Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
sexualoity in literature
sexuality in literature
representation of good and evil in literature
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: sexualoity in literature
The Turn of the Screw - A Look at a Criticism
There are many different ways to interpret The Turn of the Screw, by Henry James. Many critics over the past century have voiced their opinions about the story. Each critical analysis of the story disagrees with the beliefs expressed in another. Robert B. Heilman is a critic who wrote in the mid-twentieth century. He interprets The Turn of the Screw to be a representation of the conflict between good and evil. Heilman's points are clear and obviously well thought out, but there are flaws in his argument that make his interpretation questionable.
In his 1948 essay, Robert Heilman explores the suggestion that The Turn of the Screw is a symbolic representation of the conflict between good and evil. Heilman interprets the apparitions of Peter Quint and Miss Jessel as evil forces. He explains that the ghosts only appear to the governess because evil lurks in subtlety before it strikes. It is the duty of the governess to "detect and ward off evil." She must protect the children from the awful ghosts. The governess describes Miles and Flora as beautiful little cherubs whose only fault is their gentleness (James, 18-19). Heilman views the children's beauty as a "symbol of the spiritual perfection of which man is capable." Heilman explains the ghosts' attempts to reach the children by explaining that evil forces will always try to conquer and possess the human soul. Heilman continues to draw from the descriptions of Miles and Flora to support his theories. He points out that the two children are described as having an "angelic beauty" and a "positive fragrance of purity" (James 9, 13). The governess describes them as if they are perfect and beautiful in every way. This repeated vision of beauty, radiance, and innocence parallels the image of Eden. The house at Bly also resembles this image, "I remember the lawn and the bright flowers..." (James 7). The governess makes mention of the "golden sky" and of Flora's "hair of gold," which Heilman believes connects Bly and Flora with these images of golden hues (James 7, 9).
Robert Heilman perceives that the ghost of Peter Quint is a direct representation of the serpent that plagues the Garden of Eden. Heilman supports this with the description of Quint found in the text, "His eyes are sharp, strange- awfully; .
Hrothgar then tells Beowulf, “Lo, this may one say who works truth and right for the folk, recalls all things far distant, an old guardian of ...
The Turn of the Screw by Henry James continues to stir up an immense amount of controversy for such a short novel. Making a definite, educated decision on the actual truth considering the countless inquiries that develop while reading this story proves more difficult than winning a presidential election. That being understood, taking one particular side on any argument from a close reading of the story seems impossible, because the counter argument appears just as conceivable. Any side of the controversy remains equally disputable considerably supported by textual evidence from the novel. One issue which, like the rest, can be answered in more than one ways is why Mrs. Grose believes the Governess when she tells her about her ghost encounters. Usually one would second-guess such outlandish stories as the ones that the governess shares throughout the story, yet Mrs. Grose is very quick to believe our borderline-insane narrator. One of the explanations for such behavior could be the underlying fact that Mrs. Grose and the governess have a similar socio-economic background, therefore making them somewhat equals even if the governess does not always seem to think that way. This fact makes them susceptible to trusting and believing each other, and to believing that the ghosts are there, for the people that the ghosts are presenting used to be servants and therefore from a similar socio-economic background. To add on to that, Bruce Robbins proposes in his Marxist criticism of The Turn of the Screw that the idea of a ghost is synonymous to that of a servant, subconsciously making the two lower-class workers of Bly more vulnerable to believe that the ghosts were real; in other words, servants we...
The existence of the ghosts in The Turn of the Screw has always been in debate. Instead of directly discussing whether the ghosts are real or not, this essay will focus on the reliability of the governess, the narrator of the story. After making a close examination of her state of mind while she is at Bly, readers of The Turn of the Screw will have many more clues to ponder again and to decide to what extent the governess can be believed. While critics like Heilman argue that there are problems with the interpretation that the governess was psychopathic, textual evidence incorporated with scientific research show that the governess did go through a period of psychical disorder that caused her insomnia, out of which she created hallucinations.
The Turn of the Screw by Henry James has been the cause of many debates about whether or not the ghosts are real, or if this is a case of a woman with psychological disturbances causing her to fabricate the ghosts. The story is told in the first person narrative by the governess and is told only through her thoughts and perceptions, which makes it difficult to be certain that anything she says or sees is reliable. It starts out to be a simple ghost story, but as the story unfolds it becomes obvious that the governess has jumps to conclusions and makes wild assumptions without proof and that the supposed ghosts are products of her mental instability which was brought on by her love of her employer
Conrad uses light and dark imagery to help create the setting for the story; light represents civilization while darkness suggests the uncivilized. The novel opens on the deck of a boat called the Nellie, as we are introduced to the passengers we are told how the sun is slowly fading, and soon darkness will engulf the area. This image is Conrad?s first use of light and darkness; he uses it to foreshadow the ultimate darkness Marlow will face. Conrad is warning his readers to be careful, lest they let down their guard and allow the darkness to come them. The other character in the book, Kurtz, is taken over by the evil embodied in the darkness. During Kurtz?s journey into the heart of darkness the isolation, darkness and power all made him lose control of himself and allowed the darkness to take over.
Then he battles not one but two demons being two of the tests that he faces. Beowulf 's main purpose in Denmark is to kill the coldhearted powerful demon. “Gendel was the name of the grim demon Haunting the marches, marauding round the heath And the desolate fens;...” (lines 102-104). After his first battle “Beowulf, son of Ecgtheow, spoke: “ We have gone through with a glorious endeavour and been much favored in this fight we dared against the unknown, Nevertheless, if you could have seen the monster himself where he lay beaten, i would have been better pleased, My plan was to pounce, pin him down In a tight grip and grapple him to death- Have him painting for life, powerless and clasped In my bare hands, his body in thrall. But i couldn 't stop him from slipping my hold, The lord allowed it, my lock on him Wasn’t strong enough, he struggled fiercely and broke and ran. Yet he bought his freedom At a high price, for he left his hand and arm and shoulder to show he had been here, A cold comfort for having come among us. And now he won 't be long for this world. He has done his worst but the wound will end him.”( lines 956-974). Then they decide to celebrate, little do they know that along with Grendel lives his mother. Seeking vengeance for her son 's death, she attacks Heorot and kills just one man being Hrothgar 's closest friend and advisor. In his grief, he
After she escapes, the warriors realize that she has managed to steal back Grendel's claw from where it has been hanging. The victim is one of Hrothgar's closest advisors, "the man he loved most of all men on earth." The king summons Beowulf and his men. There's a feeling of desperation in the air. We know Beowulf realizes that something is dreadfully wrong -- no doubt he can hear the uproar from the main hall- but he also knows that it's his job to convey confidence and self-control. At this moment, the young warrior seems wiser and more mature than the aging king.
In my paper, titled, The Dark and Light, the dark and light imagery in the novella Heart of Darkness, will be described as a demonstration of how much the this imagery is portrayed, and how this it was so significant in the novella. Throughout Heart of Darkness, Conrad uses a plethora of simple colors, objects, and surroundings to convey multilayered images and ideas. These numerous symbols and events in the story have a more in-depth meaning, and are extremely important throughout the story.
Beyond the shield of civilization and into the depths of a primitive, untamed frontier lies the true face of the human soul. It is in the midst of this savagery and unrelenting danger that mankind confronts the brooding nature of his inner self. Joseph Conrad’s novel, Heart of Darkness, is the story of one man's insight into life as he embarks on a voyage to the edges of the world. Here, he meets the bitter, yet enlightening forces that eventually shape his outlook on life and his own individuality. Conrad’s portrayal of the characters, setting, and symbols, allow the reader to reflect on the true nature of man.
Beowulf, a Geat, hears about Hrothgar's troubles, gathers fourteen of the bravest Geat warriors, and sets sail. The Geats are greeted by the members of Hrothgar's court, and Beowulf tells the king of his previous successes as a warrior. During the banquet Unferth, a Danish soldier, doubts Beowulf's past accomplishments, and Beowulf, accuses Unferth of being a brother-slayer. At this banquet Hrothgar promises Beowulf many riches and treasures if he can slay Grendel.
The contrast between light and dark is very important when attempting to understand Conrad's thoughts and ideas about civilization and what it really is.
such as Othello’s murderous act. Not being logical, Othello looks at the imposed circumstances only through Iago’s perspective, and is completely overtaken by the lies. Emilia’s opinion on the matter doesn’t make any difference, because his mind is already made up by the time he speaks to her. Thus, Othello’s ability to reason is not very well-developed. How strong was he really, when his faith in groundless implications created such a rift in his character during the temptation scene, that he ended up murdering his...
Throughout its entirety, Joseph Conrad’s Heart of Darkness utilizes many contrasts and paradoxes in an attempt to teach readers about the complexities of both human nature and the world. Some are more easily distinguishable, such as the comparison between civilized and uncivilized people, and some are more difficult to identify, like the usage of vagueness and clarity to contrast each other. One of the most prominent inversions contradicts the typical views of light and dark. While typically light is imagined to expose the truth and darkness to conceal it, Conrad creates a paradox in which darkness displays the truth and light blinds us from it.
Heart of Darkness was a huge milestone in the history of literature do to the impeccable way Conrad used ambiguity to describe his story. He does this by using symbols, themes, and archetypal images. These include light and dark, the Congo river, colors, and by not explaining everything to the reader. While reading the novel, the reader is actually required to interpret the text and really think about what certain details mean. The way Conrad wrote the novel is for the reader is to look for clues and develop ideas. It is completely subjective and trying to find exact answers is not an option. This writing style opened the eyes of many writers and changed the way literature was understood.
Joseph Conrad’s Heart of Darkness has a symbolic meaning behind its title like many other great works of literature. The title can actually be interpreted in many different ways. One way the title can be looked at is that it portrays how Conrad viewed the continent of Africa. It might also represent entering into a more primitive society, witnessing humans transforming from civilized to savage. Perhaps the Heart of Darkness refers to the colonialism and imperialism that the Europeans were practicing at the turn of the 20th century.