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The similarities between othello and iago
Symbolism and dramatic devices in othello
Symbolism and dramatic devices in othello
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Evil and Good in Othello
Life in general is often used as a system of ways to define what kind of person you are by its end. Shakespeare takes that theory into test upon his characters in his work of the famous play Othello. Through the verbal twists and turns along with the addition of color symbolisms, the personalities of Othello, Iago, Desdemona are revealed to their fullest extents, along with their own balance of good and evil within. When this is realized by this famous Shakespearian work, the judgment of good and evil is carried out, and as a result of mass purging of emotions, neither prevails in the resolution.
Othello, due to his Moorish nature but at the same time morally white and untainted, can be considered grey with the opening of the play, but possesses the potential to become either the most brilliant white or the darkest black. From the way that he is described by Iago and sometimes Brabantio, he is a dark beast lurking in the shadows, but he is as white as he can be by the Duke. Grey is a color not quite white nor black, hesitation and confusion wavering behind his eyes. This confusion is caused by his naiveté at trusting people too easily, and Iago eagerly takes this weakness to his advantage. So that when Iago manipulates Othello, Othello unknowingly gives in to the temptation, even going as far as telling Iago "I am bound to thee for ever" (III. iii. 242). Othello at this point is completely taken in with Iago's mind poisoning and willingly submits to him, yielding to his trickeries. Inevitably with a little push from Iago, Othello slowly goes down the path of dark and pure blackness, with murder evident in mind. With Iago's tampering of his inner moralities, Othello turns black like a speeding snowball, once Iago set him on the right path. Everything else Othello had done the damage himself; Iago only suggested the notion in the most subtle of ways. Thus he sometimes "breaks out to savage madness" as Iago put it, when being put under such pressure (IV. i. 65). He is so far gone that he even has epileptic fits hearing of Desdemona's infidelity.
The utilization of color imagery enhances the play, causing the audience to look past the words and search for a more profound understanding behind the scenes, besides race. In the realms of the play, the color black has always been used to create the mood for evil and deviousness, as we will see, since Iago is portrayed as satan and a trickster. Iago constructs most of his hellish plans in the dark of night to eventually influence the bestiality of Othello to protrude out and cause his demise. In the case of the devil, the color black is used to illustrate the vice and villainous nature of Satan. In act two, Iago assures Cassio that the best way he can get his job back, is to attract Desdemona, then Cassio is sent away. While Iago is alone on the stage, Iago asks the audience why he is evil, since his advice to Cassio is “honest” and free. Iago answers his question and then states, "When devils will the blackest sins put on, / They do suggest [tempt] at first with heavenly shows, / As I do now" (2.3.351-353). Iago knows that he is a hellish hypocrite, but he seems to be getting a laugh out of it since he is represented as
battle of the Somme began on the 1st of July 1916; the aim of the
be long or there will not be a single man left in the regiment’ This
Europeans lived a much more modern way of life than the primitive lifestyle of Native Americans. Europeans referred to themselves as “civilized” and regarded Native Americans as “savage,” “heathen,” or “barbarian.” Their interaction provoked by multiple differences led to misunderstanding and sometimes conflict. These two cultures, having been isolated from one another, exhibited an extensive variation in their ideals. Europeans and Native Americans maintained contradictory social, economic, and spiritual practices.
European explorers first landed on the shores of what would later become North America more than 500 years ago. Not long after the first explorers had entered the "New World" they found out that they were not alone on this new frontier. Their neighbors in this new land were the Native Americans who had been there for centuries, virtually unaware of life outside the continent. Thus began an inconsistent and often times unstable relationship between the European settlers and the North American Indians. Two nations who had particularly interesting relationships with the Native Americans were the British and the French, both of whom took different approaches to their relations with the Indians economically as well as culturally. Neither nation had complete trust for the Indians, nor did the Indians ever completely trust the men who arrived on "floating islands with many tall trees". Nonetheless, they did interact with one another in their daily lives. Both economically and culturally the French and British went about their interactions with the Native Americans differently. Through first hand writings and documents as well as observations by historians, it is evident that the British and French interacted with the Indians of North America in different ways.
Othello: The Father/Daughter Conflict Brabantio, father of Desdemona in William Shakespeare's "Othello," is not happy that his daughter is marrying the title character. This father/daughter conflict impacts the work significantly by foreshadowing the climax, giving antagonist Iago material for his evil plot. Brabantio is a Venetian Senator with definite ideas on the subject of his daughter. He wants to choose a husband for her who he feels is of her caliber and who can provide her a good life, as well as raise the family's esteem in Venetian society. At that time, this was his right as Desdemona's father.
In the essay, “The Indians’ New World,” Merrell argues that “the experience of natives was more closely akin to that of immigrants and slaves, and the idea of a encounter between words can—indeed, must—include the aboriginal inhabitants of America” (Merrell). Merrell is pointing out that The Europeans always left out The Natives when it came to telling the others about the finding of the North America and this is because of their failure to fit into the imaginary story of the New World. The so called “New World” that The Europeans found was not new but very old. Often, Europeans believed that they were preferable and beyond to the “New World” that drove indians faith, hope, and culture out the door. Merrell also explains how the Indians owned the land first but abruptly, it was converted into a world that was unusual to them when The Europeans arrived. The world was considered new to the Indians because they were exposed, unprotected from the diseases. The author does give a thorough picture of the interactions between them. At first I was just skimming through the essay and didn’t really understand what was going on until I read it the second
The external pressures on Othello are partially due to his being black. Iago starts his scheming of destruction using Othellos color against him, when he beckons Barbanito to action. Iago – Even now, now, very now, an old black ram is tupping your white ewe. Arise! Arise! (1051) This prejudice may have damaged his self-esteem, where he believed he was unworthy of Desdemona. Iago drops doubt in his mind, Othello begs for the suspicious thoughts. Othello – “By heaven, I’ll know thy thoughts.’ (1087) This opens the door to Iago’s deceit. Iago – ‘O, beware my lord of jealousy!… which doth mock.’ (1087) Othello – ‘Farewell, Farewell,….. Set on thy wife to observe. Leave me, Iago.’ (1089) Here is where the splinter drives deeper. From this point, there is more falls of the seal the fate of poor Othello.
In the play Othello by William Shakespeare, we see a black man marrying a wealthy young white woman named Desdemona. The black man named Othello serves the Italian government, as a general, this man is a very a loyal and trusting person. Othello is easily persuaded as stated by Iago, his ancient, who wrights this passage about him ““The Moor is of a free and open nature, That thinks men honest that but seem to be so, And will as tenderly be led by the nose As asses are. (Act 1, 3,405.)“ This shows us the kind of man Othello is a trusting man, and thinks that everyone is telling the truth. This opens Othello, to believe on the lies that Iago, is telling him. However, Othello is not a stupid man, he is a general after all, and must be shown proof when people put up arguments especially against his own wife, cheating on him. Now the question is why did Othello not look for his own proof of the acquisition laid up against his wife cheating. He surly is not stupid, considering that he has such a high position. In this essay, I will explain why, Othello does not look for more proof, of his wife’s affairs and merely believes Iago.
The people in Venice replace the awareness of Othello’s race with the great respect that they have for him, which shows how Othello’s capabilities far surpass any racist stereotypes. Even Othello’s false ensign, Iago, says that he cannot appear to hate Othello, because it would do nothing to get rid of him. Afterwards, the duke also says that his “opinion…throws a more safer voice on [Othello]”(i.iii.223) than others at Cyprus. Othello is not a vile black-devil in his professional setting. Instead, he is the lord to Iago, the able-bodied general, and the duke even states that Othello, “is far more fair than black” (I.iii.286). The duke is still aware of Othello’s color, black, but both Iago and the duke take into account the physical strength and virtue of Othello that makes both of those titles void, at least in being able to harm Othello’s position as general.
The war started because of MAINA. It was a spreading phenomenon in the power countries it was an acronym standing for Militarism: the mass production of war related things, Alliances: an agreement to assist one an other, Imperialism: countries controlled by a leader, Nationalism: ones devotion to their country, Assassination: The act if murdering a person in a secretive fashion. These started conflict then eventually chaos.
William Shakespeare’s drama Othello is one concentrated contest between the forces of the morally good and the morally bad. Let us analyze this contest in detail in this essay.
The Othello of the Fourth Act is Othello in his fall. His fall is never complete, but he is much changed. Towards the close of the Temptation-scene he becomes at times most terrible, but his grandeur remains almost undiminished. Even in the following scene (III iv), where he goes to test Desdemona in the matter of the handkerchief, and receives a fatal confirmation of her guilt, our sympathy with him is hardly touched by any feeling of humiliation. But in the Fourth Act "Chaos has come". A slight interval of time may be admitted here. It is but slight; for it was necessary for Iago to hurry on, and terribly dangerous to leave a chance for a meeting of Cassio with Othello; and his insight into Othello's nature taught him that his plan was to deliver blow on blow, and never to allow his victim to recover from the confusion of the first shock. Still there is a slight interval; and when Othello reappears we see at a glance that he is a changed man. He is physically exhausted, and his mind is dazed. He sees everything blurred through a mist of blood and tears. He has actually forgotten the incident of the handkerchief, and has to be reminded of it. When Iago, perceiving that he can now risk almost any lie, tells him that Cassio has confessed his guilt, Othello, the hero who has seemed to us only second to Coriolanus in physical power, trembles all over; he mutters disjointed words; a blackness suddenly intervenes between his eyes and the world; he takes it for the shuddering testimony of nature to the horror he has just heard, [Endnote 6] and he falls senseless to the ground. When he recovers it is to watch Cassio, as he imagines, laughing over his shame. It is an imposition so gross, and should have been one so perilous, that Iago would never have ventured it before. But he is safe now. The sight only adds to the confusion of intellect the madness of rage; and a ravenous thirst for revenge, contending with motions of infinite longing and regret, conquers them. The delay till night-fall is torture to him. His self-control has wholly deserted him, and he strikes his wife in the presence of the Venetian envoy. He is so lost to all sense of reality that he never asks himself what will follow the deaths of Cassio and his wife.
This character is so noble, Othello's feelings and actions follow so inevitably from it and from the forces brought to bear on it, and his sufferings are so heart-rending, that he stirs a passion of mingled love and pity which readers feel for no other hero in Shakespeare, and to which not even Mr Swinburne can do more than justice. Yet there are some critics and not a few readers who cherish a grudge against him. They do not merely think that in the later stages of his temptation he showed a certain obtuseness, and that, to speak pedantically, he acted with unjustifiable precipitance and violence; no one, I suppose, denies that. But, even when they admit that he was not of a jealous temper, they consider that he was "easily jealous"; they seem to think that it was inexcusable in him to feel any suspicion of his wife at all; and they blame him for never suspecting Iago or asking him for evidence. I refer to this attitude of mind chiefly in order to draw attention to certain points in the story. It comes partly from inattention (for Othello did suspect Iago and did ask him for evidence); partly from a misconstruction of the text which makes Othello appear jealous long before he really is so; [Endnote 2] and partly from failure to realise certain essential facts. I will begin with these.
The Native Americans or American Indians, once occupied all of the entire region of the United States. They were composed of many different groups, who speaked hundreds of languages and dialects. The Indians from the Southwest used to live in large built terraced communities and their way of sustain was from the agriculture where they planted squash, pumpkins, beans and corn crops. Trades between neighboring tribes were common, this brought in additional goods and also some raw materials such as gems, cooper. seashells and soapstone.To this day, movies and television continue the stereotype of Indians wearing feathered headdresses killing innocent white settlers. As they encountered the Europeans, automatically their material world was changed. The American Indians were amazed by the physical looks of the white settlers, their way of dressing and also by their language. The first Indian-White encounter was very peaceful and trade was their principal interaction. Tension and disputes were sometimes resolved by force but more often by negotiation or treaties. On the other hand, the Natives were described as strong and very innocent creatures awaiting for the first opportunity to be christianized. The Indians were called the “Noble Savages” by the settlers because they were cooperative people but sometimes, after having a few conflicts with them, they seem to behaved like animals. We should apprehend that the encounter with the settlers really amazed the natives, they were only used to interact with people from their own race and surroundings and all of this was like a new discovery for them as well as for the white immigrants. The relations between the English and the Virginian Indians was somewhat strong in a few ways. They were having marriages among them. For example, when Pocahontas married John Rolfe, many said it has a political implication to unite more settlers with the Indians to have a better relation between both groups. As for the Indians, their attitude was always friendly and full of curiosity when they saw the strange and light-skinned creatures from beyond the ocean. The colonists only survived with the help of the Indians when they first settler in Jamestown and Plymouth. In this areas, the Indians showed the colonists how to cultivate crops and gather seafood.The Indians changed their attitude from welcome to hostility when the strangers increased and encroached more and more on hunting and planting in the Natives’ grounds.