Tale of Two Cities
The main purpose of this book is to show the contrasts between the peaceful city of London and the city of Paris, tearing itself apart in revolution. This is apparent in the very first line of the book, "It was the best of times, it was the worst of times...." This is a contrast of the two cities, London, the tranquil home of Mr. Lorry and the Darnays'; and Paris, the center of a bloody revolution. The author shows gentleness in these violent times in the persons of Dr. and Lucie Mannette, both gentle and peaceful. He also characterizes the evil side of the revolution in the apathetic and depraved Misuser and Mademoiselle Defarge, who go about their business while death carts roll-- as do heads-- through the streets of Paris. He does though, depict a ray of light amongst all this evil; the heroic Carton, who gave his life for his friend and a woman he knew he would never have. The biggest contrast of all, is in the person of Misuser Darnay, the gentle English family man, who is also related to the evil Marquis Evremonde.
I personally like stories that use historical events as backdrops because it brings these seemingly distant events closer to us. This book definitely offers insight into life in the two cities at the time of the French Revolution. I think it does an excellent job of depicting just how totally involved some people became in the revolution. It shows how people were blinded by the desire for freedom from their former oppressors, so much so, that they attacked anyone and anything that was even remotely related to their past rulers. I think this was effectively done by excellent characterization, using each character to depict a different aspect of society, then contrasting them by making them rivals. I really took away a different view of that time period.
Some of the language he used was definitely outdated. The language was exactly what you would expect for a novel of that time period. I was able to follow the story pretty well, although there were a few times, in switching back and forth between cities, that I got a little lost Still on the whole I liked the way the story flowed. Unlike some stories of that time, there wasn't really any profanity or taking of God's name in vain, which is always good to see.
In this passage, Dickens’ juxtaposition, personification, detail, and diction reinforce Dickens’ tone of empathy and pity for the social conditions of the people of lower class France. When a large cask of wine spills open on the streets of France there is a mad rush to collect a taste of the spoiled wine. The people’s reactions consisted of “...frolicsome embraces, drinking of healths, shaking of hands, and even joining of hands and dancing a dozen together.” This exciting and scene of much happiness is juxtaposed by the “gloom that gathered on the scene that appeared more natural than sunshine” that occurs after all the wine has run out. This juxtaposition of the momentary happiness that the peasants of St. Antoine experience provide a contrast
"Since before the ancient Greeks, mankind has striven to discern and define truth, a noble if somewhat arduous task"( Swisher 118). Even modern society, despite losing so many of the old, "prudish" morals of preceding generations, still holds truth as one of the greatest virtues and to find truth in life, one of the greatest accomplishments. Authors such as Charles Dickens reflect this great desire to seek and find truth, using many varying mediums to express their opinions or discoveries. From the opening lines of the book, Dickens uses the method of thematic opposition to illustrate pure truth and evil lies. In A Tale of Two Cities, Dickens consistently opposes characters, settings, and even his theme of revolution, presenting juxtaposed viewpoints and actions that demonstrate deeper truths about life.
“There is no such thing as accident; it is fate misnamed. “ – Napoleon Bonaparte. The idea that we control our own destinies has existed since the 16th century. Charles Dickens’ novel, A Tale of Two Cities, written in 1859, depicts a story of loss and love during the French Revolution of 1789. Throughout the novel, Dickens uses many symbols and characters to develop the theme of fate and destiny. Many symbols used in Tale of Two Cities revealed the fates of many characters and foreshadowed conflicts. A character analysis of Sydney Carton also reveals that fate guided his path to make the ultimate Christ-like sacrifice to save the Manette family. The fate of the major characters such as Darnay, Carton, and Dr. Manette were all like through
A Tale of Two Cities In every great novel, there is a theme that is constant throughout the story. One of the better known themes portrays the fight of good verses evil. Different authors portray this in different ways. Some use colors, while others use seasons to show the contrast. Still, others go for the obvious and use characters.
I found this book to be a rather interesting read. I enjoyed how Levathes researched this book and wrote it to try to explain about this specific period of time and how it is very non-fiction.
Overall I enjoyed reading this book, I read it a few years ago in high school, but I took more from it this time and was able to apply it more to my experiences and events I have witnessed. I’m glad the novel was assigned for me to read because it really made me think about the world today and how we interact in the world. It actually brought up questions and connections that I didn’t see when I read the book years ago. This novel will always be relevant and I’m sure will be read years from now.
During a time of conflicting warfare, a person’s social position and temperament play a significant role in the ideals of society. A Tale of Two Cities manifests society’s response to the French Revolution. Times like this result in two options, either to keep moving on with life, or give in to the vengeance. Charles Dickens portrays both sides of humanity through his characterization. Madame Defarge is the most prominent character that represents the inability to resist violence during the Revolution. In Madame Defarge’s quest for revenge, her continuous knitting and dominance prompt her character development, establishing her character as the antagonist.
Archetypal Characters: Characters are presented from the start of the novel as good or evil. There are no characters that the reader see as good and turn out to be evil at the end or vica versa. Their goodness or evilness is clearly shown from the beginning. 	
Dr. Manette starts his life as a young successful man but then is traumatized by imprisonment and again becomes successful with the comfort of, his daughter, Lucie. Lorry rescues Dr. Manette from his prison in St. Antoine and essentially brings him back to life. At first Alexandre seems unstable and much older than his years, but as Lucie nurses him back to life he transforms into the vibrant man missing throughout hers. Doctor Manette has no recollection of his successful past: “Doctor Manette, formerly of Beauvais . . . the young physician, originally an expert surgeon, who within the last year or two has made a rising reputation in Paris” (298). After his unnecessary imprisonment he is very weak and frail: “[h]e had put up a hand between his eyes and the light, and the very bones of it seemed transparent” (36). He is found in a dark garret hunched over a cobbler’s bench making shoes to pass time. At first Lucie is apprehensive about approaching her father, but as she observes his actions she is overcome with joy; she has now found her father whom she thought was dead for seventeen years. As he spends more time with Lucie and Miss Pross he gradually gains more and more strength and is beginning to reach his capacities in life. “This new life of the Doctor’s [is] an anxious life, no doubt; still the sagacious Mr. Lorry [sees] that there was a new sustaining pride in it” (253). The changes in Dr. Manette are not all by his own doing. He started life prosperous and fortunate, and after an ill-fated imprisonment it takes him a long while to accomplish the ability to endure life again.
Prior to the liberating events of the French Revolution, the French nobility were a dreaded source of grief and mourning, striking wrath upon whomever they pleased with "lettres de cachet" and the imprisonment of their enemies within the Bastille. Charles Dickens's A Tale of Two Cities explores the lives of characters in various states of physical as well as mental incarceration who undertake journeys with the potential to "recall" them to life. The plight of
My favorite scene in A Tale of Two Cities is one of the last scenes, when Sydney Carton is about to go to the guillotine. It takes place in Paris, near a prison, and many people have gathered to watch french aristocrats be beheaded. The atmosphere is tense and chaotic; Sydney, however, remains calm, even though he is about to be killed. Sydney is holding the hand of a young girl who is given no name other than a "poor little seamstress". Sydney and the seamstress, who are both being wrongfully killed, comfort each other just before they reach the guillotine, and they seem to have an instant romantic connection with each other. I loved this scene because it showed that Sydney Carton had finally found someone who could love him, as he could love them, but it saddened me that he had found her just before their deaths.
Sympathizing With Shylock At The End Of Act 4 in William Shakespeare's The Merchant of Venice
At the beginning of A Tale of Two Cities (1859), Dickens once again expresses his concern. The novel opens in 1775, with a comparison of England and pre-revolutionary France. While drawing parallels between the two countries, Dickens also alludes to his own time: "the period was so far like the present period, that some of its noisiest authorities insisted on its being received, for good or for evil, in the superlative degree of comparison only" (1; bk. 1, ch. 1). The rest of the chapter shows that Dickens regarded the condition to be an 'evil' one, since he depicts both countries as rife with poverty, injustice, and violence due to the irresponsibility of the ruling elite (1-3; bk. 1, ch. 1). As the novel unfolds, however, England becomes a safe haven for those escaping the violence perpetrated by the French Revolution. In this paper, I shall argue that A Tale of Two Cities reflects the popular confidence in the stability of England in the eighteen-fifties, despite Dickens's suggestions at the beginning. A Tale of Two Cities thus becomes a novel about the England and the English of Dickens's time. And yet, many people today would believe that the novel is essentially about the French Revolution, which brings me to my second point. If in the nineteenth century the novel served to affirm the stability of Britain, in this century it has been greatly influential in the formation of the popular image of the French Revolution, mainly thanks to film and television adaptations. The purpose of this paper is to look at the popular reception of the novel from the time of its first publication in 1859 to the nineteen-nineties.
Charles Darnay plays a pivotal role in the movie A Tale of Two Cities. His actions and eventual consequences drive the plot of the story. He is the nephew of the French aristocrat Monseigneur a.k.a. Marquis Evremonde. In the story, he marries Lucie Manette and therefore becomes the son-in-law of Doctor Manette. He is also an acquaintance of Sydney Carton, who is a friend of his wife. Charles Darnay is an interesting person to study because of the content of his character. He came across as an extraordinarily honest and good individual, but he has a certain complexity to him, making it enjoyable to learn more about him.
A Tale of Two Cities, by Charles Dickens, is a story set in the year 1775 and through the turbulent time of the French Revolution. It is of people living in love and betrayal, murder and joy, peril and safety, hate and fondness, misery and happiness, gentle actions and ferocious crowds. The novel surrounds a drunken man, Sydney Carton, who performs a heroic deed for his beloved, Lucie Manette, while Monsieur and Madame Defarge, ruthless revolutionaries, seek revenge against the nobles of France. Research suggests that through Dickens’ portrayal of the revolutionaries and nobles of the war, he gives accurate insight to the era of the Revolution.