The Masks of Hamlet

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Masks of Hamlet

Hamlet In Shakespeare’s tragedy, Hamlet, there is a prevalent

and almost overwhelming theme. All throughout the play, all

of the characters appear as one thing, with one standpoint,

and one outlook. However on the inside, all of these

characters are completely different. “This Mask” theme, the

way that all of the characters portray themselves as one

person on the outside and one different one on the inside,

is not in the least disguised by Shakespeare. Claudius, the

murdering king, appears to be a somewhat kind, caring, and

friendly person. But inside he is different. He is cold,

calculating, and self-serving. But this might also be a

mask. The women in the play, Ophelia and Gertrude, both use

a type of mask to cover what is obvious in their lives,

masking it so that they can continue living as if their

existence was without cruelty. And finally Hamlet hides

behind his madness, be it real or pretend, a person who is

indecisive and spiteful. Masks in this play are not just a

theme; they are the whole basis of it.

The mask theme develops throughout the play as various

characters try to cover their secret intentions with a

veneer of a whole other person. One of the most obvious, of

course is Claudius. Claudius murdered his brother, the

former king Hamlet, in order to become king himself. This

murder, which was done in secret, with no one but Claudius

knowing that the act was committed by him. Not only is he

the King of Denmark, but he is also married to Queen

Gertrude, his brothers former wife. These hideous and awful

crimes have not been punished, and no one knows that

Claudius has done this. When Claudius confronts anyone, he

must become someone totally different. Claudius puts on a

mask of his own. He is no longer the self-serving, cold,

calculating man that he really is, out he becomes a kind,

caring man who does his very best to ensure that Gertrude

stays with him, and also so that he can do his best to keep

Hamlet from trying to take the kingdom and destroy what

Claudius has worked for so long to gain.

To this end Claudius wears his mask. But is Claudius really

the mask or what he is underneath? This is called into

question when Claudius tries to seek redemption for his

sins. This scene shows that his character, like Hamlets is

not quite as clear cut as most men. Claudius wrestles with

his guilt by asking himself, ^ÓWhere to serves mercy/ But to

confront the visage of offense?/ And that^Òs in prayer but

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