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Apply the sociological perspective
Apply the sociological perspective
Aspects of sociological perspective
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For centuries, drag queens and kings have been a source of entertainment for many people around the world. Much like theater, drag shows are purely for entertainment and require an abundant amount of time and energy. Although many of the performers are homosexual, there are many misconceptions in regards to their lifestyle, sexuality, and morals. The art of drag is very versatile and represents much more than just dressing up.
For hundreds of years, men have been on stage dressing as women. This can be dated back as far back as the thirteenth century, when the church disapproved of women actors but allowed males to disguise as the opposite sex. Forms of transvestism are rooted in the dawn of the theater and have been spotted in all corners of the world, particularly in China and Japan. Not every male who dresses as a woman is a drag queen. There are other categories, such as transvestites and cross-dressers, who ordinarily are straight men who wear female clothing for erotic purposes, pre-operational transsexuals, and transgender people. Drag queens are generally gay men who dress as women and perform. Even though it is not often noted, women have also been impersonating men on stage for centuries.
Although the term “drag king” was coined in 1972, women were performing in men’s attire long before then. However, it wasn’t until the mid 1990s that drag kings obtained some of the attention and fame that drag queens have long received. In today’s society, many women wear men’s apparel for strictly fashion reasons; these women are not considered drag kings. Despite drag kings being a large phenomenon in lesbian culture, not all drag kings are homosexual.
(The Stonewall Riots of 1969)
Notable drag queens and k...
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...ack as far as possible towards his butt. Once he has done this, must be very securely tape the penis is place.
When a women is transforming into a drag king the body enhances aren’t nearly as intense. However, binding, is very important. Binding is the acting of suppressing the breast, in attempts of achieving a flat chest. Binding can be done by tightly wrapping ace bandages around the upper body. Binders can also be purchased. These two methods are sometimes combined. Some women also go as far as binding their hips. Many drag kings also apply facial hair. This may be done with makeup or with actual hair pieces.
Although drag requires an excessive amount of work, in the end it is well worth it. Drag is very much like theater. It is an art in its own and represents much more than just men and women cross-dressing. Drag is empowering and exciting.
In the article, “The Fashion Industry: Free to Be an Individual” by Hanna Berry, Berry discusses how for decades women have been told to use certain products and that if they used those products they would be beautiful. Women over the years have believed this idea and would purchase items that promised to make them prettier, thinner, smarter and even more loved. However, in reality it was never what they wore on their bodies that helped them be any of those things; but what it did help with was to empower women to become fearless and bold by what they chose to wear on their bodies as a form of expression.
It is hard to imagine drag not consisting of a type of stage activity and of being a part of a theatrical performance. Contreras also points in Ester Newton’s book, Mother Camp: Female Impersonators in America. In framing drag’s importance to queer theory, it is also important to consider drag practice also a particular expression of racial identify (Contreras, 2005). In this book, Contreras explains that drag´s relationship to sexual and racial identities are discussed in a context in which relatively is visible academic work about drag, such as Marjorie Garber’s books Vested Interest: Cross Dressing and Cultural Anxiety where she elides these
The knowledge of the dress code makes transgender people to wear boy or girl clothes. Parents in some cases may allow a certain behavior from their kids as a prize for achievement of high grades. The use of the knowledge may come with many rewards. In the article Why transgender teen Jazz Jennings is everywhere
Wigs can be simple or complex as well. The wigs used in “Hello, I love you” are simple in style but give a punch with the vibrant blue and the pastel pink. Where as in “Sissy that walk” the wigs were just consisting of natural colours but shaped and styled in unique and exuberant ways. Drag queens also require body accessories to give the illusion of a woman’s figure like fake boobs and hip and butt pads. Also to help the appearance of a female, the sexual organs of the male have to be tucked between the legs and secured to prevent falling
Funnily drag did not n’t start out as a form of expression but as a necessity. In Ancient Greece, women could not n’t perform in plays because it was considered deemed “too dangerous”(Conger). In the middle ages, Europe’s Christian church continued the ban
Over the course of instruction, I have gathered an understanding that Burlesque differs from other kinds of strip-tease in it’s humor and current commentary, sometimes specifically on social or political situations. The theoretical portion of the performance was the most entertaining part--the performance portion was a bit more difficult for me. As a sexual assault survivor, on-stage vulnerability (particularly involving the removal of clothing) will always been a challenge for me, but incorporating my feelings about those kinds of situations made the exercise more plausible. While any commentary on physical sexual assault is a long way off for me, other components (specifically verbal) are still a source of tension among society at large.
high heels or strange fashion trends, just classic suits that show power and the ability to use it
The intention of this research is to clearly define the roles that drag performers fill in our society. With that objective, the key issues that must be clarified include offering what the distinction of a drag performer is compared to other individuals that may be mislabeled or misrepresented by such a title, and what education is lacking by those who challenge the concept of drag. In society it is a common theme to fear or demonize an idea we feel is taboo, even when we have a very weak understanding of what we fear. This research seeks to ease fears surrounding drag, and allow cautious individuals to approach the topic without feeling threatened. The further fear and apprehension is reduced, the more open to honest fact and interpretation people will become, which will lead to a more comfortable and open exchange of ideas regarding drag. Ultimately, this will allow for a stronger platform for drag queens themselves to utilize as ambassadors of their cherished art form.
Today we can see items of clothing that are commonly worn that have grown out of this initial innovation of freeing a woman’s body. This can be seen in clothing from the Spring 2017 New York Fashion week (see Figure 2), as the model’s bodies are freed by the more minimal use of material. The lowering of necklines and the increase in skin shown in haute couture over the decades is owed to Art Deco fashion and is symbolic of the rise of women’s rights over the years, as the physical discomfort and restrictions that the tight corsets of previous eras could be considered of women’s place in society. The new style being a stance against the oppression. It dictates that a persons own comfort and style is to the upmost importance, not to contort one’s body into something it is not meant to. Today it is shown in loose and cropped pants, shorts, low necklines, cropped tops, and various other clothing that reveals skin that was once covered. Art Deco fashion is also seen today through “chic garçonne” ideal that emerged out of early feminism that made women want to do the same things that men could, and so adopted smoking, sport, an interest in vehicles, a flirty sense of
enjoys it so. In life I generally find that things I do not enjoy drag
The future of women’s fashion is uncertain—in that shock value is harder to come by with each passing year. There is a concept in fashion that nothing is new, everything has been done before. This theory is coming closer to obvious reality, as fashion shows of recent years have visual throwbacks as late as the Victorian era. Although the direction is not yet decided, it is almost definite that women will use fashion as an important tool for expression and freedom in the future.
In today’s society people are becoming more open about their gender. Celebrities are becoming trans-gendered and this is affecting society because it leaves people in confusion on if the person is male with feminine traits. This causes society to view a trans-gendered person different than others because they chose to change their gender from what they were born as at birth. Changing from male to female allows people to view that person to be weak because generally the male is the dominant sex in life. In culture women are marked by wearing dresses, their body structures and having the title “Mrs.” while men remain unmarked by their clothing and appearances.
In the last decade beauty pageants have been a controversial issue. The arguments always cover subtopics such as feminism, exploitation, and self esteem. These so called beauty pageants make women’s bodies seem as if they are not their own but they as seen as objects of beauty for others. For years women have been yearning the right to be equal with men, but they are still playing dress-up for money.
When a person hears words like feminist or feminism, notions of what it means to be feminine, or consequently unfeminine, begin to dimly form in our mind’s eye. Although we cannot definitively answer the question of what is feminine, we are able to recognize it when we see it or its absence. This conception, however, is arbitrary at best. What is it about an evening gown that seems to define and dress the feminine aura while a woman spitting would be denounced as inherently unfeminine?
Performance art fluctuates between boundaries of all art. Its conceptual territory lies within the contradiction, the ambiguity and the extreme, making it difficult to define borders.