Both Oscar Wilde and Virginia Woolf’s novels depict the image of an artist and their muse. Within The Picture of Dorian Gray, Basil Hallward is inspired by Dorian Gray to create his greatest work of art. While in To the Lighthouse, Lily Briscoe finds her inspiration through Mrs. Ramsay and through her art she is able to blossom into her own woman. Briscoe grows through her art while Hallward is killed because of his masterpiece. The fates of the two artists differ so vastly because of how each artist envisions the idea of legacy and how they connect to their own muse.
To the Lighthouse and The Picture of Dorian Gray both present the dichotomy of legacy into male and female legacy. The women within Virginia Woolf’s novel come to see legacy as the “little daily miracles” of life (Woolf 161). Mrs. Ramsay is remembered for the small things she did such as the dinner she arranged in the first section of the novel and the time she spent with her children. Lily also addresses this idea at the end of the novel when she finally finishes her painting. Lily talks about how “[her painting] would be hung in attics” how “it would be destroyed” and she concludes “But what did that matter?” (208). Lilly is not worried about the future of this painting. She has a feeling of self-satisfaction with her painting and knows that everything comes to an end. She is happy with the small moment where she completed her painting and she sees her painting as he little personal legacy. While the women of the novel focus on the small moments within life Mr. Ramsay focuses on the larger idea of a legacy. He desires a legacy that will surpass time and spread throughout the world. Within the novel Mr. Ramsay debates on his potential to achieve his extravagant...
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...). At the end of the novel Lily is able to finally create her own image of Mrs. Ramsay and have a deeper understanding of her muse.
Lily creates a work of art that will not transcend time, but through her experience with Mrs. Ramsay she is able to become a New Woman born from an integral connection with the Ruskinian wife. Lily is able to appreciate the ways of the Ruskinian woman even when she does not desire those ideals for herself. While Lily grows through her art Basil remains static and fails to comprehend the destruction that his veneration of Dorian Gray causes. Basil’s failure as an artist can be seen through his untimely death. Lily’s art may not be considered a great masterpiece, but she is the character who lives. Lily’s success not only shows her as the triumphal artist, but it also illustrates the victory of the feminine over the masculine.
Within The Picture of Dorian Gray and The Sun Also Rises, Oscar Wilde and Ernest Hemingway respectively illustrate characters that hold a fascination for their own beauty. Through this essay I will compare and contrast those characters, Dorian Gray and Brett Ashley, and their obsession with their said beauty. Within The Picture of Dorian Gray both Dorian Gray and Lord Henry value youth to extreme extents, and Dorian is able to grasp a sense of eternal youth only to drive himself to his own demise. Brett Ashely on the other hand, uses her beauty to find a powerful identity within a patriarchal society, and at the end of the novel she finds herself cycling back to who she was in the beginning of the novel. While both characters use their beauty to gain power, Ashely is able to avoid the downward spiral that Dorian suffers due to her dependent relationship with Jake Barnes. Within The Picture of Dorian Gray, Basil is incapable of forming any reciprocal relations with Dorian, thus allowing Lord Henry to mold him. Henry plants the seeds for Dorian’s development, but Dorian breaks away from Henry and begins to develop an overzealous form of masculinity that excludes all external relationships. It is due to this disconnect that Dorian is unable to reach the same fruition of his goals as Ashely is. Through their tales both Dorian and Ashely developed into strong idealized figures of beauty, but only Brett is capable of maintaining her mentality.
The scene concludes with Selden noting that “noble buoyancy of her attitude, its suggestion of soaring grace, revealed the touch of poetry in her beauty that Selden always felt in her presence, yet lost the sense of when he was not with her. Its expression was now so vivid that for the first time he seemed to see before him the real Lily Bart, divested of the trivialities of her little world, and catching for a moment a note of that eternal harmony of which her beauty was a part”, shortly followed by the exchange between Gerty and Selden mentioned at the outset wherein Gerty says “Don't you like her best in that simple dress? It makes her look like the real Lily—the Lily I know” (XX). For Selden the “real Lily Bart” is her staged beauty and that she truly is just a beautiful spectacle to be admired from afar, shown through how the “poetry in her beauty that Selden always felt in her presence” is very much temporary because once he is not viewing the spectacle that is Lily’s beauty, it is gone, and it takes Selden literally seeing Lily as a work of art in the tableaux to realize this. Gerty, on the other hand, believes that this is the “real Lily” because she chose a simple painting and is presented in an unostentatious way. The problem with the “real Lily” therefore is that her
The Gothic is one of the most well known genres in literature, not for the reason that it has been around for centuries, but because of the psychological impact that comes along with it. Gothic literature is one of the few that deals with as stated, the “awful obscurity that haunted eighteenth century rationality and morality (Botting).” However, what is not known is most authors who write Gothic literature may feel like a large portion of science fiction and interest in the futurism, but many pieces also stem from their own personal lives. Oscar Wilde, writer of The Picture of Dorian Gray, is one notable author who holds subtle boundaries between his personal life and his works.
...This essay discusses enough of The Picture of Dorian Gray to explain how floral imagery impacted the novel’s meaning. The use of floral imagery and symbolism has earned Wilde a place as one of the greatest and most influential writers of all time.
During this time an artist was seen as an important figure to society because he was able to visually create and give meaning to beautiful things, which was considered art. Art and beauty became correlated this way. Sometime it is thought that artwork has to be significantly beautiful to be considered art. Basil believes that he has created his one and only master piece, which is the picture of Dorian Gray. He sees so much of himself in the art that becomes insecure about his masterpiece. In Victorian times the artist was always more important than the artwork because of what he could possibly represent in the eyes of society as an artist. This allowed Basil to become insecure about his artwork, he did not want to be judged based off of his artworks that he put some much of himself into; artistically and intelligently. This is the reason he becomes too reluctant to exhibit his artwork, “I know you will laugh at me,” he replied, “but I really can’t exhibit it. I have out too much of myself into it.” (6). This statement by Basil shows his insecurities and afraid of judgement as an artist. it also depicts that he is very concerned with the reaction and judgements of others because he tells Lord Henry his reason for not wanting to exhibit his painting Dorian, which he becomes very drawn and attracted to. Basil pushes Victorian gender roles by showing
In chapter 20 of Oscar Wilde’s The Picture of Dorian Gray, Dorian reflects on his past and wonders whether he will ever regain his innocence. In this passage, Gothic elements underline the idea of the pursuit of individualism. Dorian’s wild, racing emotions clearly show how much he is driven by his readiness to fulfill his desires under any circumstance. Through this, the use of specific words and punctuation markings also highlight Dorian’s personal yearning to let go and forget about his past.
With the fateful encounter with Lord Henry, Dorian is ushered into a world of idealistic art and beauty. Lord Henry plays a key role in introducing a new world in which beauty, youth and sensations dominate. First, Lord Henry employs a powerful strategy of developing Dorian's self-consciousness of his ow...
Oscar Wilde`s novel The Picture of Dorian Gray is written primarily out of the aesthetic movement of the Nineteenth Century. Therefore, the text contains a profuse amount of imagery which reflects the concepts of beauty and sensory experiences. By taking the aesthetic approach, Wilde was able to revive the gothic style through grotesque imagery of the portrait and the character whose soul it represents. Wilde is not using gothic elements to shock his audiences; rather he uses the gothic to capture the hideousness of Gray`s corruptness which leaks out of the painting and into the tone of the entire text.
Satire is a genre of literature that many authors have written in, particularly when writing in or about the Victorian time period. Authors would write satirical novels with the intent to provide constructive social criticism, to draw attention to issues in their society, and to shame individuals, corporations, governments, and society, in general, into improvement. Two writers who successfully use satire in their works are Oscar Wilde and Virginia Woolf. Both writers satirize gender roles and social status in their respective works of The Importance of Being Earnest and Between the Acts. In his play, Wilde utilizes the techniques of inversion and puns to get his satire across, which work together to form a specific critique of marriage and social status in a Victorian society, and those that enforce these rules. Woolf, on the other hand, uses both parody and irony to create a more relatable and less direct viewpoint on society and the people who fit into it. Both Oscar Wilde and Virginia Woolf use satire to criticize gender roles and social status in a Victorian society, but through different techniques direct their satire at different audiences.
Dorian Gray is a grand Gothic experiment from the moment in Basil Hallward’s studio when he desperately swears that he “would give [his] soul” if only he “was to be always young, and the picture … was to grow old” in his stead (Wilde 28). Even before this moment, Dorian was a test subject of Lord Henry’s, who wanted to see how many of his own ideas he could inject into the boy. This influence rapidly planted in Dorian the ideas of eternal youth and beauty and led to the encasement of his soul in the portrait. After the switch, Dorian not only is under Lord Henry’s influence, but he is also Oscar Wilde’s subject. In his novel The Picture of Dorian Gray, Wilde manipulates Dorian, his surroundings, and his circumstances to capture a realistic portrayal of the character’s downfall by depicting the nature of the body, mind, and soul, and the relationship they share.
...enation of the portrait and withering of the corpse, which directly references the implicated sexuality of Dorian. 1The restored wonder of youth reflects an idealized homosexual spirit before such labels of homosexuality existed.2 Dorian’s corpse, decayed and withered, acts as evidence of his false public life.3 Wilde reveals the true sin of Dorian’s nature as the shutting away of himself, which erases when he frees himself of the constraints of social obligations.4 Furthermore, Wilde’s identification with the character and double life of Dorian Gray reveals the irony of Dorian’s need to hide himself due to the constraints and uptight morale of society.5 The devastating effects of Dorian Gray’s double life reflect the confinement of his soul, and Oscar Wilde uses this duplicitous life of Dorian to ultimately scrutinize society for a lack of societal acceptance.6
... Just when she thinks that she cannot make a painting worth painting, she hears of Mr. Ramsey, Cam and James’ landing to the lighthouse. ““He has landed,” she said aloud. “It is finished (208).”” The thoughts of the Lighthouse and the Ramseys at it inspire her suddenly, and she completes the picture, tying everything together and complimenting each piece at the same time, like Mrs. Ramsey had done when she was still alive. “Yes, she thought, laying down her brush in extreme fatigue, I have had my vision (209).” The completion of this painting resulted in Lily’s attaining self-confidence, and the successful portrayal of Mrs. Ramsey
Dorian Gray's life is dictated by his physical appeal. His beauty lies within his youth. Dorian's perception of beauty allows him to love. He is convinced that his beauty allows him to accomplish anything he desires regardless of the consequences and still be loved by his friends. He uses his beauty to mitigate his evil actions. Dorian says, “I don't wish to know anything about them. I love scandals about other people, but scandals about myself don't interest me. They have not got the charm of novelty.” Youth and beauty are the most precious things to Dorian. In his life, beauty is of utmost importance. Then he sees the picture of himself, painted by Basil, absorb his sins and this changed his view. “I hope it is not about myself. I am tired of myself tonight. I should like to be somebody else,” Dorian said. He aspired to have had a good life rather than one filled with artificial meaning and beauty. The moral beauty of Doran lies within the portrait of himself. The portrait imitated his life. He finally realized that beauty cannot help him escape his evil actions. He deeply lamemted his wish that the portrait bore the burden of his age an...
...lighthouse for stability. The fact that she never actually made it to the lighthouse is a sign of the lack of stability in her life. Lily Briscoe's painting of Mrs. Ramsay not only acts as motif but also a binding image for the story, it's present throughout the text from beginning to end. Lily discovers that painting is the only thing that stays, when all else changes, and their lives lack stability, she can be moderately content in knowing that the stability of painting is guaranteed.
The beauty of a portrait, the adventure of a saga, the delicacy of a porcelain vase, the emotion of a symphony – all forms of art, all forms of expression. Art, as Oscar Wilde explains it, is the “most intense mode of individualism that the world has ever known” (Wilde, The Soul of a Man Under Socialism). Art allows one to express themselves through a thousand mediums using all five senses. It allows words that are not meant to be spoken, to be expressed, and ideas not meant to be thought, imagined. Perhaps the most prevalent form of art in today 's society is literature, as is the most direct form of art. In Oscar Wilde 's The Picture of Dorian Gray, Dorian Gray reads a yellow book given to him by mentor-friend, Sir Henry Wotton. In the years