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Topics Romantic Period
Affect of imperialism
The causes and effects of imperialism
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Recommended: Topics Romantic Period
The Romantic period, like many periods that antecede it, produced a plethora of timely writers whose works display controversial viewpoints on the issues that England faced during the late eighteenth and early nineteenth centuries. While women writers were beginning to gain popularity and a place in literature, many female writers during this time remained unnoticed. As prolific as the Romantic period was in literature, England faced several harsh ordeals such as the French Revolution and Napoleonic Wars, and the financial hardships that occurred as a result of militant turmoil. However, not only did British participation in the wars spark numerous political and revolutionary outbursts, but participation in the slave trade also sparked controversy. Many writers, both men and women, took radical approaches in their works to discuss their reactions and frustrations with the changes and ordeals that faced the British population. Anna Barbauld and Mary Wollstonecraft, two of the most controversial progressive women’s writers of the time, produced several works that portrayed their views and reactions toward England’s political changes. While Barbauld and Wollstonecraft both produced effective feminist and imperialist poetry, Barbauld produced more radical texts about feminism and British imperialism. More specifically, Barbauld’s radical views are best seen in the “Epistle to William Wilberforce,” “Eighteen Hundred and Eleven,” and “The Rights of Woman.”
First and foremost, Barbauld’s “Epistle to William Wilberforce” is an effective radical text about imperialism. There is more than one reason this poem identifies as a radical text; yet, the major reason is due to her blatant attack on British involvement in the slave trade. Barbaul...
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...uld, Anna. “Eighteen Hundred and Eleven.” London: J. Johnson & Co., 1812. A Celebration of Women Writers. Web. 1 Dec 2013.
Bradshaw, Penny. “The Limits of Barbauld’s Feminism Re-reading the Rights of Women.” European Romantic Review 16.1 (2005): pp 23-37. Accademic Search Complete. Web. Accessed 1 Dec 2012.
Crocco, Francesco. "The Colonial Subtext of Anna Letitia Barbauld's Eighteen Hundred and Eleven." Wordsworth Circle 41.2 (2010): 91-94. Academic SerarchComplete. Accessed 1 Dec 2013.
Lynch, Deidre Shauna, and Stillinger, Jack, eds. “Introduction.” The Norton Anthology of English Literature: The Romantic Period, 9th ed. Vol. D. New York: WW. Norton, 2012. pp 3-10. Print.
Lynch, Deidre Shauna and Stillinger, Jack, eds. “Anna Barbauld.” The Norton Anthology of English Literature: The Romantic Period, 9th ed. Vol. D. WW. Norton: New York, 2012. pg. 30-45. Print.
Jokinen, Anniina. "Luminarium: Anthology of English Literature." Luminarium: Anthology of English Literature. N.p., 1996. Web. 9 Nov. 2013. http://www.luminarium.org/
Anna Letitia Barbauld was the preeminent leader of female poets and the distinguished children’s writer in the British Romantic Period. Many contemporaries dispraised Barbauld simply because of her religion. She was born and raised in a nonconformist family, and she gradually became a dissenter. As Ralph Waldo Emerson sighed with emotion, “for nonconformity the world whips you with its displeasures. (1841:179)” Barbauld’s whole life was haunted by criticism and disapproval, her poems that expressed her political stand and religious beliefs were regarded as discard the classics and rebel against orthodoxy, or even worse, as heterodoxy. Her “Epistle to William Wilberforce” attacked British involvement in the slave trade, and her last major work “Eighteen Hundred and Eleven” despairs over the war with France and the corruption of English consumer society. Barbauld’s negative comments on the country’s future stepped on a sensitive nerve and enraged the intellects who on the other hand supported the war and hold great expectation on British future. The Tory critic John Wilson Croker warned Barbauld “to desist from satire” by saying that: it was not up to a “lady-author” to sally forth from her knitting and say how “the empire might be saved.”(1812:49) The overwhelming lambasting forced Barbauld to escape from public spotlight, but it didn’t stop her from writing. Her bumpy life proved the truth quite impressive that women should not be underestimated as the domestic machine engaged in knitting and babysitting. Instead, they are emotional creatures whose imagination could run as wild as men’s.
Barbauld, Anna Letitia. "The Rights of Woman." The Norton Anthology Of English Literature. The Major Authors Ninth ed. Stephen Greenblatt. New York: W. W. Norton & Company, 2012. 1444. Print.
In two centuries where women have very little or no rights at all, Mary Wollstonecraft and Margaret Fuller appear as claiming voices, as two followers of feminism. Two women separated by a century but united by the same ideals. In these male- dominated societies, these two educated women tried to vindicate their rights through one of the few areas where they could show their intelligence: literature. So, in the 18th century we find Wollstonecraft´s A Vindication of the Right of Women and in the 19th her successor Margaret Fuller’s Woman in the Nineteenth Century. Two books written with the same purpose: to vindicate the rights of women and to try to create a better situation for women, yet through two differing points of view, the difference of one century.
"Introductions to Romanticism", A Guide to the Study of Literature, 2009. Landmarks of Literature: Brooklyn. Brooklyn College. Web. 12 Dec 2012.
Feminism as an ideology has only really taken force since the late 18th century. (Fraser: 2014) In Mary Wollstonecra...
Greenblatt, Stephan. The Norton Anthology of English Literature: the Major Authors. New York, New York: W.W. Norton & Company, Inc., 2013. Print.
Charlotte Brontë’s Jane Eyre entails a social criticism of the oppressive social ideas and practices of nineteenth-century Victorian society. The presentation of male and female relationships emphases men’s domination and perceived superiority over women. Jane Eyre is a reflection of Brontë’s own observation on gender roles of the Victorian era, from the vantage point of her position as governess much like Jane’s. Margaret Atwood’s novel was written during a period of conservative revival in the West partly fueled by a strong, well-organized movement of religious conservatives who criticized ‘the excesses of the sexual revolution.’ Where Brontë’s Jane Eyre is a clear depiction of the subjugation of women by men in nineteenth-century Western culture, Atwood’s The Handmaid’s Tale explores the consequences of a reversal of women’s rights by men. This twentieth-century tradition of dystopian novels is a possible influence, with classics like Aldous Huxley’s Brave New World and George Orwell’s 1984 standing prominence. The pessimism associated with novels of this genre—where society is presented as frightening and restrictive—exposes the gender inequality between men and women to be deleterious.
Howells, William D. “Heroines of Nineteenth Century Fiction.” Harper’s Bazaar XXXIII-26 (1900): 516-23. Rpt in Nineteenth Century Literature Criticism. Ed. Janet Mullane and Robert Thomas Wilson. Vol 19. Detroit: Gale, 1938. 8. Print.
of Knowledge in English Romanticism." Texas Studies in Literature. 1st ed. Vol. 15. N.p.: University of Texas, 1973. 50+. JSTOR. University of Texas Press. Web. 10 Nov. 2013. .
Upon reading the text The Runaway Slave at Pilgrim’s Point by Elizabeth Barrett-Browning, it easily came to me that the prevailing issues on oppression, or on racial discrimination in particular, played a heavily important role in making this masterpiece. It is a universal issue that has been moving history and is affecting our political system since time immemorial. It has defined several stereotypes in our society and has been the inspiration in the making of popular literary works like that of Browning’s. Moreover, literary masterpieces of written by female authors has always been given a
Woodring, Carl. Politics in English romantic poetry . Cambridge, Mass.: Harvard University Press, 1970. Print.
Feldman, Paula R., ed. British Women Poets of the Romantic Era. Baltimore, Maryland: The Johns Hopkins University Press, 1997.
Reidhead, Julia, ed. Norton Anthology of English Literature vol. 7, 2nd ed. New York: W.W. Norton & Company, 2000.
The advancements made in Victorian England socially, politically and technologically resulted in the questioning of how to grow and keep up with the times while still maintaining the core traditions that the Victorians idealised. One of the main debates in Victorian England was the discussion around the proper place and characteristics of women. Writers during the time period incorporated their personal opinions and outlooks on where women should be placed in society. Two writers and their pieces which will be further examined in this piece are Sarah Stickney Ellis’s The Daughters of England: Their Position in Society, Character and Responsibilities, and Charles Dickens Hard Times.