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Being there movie compared to book
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Being There - A Bit More Like Chance
While watching the movie Being There, the viewer begins to notice just how different the book and the movie are. While the book appeals more to the reader's emotions, the movie gives a comical outlook on the problems faced in both the book and the movie. The contrast between the two places them into separate categories--a touching story about a man trapped in a world of which he knows nothing about and a satirical comedy about the very same man. The book interests its audience, making them hungry to know more; the movie involves its audience, feeding that hunger for more details.
Jerzy Kosinski's short novel, also titled Being There, is a bit more serious than his movie version of the same story . Here, the President is shown as a dignified individual and only on a professional basis. After speaking with Chance and quoting him in his speech, the President has his staff work diligently to find out more about Chauncey Gardiner. The movie, however, actually shows, quite humorously, how Chance's mysterious past affects the President and his personal life, a subject not touched in the book. Many scenes show the President and his wife in their bedroom a nd his wife wanting more than just casual conversation. The President is so preoccupied with the lack of information he is receiving about Chance that he cannot oblige his wife.
Kosinski suggests in the book that Chance is something of an exceptional individual. Cha nce sees things on an entirely different, perhaps higher, level than most people. Before his television appearance, Chance thinks to himself, "Television reflected only people's surfaces; it also kept peeling away their images fro...
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...ance is almost biblical. Is this the feeling that Kosinski intends? What exactly is he trying to say? Both the book and the movie leave their audiences with many unanswered questions.
Although the book and the movie are two versions of the same story, it seems, in the end, that Kosinski intends almost the opposite effect. The book leaves its readers to believe that the story is about a confused man trying to make it in a new world, by telling of both his struggles and triumphs. The movie leaves its viewers with the notion that the story is a lighthearted comedy about a man who is so aloof that he does not even sense the new world aroun d him. So it seems, in a sense, that both of Kosinski's versions of Being There leave the audience with an opinion that is bit more innocent, a bit more inquisitive, a bit more confused -- a bit more like Chance.
...ets in Heaven. In the story, the father’s “tough love” sometimes is very ugly indeed, but the “tough love” is still not the thing of anachronism in the real world. Overall, I feel that the adaptation illustrates a high fidelity to its inspiration, and the book gives the readers more details and the time to ponder while the movie gives the audience direct visual impression and easier storyline to adhere to. The both versions of “The Five People You Meet in Heave,” the novel and the movie, are mutually enriched, beneficial, and supplementary to each other, and are ultimately the quintessence of masterpieces selected carefully by our amiable professor, Tracy Virgil.
[2] Missing is a rather confusing film to follow at first. Admittedly, I had to view it a few times to understand what was happening. Perhaps the initial feeling after seeing this film is confusion. However, after having watched it a second, fourth, eighth time, what I really felt was anger. Each time I watched the film, the anger and disgust would grow, so much so that it pained me to watch it again. However, in identifying the cause of my anger, I began to realize many things.
Relations between sympathy-empathy expressiveness and fiction have become a significant issue in the debate on the emotional responses to the film fiction. Due to their complexity many scholars found it useful to diagram them. With his essay, “Empathy and (Film) Fiction”, Alex Neill tries to develop new theory for analyzing the fiction and, especially, the emotional responses from the audience on it. The project of this essay is represented with an aim to show the audience the significant value of the emotional responses to the film fiction. From my point of view in the thesis of his project he asks a simple question: “Why does the (film) fiction evoke any emotions in the audience?”, further building the project in a very plain and clever way. Tracing the origins of this issue, he distinguishes between two types of emotional responses, sympathy and empathy, as separate concepts in order to understand the influence of both types of emotional responses to fiction. However, relying mostly on this unsupported discrepancy between two concepts and the influence of the “identification” concept, Neill finds himself unable to trace sympathy as a valuable response to fiction. This difficulty makes Neill argue throughout the better part of the text that empathy is the key emotional factor in the reaction to (film) fiction and that it is a more valuable type of emotional response for the audience.
In conclusion, by using the production elements of both allusion and symbolism; director Tim Burton has created the film in such a manner by making deliberate choices in order to invite a certain response. The film is constructed and given greater depth through the allusion to elements from other genres and ridicules the suburbia’s materialism and lack of imagination, which in turn enhances the invited response.
The complexity of the plot starts when the reader is introduced to a man lost in a cave and his source of light goes out and continues when the man realizes that “starving would prove [his] ultimate fate” (1). Readers get a sense of hopelessness the man is feeling, and this is where the tensions begins to build. Alt...
The film Being There allows us to observe the different ways people recognize what is to be expected and change their behaviors to adapt to what they are perceiving, or how symbolic interactionism works. In any new situation people observe what others are doing and what meanings their actions hold and can adjust to fit in. Chance does just that in this film as he is thrust into the business and political world.
The first war to use significant technological advancement was World War I. Despite the introduction of trench warfare (in which troops dug bases many feet deep into the ground and fought only on the surface), the art of battle would forever be changed. There were many different types of weaponry advancements experienced in World War I. Machine guns were built twice more powerful than in the Civil War, firing up to 600 bullets a minute which was the equivalent of 250 riflemen. Artillery experienced a massive technological progression with the building of several thousands of powerful cannons with shells filled with ...
The major issue that runs through the film that I am going to discuss in this chapter is that there are elements of the gothic, grotesque and me...
In conclusion, details involving the characters and symbolic meanings to objects are the factors that make the novel better than the movie. Leaving out aspects of the novel limits the viewer’s appreciation for the story. One may favor the film over the novel or vice versa, but that person will not overlook the intense work that went into the making of both. The film and novel have their similarities and differences, but both effectively communicate their meaning to the public.
An Analysis of How Narrative and Genre Features Create Meaning and Generate Response in the Opening of Martin Scorsese’s Goodfellas
The classic novel, Of Mice and Men, written by John Steinbeck was made into a Hollywood Blockbuster in 1992. Directed and acted by Gary Sinise and John Malkovich, Hollywood took a stab at trying to recreate this literary success. The novel, which takes place in the 1930’s, follows the lives of two men, George and Lennie, as they try to attain their dream of owning a farm. George is a smart man who always seems to have things figured out. Lennie is massive, but has the mind of a young child. George looks after him, but it is not easy since Lennie always seems to get himself in some kind of trouble. As they struggle towards their dreams, George and Lennie face obstacles that test their friendship. In the end, with Lennie dead, George finds out that dreams aren’t worth striving for, and eventually, loneliness overcomes everything. The movie, running almost two hours, stays very true to the book, although some things are removed or added. While the movie differs from the book in a few ways, it still gives its audience the same message.
Provide a paragraph ONLY summarizing your understanding of the film. In this summary, address the main theme or idea of the film as well as any underlying themes that are conveyed during the production. In other words, what primary message was conveyed to the audience IN YOUR OWN WORDS via the production of this film? (Note – I have seen all of these films – thus, this section should be one paragraph only – the majority of your critique should include your responses to Items 3 & 4).
The narration that accompanies the scene is allowing our voyeuristic desires to enter into the
It seems as if Chance represents a God-like character in the movie, but he is given some human qualities in the book. From watching the movie, I think that Chance represented God or some type of heavenly body. The way everyone felt good about themselves when he was around and the pure innocence he possessed shows that he was full of good intentions. Chance was even there when Ben died, which I think shows that God was with him to make him feel comfortable when his time was up. At Ben's funeral, Chance is shown wandering around the woods and then he walks on water. Nothing on earth can walk on water, except God.
As citizens of America we are all entitled to our rights of privacy. When something threatens this guaranteed privacy we tend to take extra precautions to prohibit prolonged violation. As the advancing world of technology continues to grow and expand, so do the amount of cases involving privacy invasion. Technology drives these privacy-invading crimes; however, crime also drives technology, creating a vicious cycle. Without technology an invader could not enter that of a stranger’s life. Conversely, without technology that same criminal would evade the law enforcers. So does technology protect citizens’ privacy, or does it expose one’s entire life? In regards to this question, one must consider: before the rise of the world of technology, privacy invasion was not a common issue. With this fact in mind it is not difficult to determine where the problem lies: technology threatens privacy.