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With examples drawn from Sophocles's Antigone, discuss two themes
Analysis on antigone based on Sophocles tragedy
Analysis on antigone based on Sophocles tragedy
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Creon - The Tragic Hero in Antigone
There is still a great debate on who is, in fact, the tragic hero in Sophocles’ Antigone. Many hold that it must be Antigone, herself; after all, the play does bear her name. But in actuality, Creon, not Antigone, is the tragic hero.
In order to determine whether or not Creon is the tragic hero, one will first have to answer the question, “What is a tragic hero?” Aristotle, when discussing the nature of such a hero in his theory of drama, states that such a hero is neither purely innocent nor purely evil. This person is usually born high in the ranks of society and must also possess a tragic flaw, which originates from within and usually manifests itself through poor judgment and/or extreme arrogance. The tragic flaw also dooms the character to a ruinous end.
Creon, as king of Thebes, is at the top of the social ladder. He thus already meets one of Aristotle’s chief criteria. Yet, not only is he king, he is also human and possesses frailties which qualify him to make serious mistakes and he possesses talents which allow him also to excel. Hence, Creon is neither overly good nor bad.
It is also written that the tragic hero’s actions may determine the fates of one or more characters within the tragedy. Appropriately, Creon’s station as king place shim in a position of great power, influence and responsibility. The extent of this power was quite evident when he sentenced Antigone to death for disobeying his proclamation.
Now we come to what, if anything, is the single most important component of being a tragic hero. Here we have the tragic flaw. Creon’s tragic flaw was his hubris or his pride and arrogance in the face of divine powers. His downfall began when he denied the basic divine right of burial to Polyneices and was cemented when he condemned Antigone for her opposition to his law. When one closely examines Antigone’s reasons for burying her brother, it becomes clear that she was simply demonstrating her love, honor, and loyalty to her family.
Creon would qualify as the tragic hero if the only condition were not being excessively moral or immoral. Antigone's “immoral” side is shown by her (thought-to-be) incestuous behavior with her brother, Polyneicês. In contrast, Antigone’s positive side is shown by the way the she persistent on respecting her brother’s right to be buried in the religious tradition of the time in Greece, so that his soul can live on in the afterlife. “Listen, Ismenê: Creon buried our brother Eteoclês with military honors, gave him a soldier’s funeral, and it was right that he should; but Polyneicês, they fought as bravely and died as miserably, - they say that Creon has sworn no one shall bury him, no one mourn for him, but this body must lie in the fields, a sweet treasure for carrion birds to find as they search for food. That is what they say, and our good Creon is coming here to announce it publicly; and the penalty- stoning to death I the public squarel. There it is, and now you can prove what you are: a true sister, or a traitor to your family.” (Sophocles; Antigone, 3)
Creon in the play of Antigone by Sophocles plays a major role within the play. Antigone also plays an important role, as these two character’s conflicting views led to utter disaster, which highlights Creon as a tragic figure. Within the play Creon attempted to establish decisions for the common good; however, his decisions resulted in tragedy.
The hubris resonating throughout the play, ‘Antigone’ is seen in the characters of Creon and Antigone. Their pride causes them to act impulsively, resulting in their individual downfalls. In his opening speech, Creon makes his motives clear, that “no man who is his country’s enemy shall call himself my friend.” This part of his declaration was kept to the letter, as he refused burial for his nephew, Polynices. However, when the situation arises where it is crucial that Creon takes advice, he neglects the part of the speech where he says “a king... unwilling to seek advice is damned.” This results in Creon’s tragic undoing.
In the play Antigone, I choose Creon to be the tragic hero because he is the King of Thebes and he looses everything he has. Creon being King makes the audience believe that something like that can happen to the King then what can happen to us. Antigone the niece of Creon, The sister of Polyneices was punished by Creon for burying Polyneces after his death, Creon has forbidden anybody to do so. Once Creon punished Antigone the blind prophet Teiresias told him that the Gods will take revenge for his actions, then Creon tried to change everything but he is too late. Creon's tragic flaws were his stubbornness, the abuse of power and the actions he took to cause the downfall of the Thebes.
After the arguments above, readers should recognize that Creon is the tragic hero of Antigone. Creon and Antigone are both main person of the play, but Creon more of a tragic hero than Antigone. Creon’s dominance in society, his high rank, and his tragic flaw self-pride helps prove this topic. Because of Creon’s sophisticated characteristics and position in the story, it makes Antigone’s character seem less of a major character. Almost every reader thinks that since Antigone is the protagonist, and the main character she is definitely the tragic hero. Creon is the tragic hero of the Greek Tragedy, Antigone because of his dominance, high rank, and self-pride.
Antigone’s strength allows her to defend her brother’s honor against Creon, who wants to make a statement about traitors. However, both Antigone and King Creon commit faults while trying to protect the things they love. Antigone should not have died for her beliefs as it puts her loved ones and community in danger, and Creon should not have forbidden the burial of Polyneices as it angers the Gods and causes him great suffering in the end.
A subject of debate in Sophocles’ play Antigone is which character complies with the characteristics of a tragic hero. The qualities that constitute a tragic hero are, in no particular order, having a high social position, not being overly good or bad, isolation, being tenacious in their actions, arousing pity in the audience, a revelatory manifestation, and having a single flaw that brings about their own demise and the demise of others around them. Creon possesses some of these qualities but, does not completely fulfill them all. Antigone does, however, conform to the persona of a tragic hero.
Over time, history has given society many to whom we call true heroes. There are many reasons these heroes have been looked up to such as: bravery, dedication, confidence, and inspiration. However, a tragic hero requires a few different qualities. Aristotle describes a tragic hero as a “member of royalty,” someone who “must fall from tremendous good fortune,” and someone who creates pity for him or herself (“Connections: A Theory” 2000). In Greek drama, Sophocles’ Antigone and Euripides’ Medea both contain several possible tragic heroes including Medea, Jason, and Creon. More specifically, in Antigone Creon exemplifies the qualities of a tragic hero best due to his prominent power as king of Thebes, the way he holds strong to his stubborn pride, and the sympathy felt for him in his tragic downfall.
The characters in the play Antigone all suffer a downfall of some sort. The major characters suffer the most, though. In this short essay, I will document on how the two main characters, Creon and Antigone, both inevitably become tragic heroes.
A tragic hero can be defined as someone with a substantial personality flaw that causes them to endure great suffering with a reversal of character near the end. Antigone possesses certain traits that could potentially render her the tragic hero, but Creon truly embodies all characteristics. Creon is the tragic hero in “Antigone” due to several qualities he displays throughout the play; he can’t accept a diminished view of himself, he endures great suffering and he is enlightened in the end. In the beginning of the play Creon presents a strong confident image, although it becomes apparent self-doubt is present due to his inability to accept a diminished view of himself. Whilst giving the orders to murder anyone who tries to bury Antigone’s brother, Creon refuses the advice of his trusted council because they suggest he may be in the wrong.
Since the play’s inception, there has always existed a contention concerning the true hero of Sophocles’ Antigone. It is a widely held belief that Antigone must be the main character simply because she and the drama share name. This is, of course, a very logical assumption. Certainly Sophocles must have at least meant her to be viewed as the protagonist, else he would not have given her the play’s title. Analytically speaking, however, Creon does seem to more categorically fit the appellation of “Tragic Hero.” There is no doubt as to the nature of the work, that being tragedy. Along with this genre comes certain established prerequisites, and Creon is the only character that satisfactorily fits them all.
In the awe-inspiring play of Antigone, Sophocles introduces two remarkable characters, Antigone and Creon. A conflict between these two obstinate characters leads to fatal consequences for themselves and their kindred. The firm stances of Creon and Antigone stem from two great imperatives: his loyalty to the state and her dedication to her family, her religion but most of all her conscience. The identity of the tragic hero of this play is still heavily debated. This tragedy could have been prevented if it had not been for Creon's pitiful mistakes.
In the beginning of the play Creon is portrayed as King and a leader unwilling to bend the rules in order to protect the city. The way Creon responds to Antigone, “While I’m alive, no woman is going to lord over me”, shows he is stubborn and also his pride. (593-594) While the play continues Creon’s pride grows, and he thinks he can never be wrong and punishes Antigone by locking her up in a cave. However, things turn a different way when the Prophet tells Creon that he must free Antigone or face the wrath of Gods. After hearing this Creon changes his mind, “I shackled her, I’ll set her free myself. I am afraid it’s best to keep the established laws…” (1236-1238) But, as Creon tries to set Antigone free, he is faced with suicides of Antigone and Haemon, and followed by the suicide of his wife, Eurydice. This moment in the play serves as the downfall of Creon. But unlike Antigone, Creon reaches anagnorisis, which is the moment in the play when the tragic character realizes his hubris has led to his downfall. “And the guilt is all mine- can never be fixed…god help me, I admit all!”(1441-1445) Ultimately, Creon is more of a proper tragic character than Antigone because of he has an epiphany, a moment when he realizes his hubris has caused conflicts and deaths in the
The throne of the king of Thebes was passed from King Laius to Oedipus to Creon, making Creon a noble and royal figure. Being a part of the nobility is the first part of the requirement of being a tragic hero involving being a noble and having noble character. Along with having a noble title, Creon possesses the attribute of being noble and honorable. Putting aside Creon’s pride and selfishness for now, he still has the wellbeing and safety of his country, Thebes, at heart. Creon explain...
In the play Antigone, the debate over who is the real tragic hero is and the controversy of Greek ideals in the Antigone continues on to this day. Who is the tragic hero in Antigone? Is it Antigone herself or is it Creon the ruler of Thebes? The belief that Antigone is, is a strong one. Still there are people who think Creon is the tragic hero. Antigone is widely thought as the tragic her. The play is named after her. In addition, she is the antagonist in it. Many people usually associate the antagonist, the good guy as a tragic hero. Look at much television shows, especially cartoons, the good person usually wins. Then there are those who might think Creon was the tragic hero because the gods were against him, and that he truly loved his country. There are five criteria or standards you must meet first in order to be a tragic hero. First, you must be a person of high character or status. The character must not be too overwhelmingly evil or good. Then they must be brought from happiness to misery. Then brought from happiness to misery. Second, the hero enacts a harmartia, "wrong act." This either may be a flaw in judgment or an error. Third, the hero experiences a perpateia, reversal of fortune. This is the tragic downfall or plot twist in the story. Fourth, the hero recognizes his or her responsibility. Fifth, the story ends with a catastrophe. The catastrophe either may be an emotional event, this even may be a death.