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Melodrama in the picture of dorian gray
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The Picture of Dorian Gray
Harry is Pan, the piper who leads Dorian on his path to destruction, decadence, and moral decay. As with Pan, the merry and much-loved god, the victim of the god's attention does not fare well. As Pan had Syrinx and Echo, Harry has Dorian. Pan caused madness and panic with his passions; Harry seems to have had the same result with Dorian.
Wilde reveals much of Harry's character in the writing. His is the predominant voice; he delivers most of the dialogue. Is Harry the autobiographical character? He is shown as the clever, witty, blasé sophisticate; jaded, bored, and poised for an interesting project. Enter Dorian, whose innocence and beauty present an irresistible challenge. Before Harry, Dorian was unaware of his beauty. "The sense of his own beauty came on him like a revelation. He had never felt it before." (p. 18) It is Harry who makes him see and fall in love with his own beauty, and realize the brevity of youth. "Then had come Lord Henry Wotton with his strange panegyric on youth, his terrible warning of its brevity." (p. 18)
In the space of an afternoon Harry has cast his spell; Dorian is convinced that youth is the only thing worth having. The gods had an unfortunate lapse in their wisdom. While Sibyl and her fellow goddesses asked for eternal life but forgot to ask for eternal youth, Pan has it right- the object of his affection will never become ugly and grotesque.
Harry toys with Dorian, takes pleasure in his game. "Talking to him was like playing upon an exquisite violin. He answered to every touch and thrill of the bowThere was something terribly enthralling in the exercise of influence. No other activity was like it." (p. 26) This becomes a satisfying entertainment for Harry. He creates and dominates. "He would make that wonderful spirit his own." (p. 27) He projects his soul into the pure and graceful form that is Dorian.
The tension between Harry and Dorian heightens; he fascinates and is reflected more brilliant by Dorian's gaze. "He felt that the eyes of Dorian Gray were fixed on him, and the consciousness that amongst his audience there was one whose temperament he wished to fascinate, seemed to give his wit keenness, and to lend colour to his imagination.
After his conversion to Christianity, Paul traveled throughout the Roman Empire and preached the Gospel, similar to Jesus’ own ministry across Galilee. Paul’s teachings were more focused on the community and the relationships of its members with each other and with non-Christians, whereas Jesus’ teachings were geared towards the individual and his/her personal relationship to God. Despite this discrepancy in their doctrines, Paul’s teachings remain consistent with those of Jesus. In his First Letter to the Corinthians, Paul’s teachings, such as unity in the community and love for others, echo the teachings of Jesus as depicted in the Gospel of Mark and Matthew. Paul essentially reiterates the teachings of Jesus, and applies them to the lives of the people he preaches to, so that they may understand Jesus’ teachings and embrace Christianity.
Within The Picture of Dorian Gray, Oscar Wilde depicts two characters that follow the philosophy of Walter Pater. These two characters are Dorian Gray and Henry Wotton. They both embody Pater’s ideal of placing as much enjoyment in one’s short life as possible. While Dorian learns of Pater’s philosophy from Henry, he soon exceeds his teacher and becomes invested within the philosophy of living life to the fullest. Dorian exceeds Henry in Pater’s philosophy through his active experimentation and desire for beauty, but Dorian fails to live up to all of Pater’s expectations due to his inability to separate morality for art.
Dorian tries to make it seem as though his soul has taken him hostage and led to his downfall, proof that he wants to be remembered as good. He hopes that this attempt to make himself seem like the victim will cause others to sympathize with him and excuse any wrong-doing he has committed or might commit. Now that Basil is in his presence, Dorian is finally able to test his new method and see whether or not it will be successful:
In The Picture of Dorian Gray, there are three main characters. Dorian Gray, who is a calm, very attractive young man and adored for his good looks, Basil Hallward who is a painter that idolizes Dorian and Lord Henry Wotton, an older man, who becomes a good friend of Dorian's. As Basil is painting a portrait of Dorian Gray, Dorian makes a wish that only the picture would age and he would stay the same. As he later notices, his wish is granted and the picture begins to age. Not only is the portrait aging, but the face is also becoming more devious looking. This is because Dorian had fallen deeply in love with an actress, Sibyl Vane, and one night he had taken Basil and Lord Henry to watch her act. That night Sibyl Vane was acting so badly that people were beginning to leave. Dorian was humiliated so intensely that he went back stage and told her he had fallen out of love with her. She said the reason for her bad acting was because she no longer cared for acting, just for him. Dorian still could not take the humiliation and told he was never to see her again. After he left, Sibyl ended her own life by drinking a cleaning fluid that was in her dressing room.
The two largest religions in the world are Islam and Christianity and they have several facts of contact. Both inbred from Judaism an acceptance of one God, the creator of the world and cares about the beliefs and behavior of human beings. In spite of having some points of principle in common, Christianity and Islam have enormous differences, not merely in beliefs regarding salvation, Christ and forgiveness but in several other fields affecting human attitudes, behavior and daily life.
Odysseus is one of the very many prominent characters in Homer’s Epic poems, The Illiad, and The Odyssey. Odysseus has been famed one of the more relatable characters from Homer’s writing, as well as one of the Greatest Greek Mythology Heroes. Homer’s Epic poems highlight many periods of shame and honor for Odysseus. The character analysis of Odysseus through the poem’s timeline shows vast developments and heroic features appear to take form in him. The Illiad portrayed Odysseus as more of a secondary figure behind Agamemnon and Achilles. In contrast, The Odyssey portrayed Odysseus as a hero in the form of an average human.
The film Psycho (1960) directed by Alfred Hitchcock portrays Norman Bates isolated from society with an interest in taxidermy and an unnaturally close relationship with his mother. Norman is diagnosed with dissociative identity disorder (DID), referred to in the past as multiple personality disorder in which two or more distinct personalities, often called subpersonalities, each having a unique set of memories, behaviors, thoughts, and emotions (source). Throughout the film, one of Norman’s subpersonalities takes center stage and dominates his functioning. He uses his own recessive personality and his mother’s primary persona.
"Franz Kafka." Contemporary Authors Online. Detroit: Gale, 2003. Literature Resource Center. Web. 10 Feb. 2014
Obsession is described as a persistent thought dominating the mind, but of all the types of obsession, idolatry is the most common example, which is seen through both Basil’s worship of Dorian, and society’s worship of celebrities. Basil’s worship of Dorian is depicted early in the book, before Dorian is even a real introduced. Basil expresses how powerful his feelings for this man are, “Something seemed to tell me that I was on the verge of a terrible crisis in my life…It was not conscience that made me do so: it was cowardice. I take no credit to myself for trying to escape,” (Wilde 10). Dorian has so much control over Basil that he feared he would lose control of himself, that the intensity of his feelings would lead to a crisis, showing exactly how powerful obsession can be. Basil’s feelings for Dorian cannot be seen as love, especially later on in the novel, he confesses he believes Dorian is truly perfect and had f...
He described to be in all green which symbolizes the Pagans connection to nature which they believe to worship nature. Even the Green Knight 's chapel isn 't the typical chapel. It 's described more as a síd or a fairy mound where the two worlds of normal and the supernatural meet. The role of the Green Knight serves to bring out Gawain 's character and the differences in Christianity and Paganism. The Green Knight forces Gawain to realize his flaws as a man, but when the Green Knight catches him it isn 't a very worthy game because he traps him solely on the means that he lied to Bertilak. He also draws the lines between Christianity and Paganism by showing how the two ideologies from their points of worship. Christianity focus on God only and give thanks to him for the blessings while Pagans worship nature and give credit to the Earth for the blessings that the people receive. The Green Knight 's role is to show the difference not only between Gawain and him but also the two major religions of the time period.
...h the society around him and begins to connect only with the portrait that hangs within his home. Dorian begins to defy the natural aging process of nature and thus disconnects himself from nature as a whole. As Pappas states, “men are an integral part of nature and that their…denying there real relationship to it can be calamitous, can lead to their reduction to a purely animal state of existence and to the most squalid sort of extinction” (46). At the end of the novel Dorian finally breaks out of this cycle and is forced to accept his connection with nature through his own death. When Dorian stabs the portrait in an attempt to break away from the all-consuming relationship that drove him away from nature, he is finally able to absorb the aging and process of nature that he so adamantly denied through the novel. As Dorian re-embraces nature he meets his own demise.
is an assistant professor of finance at St. Edwards University in Austin, Texas. Also, James Kallman specialize in risk management. The purpose of article “Before the Launch” by Bugalla & Kallman (2014) is to explain how ERM aligns with company objects to reduce risks. Senior leader can utilize ERM with strategic planning and tactical planning to improve risk tolerance and risk appetite. Senior leaders design targets and goals using measurements of risk to prepare for circumstance that misaligned from the firm’s objectives. Strategic planning, tactical planning, and ERM aligns a firm’s objectives to the vision, mission, and purpose of a firm based on allocation of resources. The well-planned allocation of resources minimized risk due to parameters that maintain compliance in an event of difficult circumstances. James Kallman (2014) believes that the initial planning is the starting point of risk management. Starting risk management in the planning stage can save resources as Kristina Narvaez (2012) validates in article “The Value of ERM.” According to Kristina Narvaez (2012), Glaxo-Smith-Kline paid $750 million dollar FDA fine for selling contaminated baby ointment and ineffective antidepressant medication (p.1).” The waste of resources could have been provided with Glaxo-Smith-Kline by have a risk management systemic to control risk tolerance and risk appetite. In the early stages, scopes and objectives are designed based on analysed
A major area of concern for “orthodox” Islam in regards to Sufism is the ways in which it seems to challenge existing gender and sexuality based hierarchies and constructs. An example of this is that the singing and dancing of those who practice Sufism is likened to intoxication, and is believed it will in some way incite homoerotic behavior or attacks against authority (Berkey, 237). In addition, another large concern was the expanded role of women within Sufism. Women taking on leadership
In Oscar Wilde's novel, The Picture of Dorian Gray, beauty is depicted as the driving force in the lives of the three main characters, Dorian, Basil and Lord Henry. Dorian, the main character, believes in seizing the day. Basil, the artist, admires all that is beautiful in life. Lord Henry, accredited ones physical appearance to the ability of achieving accomplishments in life. Beauty ordains the fate of Dorian, Basil, and Lord Henry. The novel embodies the relationship of beauty and morality. Beauty is not based on how attractive an object is to everyone, but how attractive it is to one.
Shortly after meeting Dorian for the first time, Lord Henry calmly declares, “to influence a person is to give him one’s own soul” (20). In these few words, Lord Henry foreshadows the entirety of his relationship with Dorian throughout the novel. By sharing his unique thoughts about the scientific view of influence, Lord Henry captures Dorian’s curiosity and attention, opening the door to the beginning of Dorian’s evolution