The Catcher in the Rye Essay: Use of Foreshadowing The use of forshadowing in a novel can help it's reader get a sense of what is to come in the story without giving away the events themselves. It is a powerful tool which prevents events from being left unexplained, leaving the reader question the effectivness of an outcome. The eventual breakdown of the character Holden Caufield in J.D. Salinger's controversial 1945 novel "The Catcher in the Rye" was foreshadowed in the early chapters of the book. The first clue is his negative approach to life. He begins by talking about his "lousy childhood" (p.1) and the first traces of profanity can be seen scattered about the page in the form of "crap", "hell" and "goddam". Holden's first sign of distrust comes when he speaks to Ward Stradlater about his date with Jane Gallagher: "Listen. Give my regards, willya?" "Okay," Stradlater said, but I knew he probably wouldn't... "Ask her if she still keeps all her kings in the back row." "Okay," Stradlater said, but I knew he wouldn't. (p.33-34) This is seen again when he doesn't trust Stradlater to stop his advances of Jane in the case that she says no. Holden gives up his faith in people to trust him when he boards a bus holding a snowball. The driver refuses to believe that Holden won't throw the snowball so he draws the conclusion that "People never believe you." (p.37). He is also always placing labels upon people as being "phonies" which gives the reader the idea that Holden thinks that others are materialistic. Holdens attempts to protect the innocence in the world is another early sign of his deteriorating state. When Holden goes to Pheobe's school to deliver his note he sees some swearing of the wall which he says "drove me damn near crazy" (p.201). He wipes the words from the wall in an attempt to prevent the inevitable from occuring, leading the reader to believe that he may experience some mental unstability in the future. Eventually he comes to the realization that he can't rub all the profanity away himself. Another example of Holden's attempt to shelter innocence is the fact that he never does call Jane, possibly for fear that she will scar his memories of her as an innocent child. The title of this novel presents this theme to the reader in that Holden wants to be "the catcher in the rye" (p. ) so he can catch all of the children that sway to close to the edge of a cliff in thier play. Perhaps the most obvious example of foreshadowing in the novel occurs when his parents come close to having him "phsycoanalyzed and all" (p.39) when he breaks all the windows in the garage. Throughout the novel he refers to himself as "a madman" (p.79) which gives the reader the idea that he sees himself as having a sort of mental problem. These two peices of evidence alone present a fairly firm idea of what will happen to Holden towards the end of the story. The use of foreshadowing is evident in the novel "The Catcher in the Rye". It does it's job well in that it foretells the outcome of Holdens many problems and gives reason for it. The eventual breakdown of Holden is not startling to the reader because of the authors use of foreshadowing and therefore it is effective.
For Emerson, the reticent beauty of nature was the motivator. To him, photography should be recognized because its still-life beauty was able to persuade the public’s appreciation of the life and nourishment
Salinger went through many of the experiences Holden went though. Salinger much like Holden had a sister that he loved very much, in the novel Phoebe is the only person that Holden speaks highly of; both men also spent time in a mental institution; Holden is telling the story from inside a institution; they were both kicked out of prep school and most importantly they were both a recluse from society. This is why Salinger uses Holden as his persona all though out the book. The ‘catcher in they Rye’ is almost like an autobiography for Salinger. He is using Holden as his persona to let us, the reader, dive into his thought pattern and find out some of the thoughts that he kept locked up in there.
An example of Holden’s changes is when he realizes that he can’t stop even half of the “f**k you’s” in society. You may think it is not important, but it is a vary symbolic point because he realizes that he cannot be the protector or catcher in the rye. Holden dreams of shielding all of the innocent kids from mean words or hurtful comments were shattered by this single declaration. An example of this is when Holden sees the "f**k you" for the first time on the wal...
There is one sensational man who managed to create some of the most intelligent photographs known to the world using only shades of white and black. Ansel Easton Adams was an all American landscape photographer and conservationist. When he made his pictures, he didn’t let others opinions in; he simply took the shots he wanted, and captured them the way that he would like to see them if they were not his own. Throughout Adams’ life, he didn’t only construct work that taught others, but also inspired many along the way.
Holden wanted to be the "Catcher in the Rye," but he now realized that he
Ansel Adams’ was an American photographer who strived to inform people about wilderness preservation throughout his photographs. Each of the artist’s prints, mostly consisting of black and white, showed how each captured moment was an experience into the wilderness and a moment that speaks out about the preservation of the last remaining wilderness landmarks. Throughout his career, Ansel used a variety of cameras including a Hasselblad, a Korona view, a Polaroid Land SX-70, Linhof, Leica, and a 35 mm Zeiss Contax. With his cameras in hand, Ansel set off on many journeys through the wilderness in order to make photographs filled with expression and truth.
Another painting by Kiefer is Deutschlands Geistesbelden or in English Germany’s Spiritual Heroes. He uses bi-lateral symmetry. Each side of the hallway has the same amount of support beams and a large dish filled with some type of kerosene or oil that is burning on each beam. Under each candle there is a name written in black paint, and maybe these are the German Spiritual Heroes. The flaming dishes run all the way down the hallway and it leads to a door. The door that the hallway leads to is the center of the painting.
Adams biggest influence was Alfred Stieglitz. Stieglitz was the creator of the photographic style of pictorialism. (Heath) According to Encyclopedia
In the Catcher in the Rye, Holden is an immature boy. Holden’s immaturity cause him many problem throughout the book. He is physically mature but not emotionally mature. He acts like a child. “All of a sudden I started to cry. I’d give anything if I hadn’t, but I did” (p. 103). Holden shows his emotional unstableness.
From the novel, The Catcher in the Rye, the youthful protagonist Holden Caufield, employs the word “phony” to describe the behavior of a number of characters including Mr. Spencer and Ossenburger, however it is not them who are“phony”, it is the young main character. First, Mr. Spencer, Holden’s ex- history teacher, is not described as phony, but according to the adolescent, his choice of words are. Secondly, according to our main character, Ossenburger is not the generous philanthropist he portrays himself to be, but rather a greedy undertaker. Lastly, the protagonist could quite possibly be the authentic phony. All in all, the main character’s use to describe many other characters in the book is with the single word phony, when in fact the word phony would be the most probable word to describe the lead character.
Ansel Adams was one of the most important photographers of century XX. Recognized for its beautiful landscape photographs in black and white; Adams had a unique style to take photos and techniques of revealed. He took many photographs of strong contrast of light and shadow, bare mountains, giant trees and huge clouds, many of these photos represent highlights in the history of this art form. Adams like many geniuses artistic was marked with Mother Nature at an early age, to see and enjoy its beauty, its delicacy, its simplicity; from that specific moment he knew that photography will be his live and profession. Adams was an expert in the control of the photographic exhibition. His knowledge was so profound that led him to develop his theory of the zone system, exposure method that allows to achieve the desired exposure accurately. Ansel Adams was a genius able to developer photographs with his own techniques to project the image as natural as possible; his images are nowadays authentic symbols of America.
Ansel was persuaded by his parents to attend school again and he went to Mrs. Kate Wilkins' private school. In 1917, he graduated from the eighth grade at Mrs. Wilkins' school. His graduation marked the end of Ansel's Academic Career. Ansel continued to pursue his first loves, the piano and music, as well as his new found interest in photography after his graduation.
William believes that beauty of nature is for all of us to enjoy. The natural world has always been his favorite subject. Looking at the photographic work published in magazines such as National Geographic motivated him to refine his skills. While taking care of a family business, William developed his interest in the local environment. During that time he started to look at the
Which is the kind of world he wants to live in. Holden expresses his desire to preserve the innocence of others when his sister Phoebe tells Holden that he doesn't like anything, and that he has no ambitions of what he wants to be when he is older. Holden then explains that he wants to be the catcher in the rye. He says that he imagines little children playing on top of a hill and that his job is to protect children from falling of the hill. This symbolizes catching children from losing their innocence and falling into the adult world. Holden tells Phoebe, “I know it crazy, but that is the only thing I’d like to be” (172). This unrealistic desire is contributes to why Holden is struggling to transition from adolescence to adulthood. Critics of the novel have said Holden would like to suspend time stating, “Holden's desire to protect children shows his desire for suspending time, for inhabiting a space of young people conserved endlessly” (Yahya 3). Not letting go of childhood memories or accepting the harsh realities of adulthood are damaging when transitioning from
knowledge of the system could manipulate the system in a way to avoid the second law of thermodynamics. This has also been supported by other experiments, such as the Szilard engine experiment (Parrondo). Furthermore, in class we have learned information on entropy that can help to understand this situation. For example, the entropy of a system where it always increases is known as the coarse entropy is when the system is not well understood, and if all the variables are known, the entropy would be zero. This is because the entropy changes depending on how much information is known about the system, with a lower entropy the more of the information is known. Some of the information that could be known include temperature and pressure, or the position of all the molecules and their velocities and accelerations; the second set of information is a lot more detailed than the first, so there are fewer possibilities that could fulfill the requirements (woods).