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What is the purpose of shylock in merchants of venice
The role of shylock in merchant of venice
Discuss the character of shylock in Merchant of Venice
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In the year of 1492, most people instantly think of the Columbus’ discovery of the New World. But in the joy of the discovery of the New World also comes the tragedy of the Old World. The Spanish Inquisition was one of the darkest periods of time in Jewish history. Christianity’s view of other religions as inferior is portrayed in many well-known pieces of literature, including one of William Shakespeare’s most famous plays, The Merchant of Venice. Towering over Shakespeare’s romantic comedy The Merchant of Venice is the tragic figure of Shylock, a man who represents the treatment of the Jewish people in his time period. Before beginning to understand Shylock, it is vital to understand the historical and dramatic influences under which Shakespeare wrote. These feelings of superiority eventually bring to the Jewish people a loss of culture and respect. To understand the portrayal of Jewish characters in literature such as The Merchant of Venice, it is important to understand the Jewish people of the era and what kind of treatment and trail they went through.
“Signior Antonio,…You call me misbeliever, cut-throat dog, and spit upon my Jewish gaberdine, And all for use of that which is mine own. Well then, it now appears you need my help…” (The Merchant of Venice. Act 1, Scene 3 106, 111-114) Shylock makes a reasonable point that it would be questionable if he were to just simply repay Antonio's injustices against him with kindness. This would be merciful, but Antonio doesn't ask him for mercy, nor does Shylock seem too peachy keen to give it. Their shared hatred for each other may have been justified, but when Antonio comes to seek help from Shylock, the tables are turned. Shylock can rightfully demand an apology, or at ...
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...n and it’s effect on both literature and society.
Works Cited
Lewis, Bernard. Cultures in Conflict: Christians, Muslims, and Jews in the Age of Discovery. New York: Oxford UP, 1995. Print
"Modern Jewish History: The Spanish Expulsion." The Spanish Expulsion (1492). N.p., n.d. Web. 28 Apr. 2014.bd
Roth, Cecil. A History of the Jews. New York: Schocken, 1961. Print.
Shakespeare, William, and Kenneth Myrick. The Merchant of Venice. New York: New American Library, 1965. Print
Shapiro, James S. Shakespeare and the Jews. New York: Columbia UP, 1996. Print.
"Spain Virtual Jewish History Tour | Jewish Virtual Library." Spain Virtual Jewish History Tour | Jewish Virtual Library. N.p., n.d. Web. 28 Apr. 2014.
"Virtual Jewish World: Venice, Italy." Venice, Italy Jewish History Tour. N.p., n.d. Web. 28 Apr. 2014.
The New American Bible. Nashville: Catholic Bible, 1987. Print
Another reason for the cause of a decline in Judaism culture is because the majority of the people in Spain we’re Christians, and they were extremely intolerant of the Jewish peoples. Frequent riots had occurred throughout the country for the purposes of targeting, killing or forcibly converting individuals under the Jewish faith. The environment of Spain for the Jewish people was certainly not a safe one. To avoid the violent acts of the Christian citizens of the country, many Jewish peoples converted to Christianity for the protection it had provided.
Bard, Mitchell G. “Ferdinand & Isabella.” Jewishvirtuallibrary.org. American-Israeli Cooperative Enterprise, n.d. Web. 1 May 2014.
Karabell, Zachary. "The Jews of Spain." In Peace be Upon you: The Story of Muslim, Christian, and Jewish Coexistence. New York: Alfred A. Knopf, 2007. 71-81.
It is mentioned that the bishops tell the common folk that “the Jews have stolen your religion and yet the Jews live with you in your own land.” As a result, these words create violence as the common folk “rush out together in search of Jews, and when they find one they kill him.” The killings and violence committed during this time was also predominately recognized as acts of vengeance for many bishops and other Christians deem “the Jews as Christ-killers.” Again, this idea supports the notion that Jews created mischief and thus, the cruelty directed to them is understandable and
The seventeenth century not only marks an important era in Jewish history, the arrival of Jews in the New World, but it marks a shift in Jewish ideology as well. Traditionally, in the Old World prior to the Inquisition, Jews did not live as individuals but rather as a part of a social network or community that worshipped together, studied together, at times lived together, and had the same set of beliefs. During, and for sometime after the Inquisition, some secret Jews were part of an underground community but other secret Jews chose not to be part of any Jewish community, secret or not, out of fear. It was not until the seventeenth century that there was a conscious break in the tradition of being part of a community and some Jews chose the path of individualism, because they were dissatisfied with the confines of their current Jewish community or they were forced to abandon their community and worship individually. When Jews began to move from the Old World to the New World they were forced with the challenge of figuring out how they were supposed to practice Judaism when there was no current Jewish framework in place. When Portuguese Jews arrived in the New World they were forced to live outside of the traditional community because there was no Jewish community to greet them in New Amsterdam. In the seventeenth century, it was not the norm for a Jew to live outside of the Jewish community, but it was possible; one’s willingness or necessity to live outside of the community depended upon one’s geographical location, fear, or personal convictions.
History provides several horrible periods of violence, fear and murder. Such horrible acts against humanity have been committed in the name of religion, colonization, and racial superiority. The Holocaust, was one of the most catastrophic and saddest events in history, where about 11 million people, including Jewish children, families, and political dissenters were mass murdered. However, there exists another mournful and cruel period that marked the lives of many Sephardic Jews with secrecy and fear. One hardly hears about the harassment, rejection and humiliation of Sephardic Jewry in Spain, Portugal, and countries like Mexico, at the hands of the Holy Office of the Inquisition, which began in 1492. Due to these events, Sephardic Jews found themselves facing one of the most complex decisions of their lives and those of future generations; conversion, expulsion or death. The reasons for conversion are complex, as many converted by force and others for social or political reasons. As a result, converts became known as Conversos and “marranos /chuetas, and the latter are derogatory terms, as the names imply “swine” (Hordes 6). Another important term is Anusim, referring to those "whose conversion was prompted by violence and fear not sincerity” (Hordes 6). Marranos, were secretive people often, “keeping their children from their Jewish identity, until they reached an age where discretion could be trusted "(Telushkin 195). All of these events, have led to the complex phenomena, of the crypto-Jews in the new world, including Mexico and the American Southwest. Thus, sparking new areas of interest and research of their practices, customs, authenticity, and identification.
Stow, Kenneth. Papal and Royal Attitudes Toward Jewish Lending in the Thirteenth Century. AJS Review, Vol. 6. 1981. pp.161-184
Some of the audiences in the 16th century, believed that Jews were at a lower stage than them, and they only believed this because the Jews were a different (“different” referred to as “wrong “for Christians who lived in the 16th century), religion they believed they were not people, like them. The play Merchant of Venice shows the evil side of the Jews. The character’s name is “Shylock”. He is the character of evil doing; he is also the character that Shakespeare chose to represent a Jewish character. As a Jew, he represents the race as being wicked, evil etc.
The smaller of the two works is Trent 1475: Stories of A Ritual Murder Trial. It tells the story of a small Jewish community accused of ritual blood sacrifice in Trent, Italy. This book creates a micro history that tells a much larger story of politics and society interacting with culture. Using the documentation of the trial, called the Yeshiva Manuscript, literature of the period, letters and contemporary literature, Hsia illustrates how the persecution of the Jews in 1475 has impacted and still impacts attitudes toward Jewish people. The most important source, the Yeshiva manuscript was put together by people after the trial, using the trial r...
The book essentially begins with the year 711, when then thousand Moorish soldiers swiftly conquered most of the Iberian Peninsula, establishing Muslim rule over five million inhabitants and instituting a government that extended more or less equal
Everyone who reads The Merchant of Venice must bear in mind that it is, like any other literary work, a creation of a skillful writer, rising a case that can be a subject for many interpretations and not necessarily revealing a specific view of its writer, however it aims to convey a certain moral to the readers. Therefore, the character of shylock, being stereotyped or not, with its controversy is a tool manipulated to convey a moral message: when people live in a society that is open to cultural diversity and that values the contributions of all society members – regardless of cultural and ethnic backgrounds, race, life styles, and beliefs – they will be one step closer to living in a civil society. Works Cited 1) Encyclopaedia Britannica, the definition of "Anti-Semitism". 2) E. E. Stoll, Shylock (an essay in Shakespeare Studies, 1927). 3) John Palmer, Comic Characters of Shakespeare, Shylock. 4) John Palmer, Comic Characters of Shakespeare, Shylock.
Since middle school, I have believed that all of Shakespeare’s works, similar to A Mid Summer Night’s Dream, were plays that one would read to hear a happy, entertaining story; but, it was not until this year, after reading The Merchant of Venice, that I recognized the darker, more sinister, side of Shakespeare’s plays. The Merchant of Venice supports the Jewish, anti-Semitic stereotype as the wicked character of Shylock is developed. Many individuals fear that it is improper to teach and discuss The Merchant of Venice in high school classrooms because of the negative way it presents Jews; however, I believe that it is important to read this controversial play in high schools because it enables students to learn anti-Semitic history and because reading Shakespeare’s works, due to their complexity, expands the literary mind of those who read it.
“History of the Ottoman Empire, an Islamic Nation where Jews Lived.” “History of the Ottoman Empire, an Islamic Nation… 1967-2004. 30 January, 2014 http://www.sephardicstudies.org/ottoemp.html
Discrimination is a resounding theme in The Merchant of Venice (Meyers). All of the characters are affected by inequality. This inequity is clearly evidenced in Shylock, the Jewish usurer. He is treated with scorn and derision by all the characters. Shylock’s misfortunes stem not from poor attributes or even a poor background; it stems from the fact he is Jewish, and what is more, he is impeccably of that distinction.
In Shakespeare’s The Merchant of Venice there is a palpable hatred between the Jewish moneylender Shylock and the privileged prodigal Christians Bassanio, Lorenzo, Antonio, Gratiano and Portia. History shows that Jews have long been persecuted and despised for not accepting Christianity, Islam or other religions of the majority as their own. Yet choice of religion is not the cause for the two cultures abhorrence. Their detestation is much more deep-rooted; it stems from their antithetical cultural beliefs. Shakespeare depicts lifestyles; morals and values that completely oppose each other, the very natures of his Christian characters cancel Shylock’s defining characteristics. The closed-off, cautious, restrained, simple, lonely man is thrust into the social, extravagant, spendthrift world of Christianity. Disliked as much for his skinflint profession and bare life style as he is for his religion, he is a stranger in a society that contradicts everything he feels and believes.