The Transfigured Aeneas
Duty is an ever-prominent theme found throughout Virgil’s The Aeneid. In a close analysis of Aeneas’ journey for the rebirth of Rome, he is seen as a transfiguring character, or, to me, one that is seen to undergo significant changes to result in a better form of one’s self to carry out a duty. It is evident that Aeneas’ duty is one that transfigures the wandering and emotionally lost leader into a divine, all-knowing one who is able to find himself in the rebirth of Troy and the well being of future Romans. In order to develop the idea of Aeneas’ change as one to a divine form, I will draw upon the extreme importance of his fate, what is encompassed in such a divine leader, and attainment of Rome, the new Troy, through suffering.
Aeneas' dedication to following his prophesied path directly proves the significance of this fate depicted in the underworld. His katabasis to the underworld in book VI is a turning point in which he is able to begin to accept his upcoming fate. Aeneas proclaims that he is “Aeneas, duty-bound, and known above high air of Heaven" (I.519-20). The fate of his journey makes for Aeneas’ decent into the underworld as a human a possibility. With this decent comes complete knowledge of the future, thus altering his perception on the meaning of life and what to live for. This fate, specifically the idea of a new home, gave the wandering and confused Aeneas something to grasp on to. In turn, Aeneas’ transfiguration is able to set in. Finding himself in revelation of fate causes Aeneas to realize he must sacrifice his contentment and adjust his character in order to fully satisfy his fate. This fate is an absolute transporter of Aeneas into maturity and becoming a divine leader for Rome.
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... of one's character, is a driving force of not only Aeneas himself, but also Rome in its entirety. Without Aeneas striving to fulfill his destiny, thus becoming a divine leader in the process, how would Rome be able to be rebuilt and still contain the fallen Troy? Virgil's idea of a hero is not one of constant bravery and strength, but one who is able to conform themselves for the betterment of one's home and for those who dwell within. Although Aeneas is shown questioning if this fate is something he wishes to conform to and strive for, he ultimately realizes his true human existence is found within divine leadership, a quality attained through personal changes of his character. In order to reach this physical rebirth of Troy he is destined to attain, Aeneas must first undergo an internal rebirth, or change in his character, to benefit both him self and the Romans.
The idea that one’s destiny is already determined is both comforting yet brings dismay because it leaves a feeling of powerlessness which is fine for the lazy but painful for the proactive. This idea is surely a failure among principles but even so the role of fate is not completely limited to these terms and ideas. Fate in the book was seen more as a mission that Aeneas had in life, and it would only happen on his obedience to his tasks. This type of belief that “actions determine fate” is actually quite healthy for a society to follow. During Aeneas’ journey there were several times that he faced difficult temptations that tested his obedience
For a year, Aeneas delayed his destiny and departure to Italy by settling down with queen Dido in Carthage. The gods deliver a message to Aeneas and to his dismay he must leave “the land of his love” and resume his destiny (Aen. 4.). Though his parting from Dido is emotional, and he leaves her broken and suicidal, Aeneas remains level-headed and strong-willed, a noble quality known as gravitas to the Romans. By Aeneas having to leave Dido, he is overcoming a very emotional obstacle; he is leaving despite a chance of stability and love, the first since the death of his wife.
...rvival. However, Aeneas becomes the Virgilian leader, his concern is always for the people and they are the most important thing to him. The reason that the endings of the books are so dissimilar and the Aenied is far less satisfying than the Odyssey is a result of this point. Odysseus' accomplished aim can be viewed within his lifetime, and listened to within a short time. His short-term goal of going to bed with Penelope, and sorting out the situation in his country is all seen within the borders of the story. Aeneas' ending merely means that his journey is at an end but the rest of the story lies with his people. The emphasis is on the people he is leading and not what he individually has accomplished.
When discussing the fate of Aeneas, a thought provoking question is posed that is commonly debated. If Aeneas is commanded by fate, does he have free will? It is important to approach this question with a solid understand of fate. There are two common sides to the debate of whether Aeneas had free will or not. One view believes Aeneas had no choice but to follow his destiny because he was commanded by fate, and prophesied to found the race that will one day build Rome. The other side states Aeneas did indeed have free will, and even though his fate was set, room is available within his fate for events to change. One can argue Aeneas makes some of his own choices, but no particular detail of his life is untouched. Destiny determines that the Trojans will found a city in Italy, but it does not stipulate how that will happen. This is where room is left for free will. After much research and considering the views of many commentators and the proof they showed, the answer can simply be found by going back to the text of The Aeneid.
In both characters loyalty and dutifulness is a central ideal that they stick to. In The Aeneid Aeneas’ loyalty and sense of duty is seen in many instances, such as when they arrive on the shores of Italy and takes refuge Dido’s city of Carthage. While there, Aeneas and his people feast and live well, and Aeneas has the opportunity
The Aeneid by Vergil is a long-standing epic poem with brief historical connections that was contributed to the Roman people’s beginnings. Of course, the main character, Aeneas has to have had some turning point within the poem that he became Roman rather than Trojan, at least within the eyes of the readers and listeners. This turning point is within Book IV when Aeneas has remembered his fate of creating a great city in Italy, and has to leave Dido and Carthage behind. This scene contributes to Aeneas now becoming a true Roman, at least in the ideals of one, because he has continued to be ‘Pious Aeneas’ and is securing his son’s future with following his fate. As an extra factor, Aeneas is also persisting as a heroic character by putting
Many people seem to be under the impression that the Aeneid is a celebration of Roman glory, led by the hero of fate Aeneas. I find these preconceived ideas hard to reconcile with my actual reading of the text. For starters, I have a hard time viewing Aeneas as a hero at all. Almost any other main characters in the epic, from Dido to Camilla to Turnus, have more heroic qualities than Aeneas. This is especially noteworthy because many of these characters are his enemies. In addition, Aeneas is presented as a man with no free will. He is not so much bound to duty as he is shielded by it. It offers a convenient way for hum to dodge crucial moral questions. Although this doesn’t necessarily make him a bad person, it certainly makes him a weak one. Of course some will argue that it takes greater moral conviction to ignore personal temptation and act for the good of the people. These analysts are dodging the issue just like Aeneas does. The fact is that Aeneas doesn’t just sacrifice his own personal happiness for the common good; he also sacrifices the past of the Trojan people, most notably when he dishonors the memory of his fallen city by becoming the men he hated most, the Greek invaders. The picture of Aeneas as seen in the end of the Aeneid bears some sticking resemblances to his own depiction of the savage and treacherous Greeks in the early books.
The Aeneid is a Latin poem written by Virgil between 29 and 19 BC, that tells the story of Aeneas, a Trojan who traveled to Italy, where he became the ancestor of the Romans. This is a story where a group of survivors who leave their destroyed city, which was destroyed by the Greeks, to search for another home in a faraway country, is about rebirthing, life jumping forth from ruin and death. “We'll take their shields and put on their insignia! Trickery, bravery: who asks, in war? The enemy will arm us.' (2.516-518)”, in these lines Aeneas is talking about how low down and dirty the Greeks are for destroying his city. The theme of this poem is duty, because he have a lot of responsibilities to do throughout this poem and this is mainly Aeneas
A comparison between Virgil's hero, Aeneas, and the Homeric heroes, Achilles and Odysseus, brings up the question concerning the relevance of the difference between the Homeric heroes and Aeneas. The differences in the poets' concerns are explained by the fact that Virgil lived many years after Homer, giving Virgil the advantage of a more developed literary and philosophical society than Homer had at his disposal. But the question remains: how are the differences between the Homeric heroes and Aeneas relevant to the epic at large? This question will be answered by first pointing out the differences between Greek and Roman society, then explaining how those differences relate to the heroes of the three epics at hand, and finally explaining how these differences allow Virgil to portray the Roman values and way of life as more structured and oriented towards a greater-good.
One such comrade Aeneas encounters in the underworld is Palinurus who was also duty bound, a helmsman on Aeneas' ship and a faithful servant who falls overboard and drowns, failing to finish his duties. He now suffers and begs Aeneas for a "quiet haven", a proper burial in his death. He says to Aeneas, "deliver me from captivity, Unconquered friend! Throw earth on me-you can-Put in to Velia port! Or if there be Some way to do it, if your goddess mother Shows a way-¡.."Book VI Lines 493-500. This conversation is not only significant in helping Aeneas to realize the costs of authority when your duties to your people and country are not carried out thoroughly ( as seen by Palinurus being held captive in the underworld without a proper burial), but in helping Aeneas realize even more that the gods, including Aeneas' mother, are powerful in determining the fate of an individual during life of duty as well as after life in the underworld. The need of a proper burial in the underworld is essential in attaining some feelings of gratification for carrying out duty to his people and country. Aeneas can now realize what it means to be "Roman" and carry out his duties as destiny prescribed to avoid the chance of an overlooked and proper burial. Virgil uses Aeneas to personify the spirit of the Roman Empire by encompassing the scope of both Iliad and Odyssey. By allowing the underworld to open many aspects of Greek history, Aeneas is able to understand the importance of his family values, striving to fulfill his duty, or his mission, even though Dido almost prevented it.
Thesis: Despite his accomplishments and the glory associated with his life, Aeneas only achieves the status of hero through divine intervention, and this god-given position causes him just as much grief as it does splendor.
Odysseus’ journey is one that features much emotional pain. Pain for being away from his home, wife and son, but in Aeneas’ journey he is a warrior, and he goes through physical pain. Unlike Odysseus, Aeneas begins his journey after the Greeks have burned his home to the ground. He does not have the pleasure of long comfortable “holdups” Odysseus has and he also has to deal with his father dying—the ultimate blow.
While the Aeneid does outline the future of Rome, it also highlights the pains of war, and also exposes his audience to a culture of violence, which they may be unfamiliar with. The act of balancing one’s duty towards others and his or her personal desires was a conflict that many people struggled with. By presenting the struggle between balancing inner desires and and personal responsibilities, Virgil offers his audience a framework that enhances their overall understanding of the poem.
The Odyssey portrays the victor, the mighty Odysseus. His story is about a man who has everything, a loving and loyal wife, an ambitious son, a devoted kingdom, and most of all a victory. By the end of Odysseus’ story he has an ideal life. On the other hand, The Aeneid is told through the eyes of a defeated soldier. Early on in the epic Aeneas has a comfortable life. It seems as though he is happy and complancent with his life in Carthage with Dido. Aeneas chooses to leave this life behind in order to fulfill his destiny. The Trojans were defeated in the war, however, Aeneas perceivers and fights for the future of his people. Through Aeneas’ story, Virgil demonstrates the resilience of the Roman culture; he shows just how much they value a sense of
... attempts they do just the opposite. With Venus’ many interventions, Aeneas is prevented from making mistakes and is guided to his fate, from not killing Helen [book 2] to leaving behind the old and the weak for Italy [book 4] . He is shown enough times to be the puppet of their play: from obeying the will of the gods while enduring the wrath of other gods, all this in order to set the wheels in motion for the far off future Roman race. However, there are also times when he is also shown to be exerting his won free will. For example, in book 12, killing Turnus when he is begging for mercy, something not heroic and which Susanna Braund debates the positive and negative aspect of in her essay on Virgil and the Meaning of the Aeneid [1.17-18]. nonetheless, this act demonstrates that even the gods and the fates require his cooperation to fulfil his destiny.