Metaphor and Contrast in Lines 299-318 in Act III, Scene iii of Othello
Othello’s feelings toward Desdemona are vacillating. He loathes her for her infidelity and, at the same time, he is devoted to the faithful Desdemona he once knew. These conflicting emotions are developed using a mixture of metaphor and contrast.
This fellow's of exceeding honesty
And knows all (qualities) with a learned spirit
Of human dealings. If I do prove her haggard,
Thoguht that her jesses were my dear heartstrings,
I'd whistle her off and let her down the wind
To prey at fortune. Haply, for I am black
And have not those soft parts of conversation
That chamberers have, or for I am declined
Into the vale of years—yet that's not much—
She's gone, I am abused, and my relief
Must be to loathe her. O curse of marriage,
That we can call these delicate creatures ours
And not their appetites! I had rather be a toad
And live upon the vapor of a dungeon
Than keep a corner in the thing I love
For others' uses. Yet 'tis the plague (of) great ones;
Prerogatived are they less than the base.
'Tis destiny unshunnab...
...the introduction of the English forces introduces another level of patriarchy. It is clear that patriarchy is a dominant theme in both texts, and it beautifies the flow of each story in a unique approach. Despite all the similarities and differences between characters, the success and failures comes down solely to the audience viewing it.
Another place where Notley reiterates the main thesis is while the reader is being introduced to the tyrant. (Notley 5) Alette is told, “you must give up” “to the tyrant” “all your flowers”” all your carnations” “or your cut hair” “give him your hair” “you must give him your jokes” “your best jokes” “he takes whatever-“ The woman on the same subway car as Alette tells her this because she wants Alette to understand ...
A variety of films were created during the Great Depression era. For the most part, the films created between 1929 and 1940 featured a better life. Although the Great Depression took a huge toll on many other industries, the film industry still managed to make large profits compared to other businesses. All these films were produced during the same time period however, they all provide different details about life during this time period; specifically, they provide a different look on how women were treated in the 1930s. Such movies include Room Service, Modern Times, and The Public Enemy. Every film is different from the next, though many have several similarities. Modern Times and Public Enemy are similar to each other because of how they feature women, while Room Service is completely different. In Room Service, women were portrayed as equal to man; while in Modern Times, no women were featured as workers in the factory.
Desdemona is a stunning, youthful, white, Venetian debutante. She is her father's pride and joy, but she refuses to marry any of the rich, handsome Venetian men that her surroundings expects her to spend the rest of her life with. Instead, she elopes with Othello – an older black man, an outsider to Venetian society. Turns out, this is a pretty intrepid move – Desdemona not only defies her father's expectations (that she marry a white man of his choosing), she also thumbs her nose at a society that largely disapproves of interracial marriages. In this way, Desdemona's relationship with Othello speaks to the play's concerns with Sixteenth Century attitudes about sex, gender, and race. Desdemona withholds many attributes to the play Othello by Shakespeare. She leads on a perfect life, as the perfect woman, but will it last forever?
Fletcher says that when unions and politics come together, people especially interpret unions’ missions and their power critically. He does not expand on how he titles the myth, but skims the surface on union consensus regarding politics. The myth is about the belief that “unions should stay out of politics and focus on what’s happening in the workplace” (Fletcher 65).
The love between Othello and Desdemona is a great venture of faith. He is free; she achieves her freedom, and at a great cost. Shakespeare, in creating the figure of her wronged father, who dies of grief at her revolt, sharpened and heightened, as everywhere, the story in the source. Her disobedience and deception of him perhaps cross her mind at Othello’s ominous ‘Think on thy sins.’ If so, she puts the thought aside with ‘They are loves I bear you.’ . . . Othello is a drama of passion and runs to the time of passion; it is also a drama of love which, failing to sustain its height of noon, falls at once to night. (141)
Othello is a character of which he believes he has high standards and is a strong character, but yet his love for Desdemona becomes a great weakness which causes conflict later in the play.
It is apparent that Othello idolizes Desdemona, through the language he uses in describing her as well as how he treats her during their interactions. While most female characters in the play are oppressed and demeaned by their male partners, Othello’s respect for Desdemona is a testament of his feeling inadequate and strive to entice her. Although he has an alterior motive of evading a conviction of witchcraft to win Desdemona’s heart, he confesses to many noblemen including Barbantio, Desdemona’s father, that Desdemona does not love him, just his war stories. Incidentally, his war accomplishments were the only way a man of his background would be able to be so close to a prestigious woman such as Desdemona in a time plagued with so much racism. In the second scene of Act V, Othello has been pushed well beyond his breaking...
The basis of today’s opposition’s argument is that unions have outgrown their usefulness and can be harmful to American businesses and the economy as a whole. The opposition’s argument has some merit and supporting evidence albeit with personal and political bias.
Texts and their appropriations reflect the context and values of their times. Within Shakespeare’s Othello and Geoffrey Sax’s appropriation of Othello, the evolution of the attitudes held by Elizabethan audiences and those held by contemporary audiences can be seen through the context of the female coupled with the context of racism. The role of the female has developed from being submissive and “obedient” in the Elizabethan era to being independent and liberated within the contemporary setting. The racism of the first text is overtly xenophobic and natural, whilst the “moor” is unnatural whereas the updated context portrays Othello’s race as natural and racism as unnatural. Therefore these examples show how Shakespeare’s Othello, and it’s appropriation, Geoffrey sax’s Othello, reflect the context and values of their times.
The labor union movement over the years has shaped the way individuals work and live for both the nicest and unpleasant. Some would think the unions influence has created a power struggle between management and union leaders. In today’s time, some citizens insist the existence of unions are a must to aid in employee freedom, while others view the labor unions as just another problem in the line of progress. The purpose of labor unions was for employed workers to come together and collectively agree on fundamental workplace objectives. The rise of the union came about after the Civil War- responding to the industrial economy. Surprisingly at the least unions became popular within the 1930-50’s and began to slowly decrease, starting in the 1960’s on to today. Although, the popularity of labor unions has decreased, its importance remains to be evident with politics, journalism, auto, and the public education industries. The objective of this paper is to shine light upon labor unions, taking a closer look at the disputed issues of union ethics, concerns of union diversity, and the opposing viewpoints of labor unions.
Young athletes put in danger by the competition, aggressiveness, and intensity of sports. Kids everyday are being pushed past limits by coaches parents and fans. The intensity of sports has become so high they are causing mental and physical exhaustion. Sports like wrestling has kids eat different to either lose gain weight. Football player, Baseball player, and even cheerleader have to work out in extreme temperatures. Some kids involved in competitive sports have been taking weight lifting classes and even just conditioning. The youth are being put in danger due to how competitive, aggressive, and intense youth sports have become.
From this point on, Othello insecurity manifests into a seemingly irrational fear of being cuckolded, and his self-perceived worth diminishes exponentially. Othello comments on the likelihood of Desdemona cheating, by explaining how it may be “for [he is] black / And have not those soft parts of conversation / That chamberers have…” (3.3.280-282) Othello’s frustration with the threat of being cuckolded puts strain on his relationship with Desdemona, and she quickly becomes a victim of domestic abuse. For example, Othello acts as an interrogator, demanding to see the handkerchief which he gave her that symbolizes faithfulness and commitment towards Othello. (Quotation) When she is unable to produce their symbol of trust, Othello’s anger manifests inside him. The audience is shown a stark contrast to Othello’s typically cool, collected and composted nature. This abrupt and irrational change in behaviour is emphasized when Othello strikes Desdemona in front of Lordovico, (4.1.245) Othello’s
Randall’s use of descriptive imagery shows the mother’s love for her daughter and sets up the dramatic situation. “She has combed and brushed her night-dark hair” (line 17). Through the carefully combing of her daughter’s hair, the reader can tell the mother takes a tremendous amount of pride in her daughter’s appearance. The quote also shows how profoundly the mother loves her daughter. Then when describing the girl’s shoes and gloves, Randall selects the color white. The color is represents of her purity and innocence.
The role of jealousy, love and betrayal play a major role in The Tragedy of Othello, the Moor of Venice. The entire play is based on the human interactions of the characters as related to Othello and Desdemona. The characters’ personalities, their social status, and their relationships to each other control the story line and their fate in the play. Othello is portrayed early in the play as an outsider with animalistic characteristics by Iago and Roderigo because of jealousy. “Your heart is burst; and have lost half of your soul/Even now, now, very now, an old black ram/Is tupping your white ewe”.(531) Desdemona’s father, Brabantio, accuses Othello of using witch craft on his daughter. “If she in chains of magic were not bound/ Whether a maid so tender, fair, and happy/ So opposite to marriage that she shunned…” (535) This point is important because Othello must defend himself not only to Desdemona’s father, Brabantio, but to the entire Venetian Senate. “And till she come, as truly as to heaven,/ I do confess the vices of my blood./ So justly to your grave ears I’ll present/ How I did thrive in this fair lady’s love, / And she in mine.” (539) Othello proves himself to be an intellectual hero early in the play. He has worked hard to gain respectability and power, but because he has a different background, is from another country, is dark-skinned and is older than Desdemona, he becomes jealous very quickly of Cassio. Cassio is from the same social class, is compatible with Desdemona and is a young handsome man. Iago has also convinced Cassio to seek favor with Desdemo...