Guilt in The Scarlet Letter
What is guilt? We all have guilt about something. Maybe forgetting
something, lied about something, or even did something that shouldn't of been
done. In The Scarlet Letter by Nathaniel Hawthorne we saw guilt fester in the
minds and outward appearance of the main characters, Hester Prynne, Arthur
Dimmesdale and Roger Chillingworth.
When you hear the word guilt what do you think it means? Guilt means
remorseful awareness of having done something wrong or of having failed to do
something required or expected. Does that sound about right? Guilt is
something everyone has. Its this mental manifestation that lets us know when we
did something wrong but no one knows it yet. Guilt is very powerful. Some
people after awhile give in to this guilt and confess what they did.
In The Scarlet Letter, Hester Prynne and Arthur Dimmesdale commit a
great sin. Because of this great sin, it causes them immense guilt and sadness
though out the rest of the book. One of the main character's that is affected
the most is Arthur Dimmesdale. Dimmesdale handles it in a different way though,
to him its more of a "concealed sin." A example of this is, "It may be that
they are kept silent by the very constitution of their nature. Or - can we not
suppose it - guilty as they may be, retaining, nevertheless, a zeal for God's
glory and man's welfare, they shrink from displaying themselves black and filthy
in the view of men; because, thenceforward, no good can be achieved by them; no
evil or the past be redeemed by better service." Dimmesdale also has another
reason for his concealing, he wants to remain silent so that he can continue to
do God's work as a minister.
Hester Prynne handles her guilt in another way. Instead of worrying
about it day after day and letting to fester, she makes it outward. At the
beginning of the book she wears the most awesome clothes and shows the world
she's not guilty for what she has done. An example of this is, "And never had
Hester Prynne appeared more lady-like, in the antique interpretation of the term,
For centuries, the tales that capture the youth of society or the adult 's mind are continually under speculation. To whom do the fairy tales of our literature belong, and have they been disassembled from their true meanings? Jack Zipes ' Breaking the Disney Spell and Donald Hasse 's Yours, Mine, or Ours? essays focus on the answers to this pressing question.
Throughout The Scarlet Letter, Nathaniel Hawthorne attempted to expose the varying ways in which different people deal with lingering guilt from sins they have perpetrated. The contrasting characters of Hester Prynne and Arthur Dimmesdale ideally exemplified the differences in thought and behavior people have for guilt. Although they were both guilty of committing the same crime, these two individuals differed in that one punished themselves with physical and mental torture and the other chose to continue on with their life, devoting it to those less fortunate than they.
The Scarlet Letter is a novel about a Puritan woman who has committed adultery and must pay for her sin by wearing a scarlet “A'; on her bosom. The woman, Hester Prynne, must struggle through everyday life with the guilt of her sin. The novel is also about the suffering that is endured by not admitting to one’s wrongs. Reverend Mister Dimmesdale learns that secrecy only makes the guilt increase. Nathaniel Hawthorne is trying to display how guilt is the everlasting payment for sinful actions. The theme of guilt as reparation for sin in The Scarlet Letter is revealed through Nathaniel Hawthorne’s use of northeastern, colonial settings, various conflicts, and characters that must live with guilt for the sins they have committed.
“The Declaration of Independence” by Thomas Jefferson uses several rhetorical strategies to emphasize how crucial it was for the colonies to have freedom and independence. One rhetorical strategy that Jefferson utilized to make his point of the need for independence is pathos. Pathos stimulates an emotional response to the audience. Jefferson uses pathos to express his and his fellow people’s emotions to the reader, King George III. An example of pathos is where Jefferson writes, “He has called together legislative bodies at places unusual, uncomfortable, and distant from the depository of their Public Records, for the sole purpose of fatiguing them into compliance with his measures.” The meaning of this quote is that the King of Great Britain, George III, did everything in his power to emotionally and physically stress the c...
Humans are social creatures‒they form groups, communities, and societies that have varying degrees of requirements for a person to be accepted. For many, the question of whether to conform to society 's unspoken rules and garner acceptance or to reject them and be alienated is to be thoroughly examined and contemplated over. A facet of this question is answered in Nathaniel Hawthorne’s historical novel, The Scarlet Letter, as the characterization of Reverend Arthur Dimmesdale reveals that forcibly molding oneself or another to fit the rigid expectations that society implements rescinds the rights of an individual to an identity and a life.
The simplicity of fairy tales and non-specific details renders them ideal for manipulation allowing writers to add their own comments often reflecting social convention and ideology. Theref...
Everyone knows and loves the enchanting childhood fairytales of magic, princes, and princesses, but very seldom are privy to the detrimental impacts of “happily ever after” on the developing youth. Fairy tales are widely studied and criticized by parents and scholars alike for their underlying tone and message to children. Peggy Orenstein, feminist author, mother, and fairy tale critic, has made it her personal mission to bring these hidden messages to the surface. In the article, “What’s Wrong with Cinderella?” Orenstein dissects the seemingly innocent tale of love and magic, and the princess many know and love, and points out its flaws and dangers. Fairy tales, Cinderella in particular, are not suitable for children because upon deeper evaluation,
thou knowest that I was frank with thee. I felt no love, nor feigned any"
“The fairy tale, which to this day is the first tutor of children because it was once the first tutor of mankind, secretly lives on in the story. The first true storyteller is, and will continue to be, the teller of fairy tales. Whenever good counsel was at a premium, the fairy tale had it, and where the need was greatest, its aid was nearest. This need was created by myth. The fairy tale tells us of the earliest arrangements that mankind made to shake off the nightmare which myth had placed upon its chest.”(Walter Benjamin). For generations fairy tales have brought happiness to hundreds of people. Through childhood to adults, people still enjoy the mysteries of fairytales. In society, fairytales are a great way of connecting
“For all have sinned and fall short of the glory of God.”(Romans 3:23). Since the beginning of time guilt has existed, and in Nathaniel Hawthorne’s, The Scarlet Letter, guilt illustrates itself through adultery involving Hester Prynne and Reverend Dimmesdale. Hester and Dimmesdale resided in New England during The Puritan Age and committed adultery while Hester’s husband was out of town. Hester’s sin did not go unnoticed, as her baby illuminated the situation. While Hester’s mister hid in the shadows, she was branded with a scarlet letter A for adultery as punishment for her sin. The scarlet letter was more than a piece of cloth over her chest; it was reminder to everyone around about Mrs. Prynne’s actions. Hawthorne uses biblical and spiritual allusions to argue that guilt causes individuals to change their lifestyles.
Over the years, fairytales have been distorted in order to make them more family friendly. Once these changes occur, the moral and purpose of the stories begin to disappear. The tales featured in the many Disney movies - beloved by so many - have much more malignant and meaningful origins that often served to scare children into obeying their parents or learning valuable life lessons.
In the opening theoretical argument on “publics” the author quotes the words of Jan Kiely that publics “exist by virtue of being addressed.” (p. 7)
We all grew up hoping that we were the princesses who met the dreamy prince and lived ‘happily ever after’ like in a fairytale.People debate over whether or not Disney fairytales are beneficial for children. Like Melissa Taylor the author of the piece ‘10 reasons why kids need to read non disney fairy tales’, I am against disneyfied fairy tales. In this essay I will argue on why kids should not only watch disney fairytales but also the real versions.
..., Maria. “An Introduction to Fairy Tales.” Writing and Reading Across the Curriculum. Ed. Laurence Behrens, Leonard J. Rosen. Toronto: Longman, 2013. 230-235. Print.
Normally, when one was a child, our parents would tell us fairy tales as bed time stories, or to simply entertain us. This is a worldwide tradition in which every parent tells their child the stories they were told when they were little, or new stories. There are infinite stories to be told as well as infinite stories that have already been written or told. The stories told by our parents have influenced us and still influence us in our beliefs and values today. Throughout our childhood, we have been told many stories that teach us to be brave and courageous, respect others, love ourselves and others, to obey orders, and even to help and