Each person reacts differently to a mirror. Some prefer to primp and tidy their face while others take a quick glance and carry on. However, there are others who continuously stare into the eyes of their alternate-self. These people wonder, “What do I see?” They are the kind of people who desperately seek answers for their existence, and will not rest until their questions are resolved. The alternate-self is the true being. Although it remains as a reflection of the physical body it is also who we see on the inside. What one sees in his or her reflection equals the truth of their nature. For some we see an innate good, but for others it is the innate evil and horror of humanity. Victor Frankenstein may claim to be such a person, but he performs the ultimate taboo; he decides to bring his alternate-self to life. Mary Shelley’s Frankenstein is a book of mirrors which investigates the idea of the alternate-self and suggests the terror of liberating the innate evil through Victor and his monster.
In the very beginning of the novel the first mirror appears through Walton. Walton writes to his sister imposing his ambitions upon her stating, “for nothing contributes so much to tranquillise the mind as a steady purpose, -- a point on which the soul may fix its intellectual eye” (Shelley 29). In other words Walton explains his predicament as one of the most important goals of life. He truly believes there is no other greater purpose in the world than to fulfill his ambitions no matter the concequences. His words are repeated throughout the novel not only by him but also by Victor. Though Walton is not Victor’s physical reflection he is a man of the same nature. “You seek for knowledge and wisdom, as I once did...
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...erson he is. He spent hours to days trying to create the being he saw. Victor needed to bring his alternate-self to life. Perhaps it is because he needed to shake hands with the real Frankenstein, or perhaps he needed it to live before he could destroy the horrible side of his humanity. Some are able to handle who they are and change their flaws. These are the ones who spend a few minutes in front of their alternate-self. Others are wretched and a lost cause. They obsess with every feature and try to create something better than what they see. The alternate-self is the gateway to the real person inside. It is the one we despise or love. As Victor Frankenstein never learned, it is also the one we feel we have to destroy.
Works Cited
Shelley, Mary. Frankenstein; Case Studies in Contemporary Criticism, 2cd ed. New York/Boston: Bedford/St. Martin's, 2000.
Cather chooses to refer back to Jim’s past at the end of My Ántonia to emphasize how, even though the story ends, Jim will always remember Ántonia and their experiences together. Despite both of them growing up and leading very different lives, Ántonia and the recollection of his youth are so important to him that he still remembers the days of his childhood, travelling to a place he would call home.
He is apprehensive about seeing Antonia, fearing that she will no longer be the idealized person who exists in his memory. Jim is not let down when they meet, as even though she is now a “battered woman … but she still had that something that fires the imagination, could stop one’s breath for a moment” (226). Age has not dampened the spirit that Jim was drawn to throughout his youth and now his adulthood. He speaks about her through a lens of true love and respect, telling her children that he “couldn’t stand it if you boys were inconsiderate [towards Antonia] … I was very much in love with your mother once, and I know there’s nobody like her” (222). Jim refers to Antonia as a “rich mine of life,” and it is clear that Antonia’s type of richness is more valuable in Jim’s eyes. Through her, he is able to realize that tangible fiscal wealth is far less precious than the impalpable beauty of emotional connection and
Antonia's mom smokes and she has been really sick lately. Her mom is that antagonist in this story because she can't even get out of bed unless she feels good. Since her mom has been sick, Antonia has to take care of everything around the house, including her brother. So one day Antonia was at a freind's house and her mom and brother decide to go on a picnic and when they were done she took her son to a motel, and then left to go to a bar down the road. When she was done at the bar, she went back to the motel and passed out on the floor. So when Antonia got home, nobody was there. About a half an hour later, her brother called and said that their mom had passed out and that they were at a motel. Her brother didn't know the name of the motel so he looked around and remembered the bar. He told his sister the name of the bar that their mom had gone to and then she knew right where they were.
My Antonia, by Willa Cather, is a book tracing the story of a young man, Jim Burden, and his relationship with a young woman, Antonia Shimerda. Jim narrates the entire story in first person, relating accounts and memories of his childhood with Antonia. He traces his journey to the Nebraska where he and Antonia meet and grow up. Jim looks back on all of his childhood scenes with Antonia with nearly heartbreaking nostalgia. My Antonia, is a book that makes many parallels to the sadness and frailty, but also the quiet beauty in life, and leaves the reader with a sense of profound sorrow. One of the main ways Cather is able to invoke these emotions in the reader is through the ongoing theme of separation. Willa Cather develops her theme of separation through death, the changing seasons, characters leaving and the process of growing apart.
Victor Frankenstein: The Real Monster. & nbsp; Science is a broad field that covers many aspects of everyday life and existence. Some areas of science include the study of the universe, the environment, dinosaurs, animals, and insects. Another popular science is the study of people and how they function. In Frankenstein by Mary Shelley, Dr. Victor Frankenstein is an inspiring scientist who studies the dead. He wants to be the first person to give life to a dead human being. He spends all of his Frankenstein is to blame for the tragedy, not the monster he has created, because he is the mastermind behind the whole operation, and he is supposed to have everything under control, working properly as a good scientist should. & nbsp; Although some critics say that the monster Victor has created is to blame for the destruction and violence that followed the experiment, it is Victor who is the responsible party. First, Victor, being the scientist, should have known how to do research on the subject a lot more than he had done. He obviously has not thought of the consequences that may result from it such as the monster going crazy, how the monster reacts to people and things, and especially the time it will take him to turn the monster into the perfect normal human being.  something that would take a really long time and a lot of patience which Victor lacks. All Victor really wants is to be the first to bring life to a dead person and therefore be famous. The greed got to his head and that is all he could think about, while isolating himself from his friends and family. In the play of Frankenstein, when Victor comes home and sets up his lab in the house, he is very paranoid about people coming in there and & nbsp; I had worked hard for nearly two years, for the sole purpose of infusing life into an inanimate body. For this I deprived myself of rest and health. I had desired it with an ardour that far exceeded moderation; but now that I had finished, the beauty of the dream vanished, and breathless horror and disgust filled my heart. (156) & nbsp; Victor is saying that he has isolated himself for two years and in the end, he is not at all happy because of the bad outcome. He also adds, "Winter, spring and summer passed.so deeply was I engrossed in my occupation" (156). By spending most of his time inside on his experiment, never going out, but mostly worrying about his success, he has got himself crazier. This has made him lose sight of his surroundings and judgment & nbsp; Moreover, the monster should not be held responsible for killing Victor's family members and friends as shown in the book and movie, because it is Victor who has brought a dead creature back to life. He expects the monster to know everything when he wakes up cool, calm, and collected. But when the monster is awakened, he does not know anything. He sees a world different from what he is used to, which makes him get nervous and scared, so he&nb has removed him from dead. With the dawning of life, the monster has to learn about his new environment. In the play of Frankenstein, the monster starts to gradually get used to things. The problems he encounters are with Victor's assistant, Peter Krempe, Victor's friend, Henry, and other family members, including Elizabeth, and these are reactions to how these people treat him. These reactions are clearly shown in the movie of Young Frankenstein, where Victor tries to teach the monster how to live like to show off the monster to an audience in a dance routine of sorts. But then people start to scream, panic and throw things at the monster, so he reacts by attacking them to defend himself. In this case, it is clear that Victor tries to push the monster too hard because he wants to be famous.
Throughout Mary Shelley’s classic novel Frankenstein, Victor Frankenstein pursues, with a passion lacking in other aspects of his life, his individual quest for knowledge and glory. He accepts the friendships and affections given him without reciprocating. The "creature," on the other hand, seems willing to return affections, bringing wood and clearing snow for the DeLaceys and desiring the love of others, but is unable to form human attachments. Neither the creature nor Victor fully understands the complex relationships between people and the expectations and responsibilities that accompany any relationship. The two "monsters" in this book, Victor Frankenstein and his creation, are the only characters without strong family ties; the creature because Frankenstein runs from him, and Victor because he runs from his family.
Jim perceive the past with nostalgia, through nature, symbols, and Antonia. As the narrator in My Antonia, Jim presents a loving and affectionate mood towards his family, the immigrants and nature, which convinces the reader that this novel is a romance, one between Jim and life. Jim sees through the lens of nostalgia; the eyes that can see to the past through all of the components discussed. Life is memory, so live every second of every memory to its highest potential.
In Willa Cather's My Antonia a special bond is formed, shattered, mended, and eventually secured between the main characters, Antonia Shimerda and Jim Burden. Jim and Antonia seem to be destined to affect each other's lives dramatically, from the beginning of the novel.
Works Cited Shelley, Mary. Frankenstein: A Norton Critical Edition. ed. J. Paul Hunter. New York: W. W. Norton, 1996.
After Frankenstein discovered the source of human life, he became wholly absorbed in his experimental creation of a human being. Victor's unlimited ambition, his desire to succeed in his efforts to create life, led him to find devastation and misery. "...now that I have finished, the beauty of the dream had vanished..." (Shelley 51). Victor's ambition blinded him to see the real dangers of his project. This is because ambition is like a madness, which blinds one self to see the dangers of his actions. The monster after realizing what a horror he was demanded that victor create him a partner. "I now also began to collect the materials necessary for my new creation, and this was like torture..." (Shelley 169). Victor's raw ambition, his search for glory, has left him. His eyes have been opened to see his horrible actions, and what have and could become of his creations. As a result, Victor has realized that he is creating a monster, which could lead to the downfall of mankind. His choice is simple, save his own life or save man.
My life, although not without surprises and unusual events, is dictated by predictable and ordinary elements. However, through fiction I am transported into a world of boundless imagination and extraordinary themes. One such example is evident in my response to Mary Shelley’s gothic novel Frankenstein. Through fiction, Shelley invites the reader to accept the extraordinary. Firstly, we are led to believe that Victor Frankenstein is able to create life by shocking it with electricity, and to this I responded with an imaginative curiosity. But it was the consequences of the creation provoked a stronger response from me. The element of horror Victor experiences and his reaction to the ‘god like’ qualities bestowed upon him as creator is truly extraordinary. Victor, like no other man, experiences the feeling of immense power and responsibility as creator of man, and this provoked a sympathetic response from me. Finally I also accepted and responded to the extraordinary concept of the monster, who, unlike to the majority of humanity, is created without a sense of cultural identity. Additionally, what is extraordinary to me as a reader is the humanity and intelligence the monster displays, despite the disadvantageous of his creation. This made me have sympathy for monster and served to blotch the credibility of Victor. Throughout the novel I was inclined to accept Shelley’s invitation and to explore a deeper view of humanity.
Shelley, Mary. Frankenstein: A Norton Critical Edition. Ed. J. Paul Hunter. New York: W. W.
Mary Shelley’s Frankenstein, a truly famous novel that has been revisited by many, as well as revised by the author in the many years since its original publication. Within this novel Shelley conveys the tragic fictional story of Victor Frankenstein and his monster that he thoughtlessly brought to life, as well as the lives of those affected by his hideous creation. Throughout the novel it is made quite apparent that the monster was not inherently evil, in fact the monster was quite benign, however through its interactions with society the monster is slowly shaped into a being that can truly be called just that, a monster. All of the aforementioned change to the monster are brought about in part by the societal standards of the time period
It is scientifically proven, that people prefer attractive people. Appearances help millions of good-looking men and women across the country advance in their careers, get free drinks, and receive more opportunity. But, Mary Shelley juxtaposes the physical deterioration of Victor as her novel, Frankenstein, progresses and the creature ’s ugly physical appearance and the motif of clouds juxtapose with birds to argue that appearances may be deceptive. She argues through the juxtaposition of Victor and the creation’s death that ultimately it is through death, one of nature’s devices, that allows us to see the character of a person.
Mary Shelley uses irony in the development of Frankenstein and the creature in order to create more dynamic and complex characters who are foils of one another.