Optimism in Camus' The Stranger (The Outsider)
The novel The Stranger by Albert Camus can be viewed from several different perspectives. Some people see this book as a "slap to the face" or an insult. Others, however, find the views expressed in this novel to be comforting and optimistic. Just as there are many different people in the world, there are many different interpretations and opinions surrounding this novel. I have found The Stranger to be a novel that is uplifting and reassuring and, therefore, wonderful .
This novel is important, not because I subscribe to the views expressed in it, and not because many people do not, but — in my opinion — simply because every person should be exposed to the existentialist idea of living. Most people do not realize that their religion and, thus, many of their beliefs have been laid out for them by circumstance. They were born to Christian or Jewish or Buddhist parents and that is what they became. Simple. Far too simple for my liking. I often wonder how people can accept what they have not been able to discover for themselves. Religion has all the answers for people. If you are sad, look on the pages that deal with sadness. You will feel better. I would not feel better. I would feel like a mindless person, a slave to a way of perceiving life that I had no part in creating. I feel at home with the existentialists as they ask: “Why?".
My question is, why must people refuse to come to their own conclusions? Why is it taboo to not embrace a "God" but embrace your mind instead? Why can we all not realize that we are alone, that we must find meaning in our lives because we are alive, not because someone or something wants us to live a certain way? As Camus puts it: “I opened myself to the gentle indifference of the world."
Some people would find themselves naked in the kind of atmosphere that Camus writes about: a life where there is no set guideline and moreover, no reward for following a set guideline. Those are the people who need God in order to get out of bed each morning. Those are the people who might like to burn Camus' The Stranger. I can fully understand why people would hate this book if they were honest, God-fearing men and women.
image of the city after the rainstorm but upon closer look , it actually revels much more about the
...rs that had already been put in place. This meant that the company would have to negotiate with the union as the head of the janitorial workers’ bargaining sector. Therefore, the bargaining order would be the right remedy if the company was found guilty of the charges (BrainMass, 2014).
Singer presents his argument specifically in terms of famine relief and, although it has broader applicability, the discussion mostly falls under this specific topic. Thus, he conforms his argument around aspects relevant to famine and/or poverty when laying out his three core premises.
This concept now embedded in the Federal Rules of Evidence can trace its philosophical underpinnings in prerevolutionary England. Before the 17th century, English courts had very few limitations on what evidence could be admitted into court.3 This court system, which was created in the wake of Norman invasion in 1066, did not ...
In Part One of The Stranger, Albert Camus avoids religious confrontations with Meursault in order to subconsciously place blame on Christ for his criminal actions. Camus restricts Meursault’s relationships to further distance him from his mother. Meursault then alienates himself from the typical spiritual ceremonies and actions to demonstrate his distrust of religion. Simultaneously, Camus uses diction of clear and bright elements to characterize people in the novel, excluding Meursault. Camus associates dark colors with Meursault to depict a sadistic persona. To conclude, Camus places Meursault in recurring situations which result in him being distracted by “the light”. Camus uses these literary techniques in The Stranger to demonstrate man’s condemnation of God.
The Motif of the Sun in The Stranger In Camus' novel The Stranger, the predominate motif of the sun has been variously interpreted by many critics as a symbol of Meursault's repressed emotions. This is an interpretation I simply cannot accept, for I have always regarded the sun as symbolic of the superego - the force of society within Meursault. Like the sun, society is generally thought to be a positive thing. People usually regard a good, strong society that instills its members with a strong, unified code of morals as something to be desired. In the same way, people tend to think of a bright, warm, sunny day as something good and positive.
...able option. Camus’s main character, Meursault, embodies this third option; by accepting his circumstances and being indifferent to them, Meursault is able to break free of all possible causes of anxiety and find happiness. Furthermore, Meursault’s rejection of religion as belief, his acceptance of the “benign indifference of the universe”, and his acceptance of his circumstances all leading to happiness personifies Camus’s take on Absurdism, the philosophy that Camus is trying to depict in The Stranger (76). By using foil characters to contrast Meursault in actions or personality, Camus creates several polarizing situations, making Meursault the extreme epitome of Absurdism in every contrasting relationship and thus, shining light on his ideology in the process.
McLeod, Saul. "The Milgram Experiment." Milgram Experiment. N.p., 1 Jan. 2007. Web. 15 May 2014.
Albert Camus is a widely renowned author and existentialist philosopher from the 1950s. He believed in a concept called “The Absurd” which he described as the notion that our universe is completely irrational, yet people continue to try and give order and meaning to it. For most normal human beings, this is an extremely difficult concept to accept, including the main character from the novel “The Stranger”, Meursault. Meursault does not express and ignores his emotions, even though it is evident in the book that he does experience them. However, once Meursault falls into a blind rage with the chaplain, the universe begins to make more sense to him. In order to come to an acceptance of the indifference of the universe, one must have an emotional breakthrough, which Camus shows through differences in sentence structure and elemental imagery between parts one and two.
I, Albert Camus, am a famous French author who wrote The Stranger in 1942. I was born in Algeria, and my experiences there have deeply influenced my thoughts, my work, and my philosophies. The Stranger strongly represents my philosophy of the absurd and existentialism. When I was twenty-five, I moved to France and joined the resistance movement during World War II. After the liberation from Nazi Germany, I became a political journalist and a columnist for Combat, a French newspaper.
Use of Stylistic Devices in The Stranger & nbsp; In his novel The Stranger, Albert Camus uses the stylistic devices of imagery and diction to develop the intensity of the physical action and to illustrate the lack of emotion in the last paragraph of Part I. Imagery of all kinds is abundant in this passage as Meursault, the main character, pays great attention to and describes in detail the beach environment that surrounds him. Visual imagery is present as he conveys the intense heat by telling how it seemed as though the sky had cracked open and was raining flame, and by personifying the ocean, recounting how it breathed blistering hot air onto the beach. Auditory imagery is employed when Meursault speaks of the cymbals of the sun clashing and describes the four shots fired as “four quick knocks on the door of unhappiness.” Imagery of a tactile nature is used in Meursault’s depicting the effects of the light reflecting off of the Arab’s knife on him, its “searing” his eyelashes and “gouging” his eyeballs.
In The Stranger, Albert Camus describes the life of the protagonist, Meursault, through life changing events. The passage chosen illustrates Meursault’s view during his time in prison for killing the Arab. In prison, one can see the shifts in Meursault’s character and the acceptance of this new lifestyle. Camus manipulates diction to indicate the changes in Meursault caused by time thinking of memories in prison and realization of his pointless life. Because Camus published this book at the beginning of World War II, people at this time period also questions life and death similar to how Meursault does.
Many artists, authors, and composers have put the beauty and warmth of the sun in their work. The Dutch painter Vincent van Gogh created landscapes that expressed his joy with bright sunshine. The American poet Emily Dickinson wrote a poem called "The Sun," in which she described the rising and setting of the sun. The Russian composer Nicholas Rimsky-Korsakov included a beautiful song, "Hymn to the Sun," in his opera The Golden Cockerel.
Within the Stranger, Albert Camus brought up many questions and a few answers. He created an outsider to society and showed us how he lived, Meursault.
Albert Camus wrote The Stranger during the Existentialist movement, which explains why the main character in the novel, Meursault, is characterized as detached and emotionless, two of the aspects of existentialism. In Meursault, Camus creates a character he intends his readers to relate to, because he creates characters placed in realistic situations. He wants the reader to form a changing, ambiguous opinion of Meursault. From what Meursault narrates to the reader in the novel, the reader can understand why he attempts to find order and understanding in a confused and mystifying world.