a technology but the in availability of even a technician of single stream may dwell the technique from being developed. Thus this the need of this rapidly advancing generation of 21st century to understand the importance of every stream of technology because there is no use of incomplete technology.
References:
1. Neville Fletcher, 2010. The Physics of Musical Instruments. Edition. Springer.
2. John M. Eargle, 2002. JBL Audio Engineering for Sound Reinforcement. Edition. JBL Pro Audio Publications.,
3. Victor A. Ginsburgh, 2006. Handbook of the Economics of Art and Culture: 1. 1 Edition. North Holland.
4. Stewart Ross, 2010. Sports Technology (New Technology). Edition. MMS Gold.
5. 2009. Audio Engineering Explained. 1 Edition. Focal Press.
For this assignment, I chose to interview JL Audio cofounder Lucio Proni. JL Audio is a consumer/professional audio manufacturer located in Miramar, Florida that produces speakers for boats, cars, and home sound systems. Lucio Proni is an engineer and cofounder of the company with his high school buddy Jim Birch. During the mid-1970’s when they were on their summer break from the University of Florida, Lucio and Jim decided to mess around with component speakers and wound up building home loudspeakers for fun. They worked out of a garage in Lucios home and showed some of their speakers to their friends and some. Later on, a few of them even bought some, so they built a couple more to sell on the flea market. Lucio’s early success inspired
If one were to look back into the world’s history, one would find that an important and consistent element is the world of music. Music has presented itself in various forms throughout its spread and through our identification of its magical realm, people have been fortunate enough to come across a means of relation. Whether it is blues and reggae or rap and pop rock, there is music out there for everyone. Music can serve as a stabilizer for some, a relaxant to others, and to many a form of inspiration.
The Use of Electronic Technology in 20th and 21st Century Music In this essay, I have examined the use of electronic technology within 20th and 21st Century music. This has involved analysis of the development and continuing refinement of the computer in today’s music industry, as well as the theory of the synthesiser and the various pioneers of electronic technology, including Dr. Robert Moog and Les Paul. Also within the essay, I have discussed the increasing use of computers in the recording studio. The computer has become an indispensable tool in ensuring that both recording and playback sound quality is kept at the maximum possible level. Many positive ideas have come from the continued onslaught of computerisation.
With my education and teaching background, I am very comfortable in establishing rapport with clients and professionals, and staying organized with documentation for various sources. Essential audiology skills that I am also proficient in are administering hearing screenings and tests, along with performing hearing aid troubleshooting and cleanings.
Nothing in this world remains stationary. Everything is constantly changing and advancing, and technology is no exception. Daily, new technological inventions are being created. One of the more recent ideas is the electronification of music. Starting in the mid-nineteenth century, electronic music has done nothing but aid in the growth of humanity. This form of music is commonly disliked and labeled as “fake music,” but it is actually the exact opposite of these ignorant remarks. Electronic music has progressed throughout the years, completely revolutionizing society through its innovative properties and educational qualities.
An audio engineer is responsible for the operation of the soundboard and other equipment in the recording of music, words, sounds, or any combination of such material. There are several types of engineering positions available in today's studios. In large studios, there are usually several engineers, each with the own duties and contributions. There are recording engineers, recording assistants, set-up engineers, maintenance engineers, and even mix-down engineers in some cases. In smaller studios the engineer is usually responsible for all of these duties. As a rule, the engineer should be able to set-up, use, and fix the equipment they work with.
All these responsibilities require ability in music, some experience , combined with a thorough knowledge of music and music theory. It also requires music and sound production in a recording studio along with a key sense of listening. Some music producers work for record labels producing for recording artists under a contract which has very exact wantings for that artist. And while many are full-time employees, others are self-employed. Which means they must also have experience in running a business.
Record Producer is a person who creates beats for other music artist or for themselves. A producer has many roles such as creating a blueprint for the project, selecting songs and musicians, coaching the artist in the studio, controlling the recording sessions, and supervising the entire production. Producers also often take on a wider management role with responsibility for the cost, schedules, and negotiations. A producer aims to gain popularity in the music industry or individual positive exposure to music labels (such music companies as Sony, OVO sound, Def Jams, etc.) Nowadays record producers create music to get label contract or to be heard on the radio.
“Music Producer: Job Duties, Career Outlook, and Education Prerequisites.” Degree Directory. DegreeDirectory.org. Web. 5 December 2013.
The music industry is an ever-evolving revolutionary entertainment industry for the masses. Music provides entertainment to all different masses due to the variety of genres produced. Music is a very profitable and complex industry. Music has expanded to a worldwide industry for musical artist to express their art through the form of song to the masses. Music not only appeals to the ears but to every aspect of a person. Music allows for individuals to explore and let their imagination expand as they here a song. Throughout the years the industry has undergone dramatic changes. Whether it is genres, forms of how it is distributed, or even the impact the artist have had. The industry is diverse and ever changing as the years continue. In the past 20 years the industry has changed with help of the technological breakthroughs and adoptions.
For this task the brief was to design the construction, soundproofing and acoustic treatment of a recording studio complex within a series of set constraints. The complex had to include a control room, living room, reception and bathroom, within an overall floor space of 15m x 15m. The main focus was to be on acoustic design with the use of scale drawings to make the studio clear and easy to understand. For this studio the idea was to design a space suitable for recording large ensemble groups such as orchestras and so the space was designed with this in mind when regarding the size, shape and layout of the space. Arguably two of the most important aspects when designing a studio complex are that the live and control rooms include a lot of natural light and that the communication between the artists and the studio team is free and easy. In the studio this has achieved this by creating a design similar to and inspired by ‘The Big Room’ at Real World Studios (Realworldstudios.com, 2013), where the ‘control room’ and ‘live room’ are actually all within the one space utilising the live end/dead end theory.
middle of paper ... ... Perhaps those living decades ahead of us will be amazed by the history made in our time? Indeed, just as time tells for the aforementioned composers and studios, so too will time tell for us. Works Cited History of Electronic Music: Bibliography Hass, Jeffry.
expand our horizons, and surround ourselves with more than just what is seen everyday. The role that music plays in today’s society is a significant tool in the develo...
Janson, H.W. and Anthony F. Janson. History of Art. New York: Harry N. Abrams, 1997.
Huber, D. M., & Runstein, R. E. (2010). Microphones: Design and Application. In Modern Recording Techniques. (7th ed.). (pp. 111-170). Oxford, United Kingdom: Focal Press.