Comparing Laertes and Hamlet Laertes and Hamlet both display impulsive reactions when angered. Once Laertes discovers his father has been murdered Laertes immediately assumes the slayer is Claudius. As a result of Laertes's speculation he instinctively moves to avenge Polonius's death. "To hell, allegiance! vows, to the blackest devil! Conscience and grace, to the profoundest pit! I dare damnation: to this point I stand, that both worlds I give to negligence, let come what comes; only I'll be revenged most thoroughly for my father." Act 4 Scene 5 lines 128-134 provide insight into Laertes's mind displaying his desire for revenge at any cost. In contrast to Laertes speculation of his father's killer, Hamlet presumes the individual spying on his conversation with Gertrude is Claudius("Nay, I know not: is it the King?" Act 3, Scene 4 line 28). Consequently, Hamlet consumed with rage automatically thrusts out attempting to kill Claudius, but instead strikes Polonius. Hamlet's and Laertes's imprudent actions are incited by fury and frustration. Sudden anger prompts both Hamlet and Laertes to act spontaneously, giving little thought to the consequences of their actions. Hamlet and Laertes share a different but deep love and concern for Ophelia. Before his departure for France Laertes provides lengthy advice to Ophelia pertaining to her relationship with Hamlet. Laertes voices his concern of Hamlet's true intentions towards Ophelia and advices her to be wary of Hamlet's love. Laertes impresses upon Ophelia, Hamlet is a prince who most likely will have an arranged marriage. Hamlet's strong love for Ophelia withers after she rejects his affinity. Hamlet's extensive love for Ophelia resulted in grave suffering for Hamlet once his affection was rejected. Hamlet's appearance decays due to the rejection of his love for Ophelia("Pale as his shirt, his knees knocking each other" Act 2, Scene 1, line 82). The loss of Ophelia's love for Hamlet instigates Polonius into believing it has caused Hamlet to revert to antic disposition. Once Laertes learns of the death of his sister he is afflicted with sadness. In the same way, Hamlet is shocked and enraged over Ophelia's demise. Both Hamlet and Laertes are so profoundly distressed at the death of Ophelia they jump into her grave and fight each other. Although Hamlet and Laertes despised one another, they both loved Ophelia. Hamlet was infatuated with Ophelia which was obvious during his constant anguish over her(in her rejection of Hamlet, and in her death Hamlet suffered greatly). Laertes shared a strong brotherly love for Ophelia which was evident in his advice to her. Laertes further displayed his love for Ophelia during her funeral were he fought with Hamlet. Hamlet and Laertes are similar in the way they associate with their families. Laertes highly respects and loves his father Polonius. Similarly, Hamlet holds a great respect for his dead father(Hamlet compares his father to a sun god "Hyperion"). After the death of their fathers, Hamlet and Laertes strive to seek revenge on the assassins. Hamlet and Laertes exhibit domineering attitudes towards females. Laertes gives his sister Ophelia guidance on her relationship with Hamlet. In the same way, Hamlet is able to persuade Gertrude he is not mad and manipulate her to follow his instructions. Hamlet directs his mother to convince Claudius of Hamlet's madness. Hamlet is able to make his mother reflect upon her part in the death of his father and feel guilt("Thou turn'st mine eyes into my very soul, and there I see such black and grained spots as will not leave their tinct." Act 3, Scene 4 lines 90-93). Furthermore, Hamlet instructs his mother not to sleep with Claudius. The fathers of Laertes and Hamlet both attempted to use spies to gain information on their sons(although not his real father Claudius was his uncle as well as step-father). Claudius employed Rosencrantz and Guildenstern to gather information on Hamlet. In comparison, Polonius dispatches Reynaldo to check up on Laertes. Hamlet and Laertes share similar aspects within their families.
When Paul's father took him out of school and demanded he not work or see anyone at the Theatre, I believe it was at this point of the story that he took away apart of Paul's life, his fantasy life. He took away Paul's meaning of life and put him back into the reality, the world Paul did not like because for him it was the instruments, the music and the lights, as well as, his job responsibilities which made him feel like someone special.
At the beginning of the play, Laertes spoke to his sweet, loving sister Ophelia about his departure of Denmark to go to England and also his concerns of she and Hamlet’s relationship. He warned her of what he thought Hamlet's true intentions were.
First a quick summary: Idoru translates as "idol singer" in modern japanese culture - specifically to the Virtual, entirely artificial video stars that have been created and animated entirely on computer. Presently these Idoru are 3D rendered "anime" style character who along with becomming top selling "artists" also help to sell cars on television, go on talk shows, even "sign" autographs for their millions of fans. The Idoru in Gibsons book has evolved into real-life 3D with the aid of holograms and eventually nanotechnology.
Some similarities in Laertes and Hamlet were that they were both students. Laertes and Hamlet were dutiful sons that [who] were outraged and felt personally wronged by their fathers' deaths. They swore to get revenge against the assailant. Laertes and Hamlet both blamed Claudius for the deaths of their fathers'. [no '] Also, Hamlet and Laertes posed a threat to Claudius because of their potential for becoming king. They go above the law in order to seek justice, which discredits the honorable basis of their actions. There was a shared love for Laertes's sister, Ophelia. Hamlet and Laertes have seen the ghost of Hamlet's father. [?]
His father was killed by Hamlet and his sister was driven insane due to the series of events that took place because of Hamlet. Like Hamlet, Laertes wants to avenge his father by killing the man who killed Polonius. As described earlier, Hamlet is slow to act. Laertes, on the other hand, acts quickly and with precision, wasting no time in acquiring his target and formulating a plan. Robert Palfrey Utter, Jr., puts it best, Hamlet and Laertes both come to the same conclusion that murder must be carried out, but Hamlet reaches that conclusion only “after he has had a few minutes to think it over.” (140) Once Laertes finds out that the man who killed his father was Hamlet he is ready to charge in and kill him as soon as possible. He is only stopped by Claudius, who advises him on a more subtle approach. Straight off the bat it is clear how efficient Laertes is compared to Hamlet. Hamlet wastes a large amount of time scheming up complex ideas on how to get a confession out of Claudius and how to kill him. Laertes on the other hand wastes no time in getting a straight and to the point plan that he can execute immediately. After spending more than half the play watching Hamlet squirm around on the stage getting almost nothing accomplished, the audience would be acutely aware of the stark difference between Hamlet and Laertes even though they share the same motivations. Laertes has his speed but he shares in Hamlets lack of critical thinking when he gets hot headed. He is in such a blind rage that he doesn’t think on what he is agreeing to do with Claudius. Just like Hamlet, his brash actions cost those around him his life. In carrying out the plan, the King, the Queen, Hamlet, and he all die to the poison that was used in the duel. Hamlet was slow and reckless while Laertes was quick and reckless. Wilds sums up the relationship between Hamlet and Laertes perfectly, “Laertes and Hamlet have been foils to each other
Ophelia's suicide was caused by the loss of stability that her father provided. Even though he was only working in his self-interest, she still depended on him and trusted that he would provide her good counsel. Also, the inability to express her love for Hamlet leads her to commit suicide. Both Laertes and Polonius were against her relationship with Hamlet because of his potential to ruin her life. They advised her to avoid Hamlet and repress her feelings towards him to protect herself from a threat to her honor. She loses her purity due to the relations she had with Hamlet and comes to believe thatHamlet will abandon her and leave her disgraced, just as Laertes warned. This combined with the loss of her father and her suppressed feelings
...will pack my bags of books and paper. One day I will say goodbye to Mango. I am too strong for her to keep me here forever. One day I will go away.” (Cinceros 110) This shows how Esperanza needs to break free of Mango Street and move on because Mango Street has nothing more to offer a young free mind like Esperanza. She will move far away so she can continue on with her American Dream as one person and not have the weight of her family’s American Dream on her shoulders.
“They always told us that one day we would move into a house, a real house that would be ours for always so we wouldn't have to move each year… Our house would be white with trees around it, a great big yard and grass growing without a fence. This was the house Papa talked about when he held a lottery ticket and this was the house Mama dreamed up in the stories she told us before we went to bed.” (1.4)
Paul stated a few times throughout the story that being in the atmosphere of luxury was "the only thing that could be called living at all" (198). He speaks of these times as "orgies of living," so I would imagine when he realized he could not afford that life, he felt that he could not live at all (200). Paul 's unhealthy desire for a life of luxury drove him to believe that his ordinary life was not worthy of existence.
Paul's struggle with his past and with social classes is ultimately the cause of his misery and death. Throughout his life at home, he hates living in a lower class than he belongs in. He feels that he is completely held back by the place he lives and the people that surround him, so he runs away. When he finally gets away, everything is fine. However, when he realizes that sooner or later, he will have to return to Pittsburgh, he decides that his past was so unpleasant for him that he would rather just end it all by committing suicide. It is definitely true that these modernist ideals played a very significant role in the development of this short story, and in the ultimate downfall or Paul.
Esperanza is first influenced by an experience out of her control when she is forced to uproot from her previous home and move to a new house on Mango Street. Her initial idea of the house was that it was just another house; falling apart like the ones before with,
In Polonius's house, Laertes consults Ophelia about her relationship with Hamlet. He counsels her to be wary of getting attached to Hamlet. “Be wary then, best safety lies in fear./ Youth to itself rebels, though none else near” (Shakespeare 16). Laertes is the concern of Ophelia’s feelings when Hamlet breaks her heart. In addition to concerning about her, it shows that Laertes loves and cares towards his sister as a brother by telling her what is right and wrong about falling in love with Hamlet.
Joanne Greenberg was born in Brooklyn in 1932, and is a very respected and award-winning author. Because of her experiences as a Jewish-American and having fought her own battle with schizophrenia, Greenberg wrote I Never Promised You a Rose Garden to help people understand what it is like have to face so much hardship. After her illness was treated, she went on to earn a bachelor’s degree in anthropology and English. Throughout her life, she has fought for the respect and empathy that individuals suffering from both physical and mental handicaps have been denied. Joanne Greenberg presents her experiences by relating them to Deborah Blau.
The differences that laertes has from the two other noble men is greater than the similarities that they all share. So, Laertes was not very close with his father unless his father was giving him advice on how he should behave while he is away from him to keep an eye on him. In 1.3 before laertes leaves for France the only thing that Polonius does is tell him that he should know how to act, and to basically keep his family 's honor because what laertes does will be portrayed back to Polonius. On the other hand Laertes was fairly close to Hamlet for only one main reason, that reason being that Laertes is Ophelia’s brother, and Hamlet is Ophelia’s lover. Along with that Hamlet would spar with laertes when laertes was in the kingdom. Although that all changed with the murder of his father. Laertes was over in France when Polonius was killed, so when he first heard of this news he thought it was king Claudius that has killed his father. In 4.5 when Laertes and his followers first enter the castle, he believes that the king did kill his father so he came to kill the king until the king reveals that he did not kill Polonius, but that Hamlet actually murdered Polonius. After this laertes teams up with the king to actually kill Hamlet in four different ways. In 4.7 Laertes and king Claudius talks about poisoning Hamlet’s drink, dipping
Me, and my friend named Matt were talking about sports one day last year, when our conversation took a drastic turn into an argument. The sport of topic was Basketball, and it was about a week before the NBA Finals. I was saying how the Los Angeles Lakers were going to take the whole playoff championship with out a loss. He on the other hand was a Philadelphia fan, and wanted to see the 76ers beet the Lakers in the NBA finals. I thought it was preposterous for him to say the Lakers would loose the NBA Finals, after not loosing one game on the way there. And so our argument started there.