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Christian literature essay
Christianity impact on literature
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Old Man and the Sea This part of the story has to do with Santiago against nature and the sea. In this part of the story, he goes out and fights nature in the form of terrible forces and dangerous creatures, among them, a marlin, sharks and hunger. He starts the story in a small skiff and moves out in a journey to capture a fish after a long losing streak of eighty-four days. Unfortunately his friend must desert him due to this problem and a greater force, his parents. Santiago must go out into the danger alone. For three harsh days and nights he fights a fish of enormous power. This is the second form of nature he must conquer. Earlier in the story, the first part of nature is himself, for which he must fight off his hunger. This is a harsh part of the story. He manages though to get a few bites in the form of flying fish and dolphin of which he would like to have salt on. This part of the story tells of a cold and harsh sea, that is, one that has value and mystery as well as death and danger. It has commercial value as well as the population of life in it. It is dark and treacherous though, and every day there is a challenge. A similar story tells about a tidal pool with life called `Cannery Road'. This part of the story has to deal with figures of Christ. It mainly deals with Santiago as being a figure of Christ and other characters as props, that is, characters which carry out the form of biblical themes. On the day before he leaves when he wakes up, Manolin, his helper, comes to his aid with food and drink. Also a point that might be good is that he has had bad luck with his goal for a great period of time and is sure it will work this time. Later, though, when Santiago needs him for the quest he sets out to do, Manolin deserts him, although he may not have wanted to at this time. In the novel Santiago comes upon a force bigger than his skiff, the marlin which misleads him out far past his intended reach. This is where he starts to lose his strength against something which seems a greater force. Santiago has a struggle of three days, which is significent because of the three days in Easter, and continues to fight on though his goal may not aquire anything. This is another idea through which Christ did, a struggle to get a goal done even though it may mean certain destruction to himself. This might accomplish nothing but the satisfaction of doing this and also has great risks. Finally he comes upon a painful experience with his hand which is in great pain and won't move. This is useful in the place where Christ loses his physical self and has less to deal with. On the third day, he recovers himself and returns to his home even though his only remaining treasure was a broken skiff, experience, and a torn up marlin. And in the final conclusion, you can see him dragging the mast of his skiff, a cross-like object, in his hand. This story has a certain sequence of events, first it has a hunter vs. his prey. This hunter does respect th e prey. Throughout the book it has this series of events: encounter, battle, defeat, and respect for the prey. This is Hemmingway's `Code of Honor'. This part of the novel has to do with relationships between two characters. The first to discuss are Santiago and Manolin, Manolin being the small follower of the old man named Santiago. Manolin is a small person that follows Santiago and listens to his wisdom. They treat each other unfriendly though for Manolin calls the Santiago 'old man' and he calls Manolin `boy' which seems to be absurd. In that situation I would consider both of them to go see a doctor. The next relationship to talk about would be that between Santiago and the village, which seems to be much better. He is given credit for food and he also is waiting to show his greatness to the villageby catching a great fish as soon as he can. His thought on that, though, is that any fisherman can ctach it during the easy season but only a few can go out and catch one during the hard season. He has no consideration for the luck, and would rather try to fish through being exact rather than being lucky. The other relationship in this story has to do with Manolin and his parents. Manolin seems to be very rebellious against his parents, although he does submit to their demands. Santiago's greatest link to the village is the boy. Santiago may be poor in the story, yet is proud. This story when compared to being imaginative is good, but in real life is somewhat of a `Fish Story'. The part where an old man being able to load in a ton of fish is very unimaginable. The scenario, though, is very interesting for the part of the old man. He goes out all alone into the depths of the ocean without an idea for what is in store. This story has good points, for when it comes to the better parts of the story, it emphasizes by placing in mind step by step of the way he does certain actions. The part of the story which, to the best of my belief, had no part or reference in the story was the dream of lions on a beach of Africa, which this fisherman probably had never even visited much less seeing lions on a beach. This was like most stories in the main plot. First characters are introduced, then a threat reveals itself, showing true natures of all the characters, and finally the threat is fought off or it remains, leaving the reader in suspense. This had a good plot but needed more to go on in my opinion. Hemingway's strong parts of this story are emphasized on vocabulary. He probably learned these fisherman terms for he once was a fisherman in Cuba. There is one problem to this, though. Throughout the story he uses these terms over and over although the ordinary person, like me, would forget them after the first use of them and unfortunately he doesn't ever re-coin the terms again throughout the book. Some vocabulary he uses stands for sharks or the sea itself. Others he uses for bait. The main idea though in this part is to let the reader get the feel for the life, setting and character of the fisherman himself. This is a great move to place yet is also very hard to co-exist with the average reader. This has some good points, though, and among them is review. The reader must review the story and skim it in order to rethink the concept of the word. Then he or she must return to the current position in the book and place it into the text. The concept of vocabulary is a standard not to live by, and should not be placed into most books unless the terms are to be used many times throughout the book. Hemingway has merged three themes already mentioned above successfully unto this book. Among them are figures of Christ, Nature (the sea), and a code of honor. This was challenging. The obvious ones were nature, it's cruelty and compassion. Nature caused his hand pain yet healed it, caused hunger yet satisfied it, and gave the fish yet reclaimed it. This is the way nature works. Nature is actually more luck than a set of rules, for it can shift back and forth with the greatest of ease. The second theme, religion, could not be easily pulled from the text. The best clue to where it happens is the falls of Santiago as well as his carrying the mast. This symbolizes the end of Christ, although Santiago on the other hand is just retiring for the night. But it could be interpreted as the end of the book for which it is. The code of honor is not actually probably the hardest to interpret. It can only be pulled from context, which is the hardest to do. It has mainly to do with the rise, battle and fall of the prey and respect following. The problem in this is that Santiago was at fault for expanding out so far, and it was dangerous. This is similiar to the book A Journey to the Center of the Earth, which I recently read.
Hemingway lived an interesting life, which allowed him to take past life experiences and tell them through novels. He does this exclusively through subtle symbolism in works like The Old Man and the Sea. As with all his other works, Hemingway incorporates a past experience into The Old Man and the Sea. Hemingway does this in the largest scene in the book by using birds, the sharks Santiago fights off, the marlin itself, and the other fish in the sea as symbols. In the book, Hemingway uses the birds to represent his friends and mentors, the sharks being the critics of his book, the marlin being The Old Man and the Sea, and the other fish representing Hemingway's other works. Hemingway uses symbolism when he writes, “‘You are killing me, fish,’ the old man thought. ‘But you have a right to. Never have I seen a greater, or more beautiful, or a calmer or more noble thing than you, brother. Come on and kill me. I do not care who kills wh...
Santiago is a poor fisherman who goes out to fish and endures pain and hardship for no result. He returns, defeated and vows that he is unlucky. When all is lost, Manolin appears on his doorstep and helps him realize he indeed has a reason to hope. “‘No. I am not lucky. I am not lucky anymore’ The old man said. ‘The hell with luck,’ the boy said. ‘I’ll bring the luck with me’” (Hemingway 124). Santiago has given up hope of ever fishing again. He believes himself to be unlucky. The old man lost the fish that could have brought everything to him. Manolin believes in Santiago when he is at the trough of his existence. Santiago finds hope.
He first struggles internally when he wants to understand the dream he is having repeatedly. During the call to adventure in the hero’s journey, Santiago heads to an old gypsy in order to understand the dream he has. However, after listening to the interpretation, Santiago decided to “never again believe in dreams” because the gypsy only told him things he had already known (Coelho 17). This internal struggle, which sets the stage for the rest of Santiago’s struggles, had restrained Santiago for some time because he wasn’t able to pursue his personal legend if he didn’t believe in it, However, he later overcomes this struggle and continues on his path to achieving his personal legend. Santiago struggles internally later when he meets with the chief of a camp in the desert who tells him that he wants to see him turn into the wind. The alchemist, a man Santiago met to help him achieve his personal legend, told the chief that Santiago will be able to turn himself into the wind to show his powers, and if he can’t, “[they’ll] humbly offer [them] [their] lives” (Coelho 145). Santiago has never turned himself into the wind, so he has to dig deeply within in order to find the
Obviously, those don’t sound too good for our environment and for us humans; our health. A good pro about coal is known for being the cheapest out of all the other non-renewable energies. Also, it is one of the most stable energy resources out of the other sources. "Wind energy typically generate electricity at only 25 to 40 percent of their capacity because their blades are often still. In contrast, a traditional coal plant operates at about 70 percent capacity." The coal company has had some faults. "In the last five years, the coal industry has lost 94 percent of its market value- the price at which it would trade in the
First, the old man receives outer success by earning the respect and appreciation of the boy and the other fishermen. The boy is speaking to the old man in his shack after the old man’s long journey, “You must get well fast for there is much that I can learn and you can teach me everything” (Hemmingway 126). The boy appreciates the fact that the old man spends time to teach him about fishing. He respects him a great deal for he knows that the old man is very wise and is a magnificent fisherman. The fellow fishermen also show respect towards the old man as they note the size of the fish after the old man returns home, “What a fish it was, there has never been such a fish” (123). The men admire the fact that the old man has caught the biggest fish that they have seen. Many fishermen resented Santiago at first, however their opinion changed once they realized what the old man has gone through. Being admired by others plays a major role in improving one’s morale.
Governmental actors through weak and disorganized policies have attempted to define the future development of the Fort without succeed. At the same time, despite the efforts of non-governmental organisation, i.e. the Marco Polo System, to shape the course of development of the Fort, the outcomes remain uncertain. Free play of market players, such as restaurants and bars, and individual choices of residents and local communities embody the actual shape of Forte Marghera as a creative and cultural park. In the end, the growth of Forte Marghera’s was largely caused by the availability of material and immaterial space: politically, physically, socially, and culturally.
Bateman, T and Snell, S. 2004. Management The New Competitive Landscape. New York, NY McGraw-Hill
Santiago does not treat Manolin as a young boy, but rather as an equal. Age is not a factor in their relationship. Manolin does not even act as a young boy; he is mature and sensitive to Santiago’s feelings. He even offers to go against his parent’s wishes and accompany Santiago on his fishing trips. Santiago is viewed as an outcast in his village because he has not caught any fish for more than eighty-four days and is therefore “unlucky”.
Santiago’s decision to go farther out into the sea displays an attempt to regain “his long gone pride”(93). As the old man is battling the marlin, the action of the fish circling around his boat is repeated constantly. Hemingway’s use of repetition emphasizes the difficulty of the battle. The repetitive use of the word circle describes how the fight between the two very stubborn enemies kept going on continuously, as if in a circle. Powered by his pride, the old man’s motivation remains unwavered throughout. He withstands the intense pa...
The constant struggle makes Santiago realize that he is no longer as young as he thinks he is and
The old man and the sea is a novella about an old Cuban fisherman, Santiago, and his three-day battle with a giant Marlin fish. Throughout the novella, Santiago is portrayed in different perspectives. He is tough and refuses to give up at any time. He withholds the will to continue and the courage to overcome what is believed to be the impossible. His persistence and confidence, his absolute determination and his unique way of accepting the reality makes him a noble hero.
Some of the details are to inform the reader that the old man really enjoys and values the ocean. One way which Hemingway shows this is that Santiago refers to the sea as "la mar," a kind and beautiful yet sometimes cruel feminine creature. Younger fishermen refer to the sea as "el mar," which is masculine. Changing this to be masculine means that they do not feel that the sea has any beauty or significance other than for money. Another way that the author tells that the old man appreciates the ocean is in one of his descriptions in the book. "Most people are heartless about turtles because a turtle's heart will beat for hours after it has been cut up and butchered. But the old man thought, I have such a heart too and my feet and hands are like theirs." Since Santiago has spent so many years of his life at sea he sees the beauty of the sea and the beauty of its creatures. This is also noted in another quotation from the book, "The iridescent bubbles were beautiful. But they were the falsest thing in the sea and the old man loved to see the big sea turtles eating them." Santiago finds pleasure about everything in the sea, even after going a disappointing eighty-four days without a fish. All of these are examples of how much the old man appreciates the sea.
The dream of lions, the creatures of the sea, and DiMaggio are fluent symbols throughout the story. The major theme, having pride even if there is no success, corresponds heavily with the message of life. Minor themes, like man and nature’s relationship, the circle of nature, and what being a man fully means, supplies support for that too. These words that flowed from the mind of Ernest Hemingway onto these pages and formed this story has been read by thousands. Every one of those thousands of readers have most likely been exposed to the millions of perspectives on life. This very classic of a novel is one of those millions and has been able to endure the test of time by connecting with it’s readers on a basic and deep level of the significance of
In the opening of the novel, the entire town has turned against Santiago, because he is ”salao,” truly unlucky, Manolin still cares and believes in Santiago. Since he is the on;y boy who refers to the old man by name. This suggests that the by knows him in a way that few do. Manolin is an apprentice fisherman in a fishing
The relationship between animal and human in this text shows as a relationship of appreciation and respect. Santiago loves everything about being a fisherman. He is lonely at sea and his sea friends are his companions. He has great respect for the sea as well as the inhabitants that swim and live in it. He does not love all creatures of the deep, blue sea, however, does show respect for each one. Santiago has a particular relationship with the marlin. He comments that the marlin is “wonderful”, “strange”, “strong”, “wise”, and “that is fight has no panic to it” (Hemingway 48 -49). Based on his description of the marlin, Santiago loves and respects him as a worthy opponent and brother, “Now we are joined together and have been since noon” (Hemingway 50). Santiago is not only literally linked to the marlin, but also figuratively because the outcome of this battle will determine both their fates. The old man says, “The fish is my friend too,” he said aloud. “I have never seen or heard of such a fish. But I must kill him I am glad we do not have to try to kill the stars” (Hemingway 75). He starts to imagine impossible feats like killing the moon or the sun and feels lucky that his task, in relative terms, is much simpler. Although he is sad to kill the fis...