Voltaire’s satirical novella Candide tells the story a young man who, having been raised in a secluded utopia and educated in philosophical optimism, is suddenly thrust into the world and forced to make sense of the evil and suffering around him that he has always been taught to reason away. As his journey progresses and he encounters numerous horrors, Candide increasingly struggles to accept his tutor’s theory that all is for the best, and it ultimately becomes apparent that he has lost faith in his tutor’s philosophy. I argue that Candide’s gradual loss of faith in his tutor, Pangloss, was the result of the contradictions he increasingly observed between Pangloss’ philosophy and his lived experiences. This loss of faith in Pangloss’ philosophy was significant because it led Candide to begin to rely on reason rather than faith, acknowledge the existence of evil, and replace passivity with positive action, while simultaneously demonstrating to the reader the importance of doing so. Following a brief explanation of Pangloss’ philosophy, this will be illustrated by examining several of the conflicting incidents Candide experienced and the impact his loss of faith had on both him and the reader.
Before considering what led Candide to lose faith in Pangloss’ philosophy, it is important to briefly consider what Pangloss’ philosophy entailed. Critically, Pangloss was essentially a parody of the philosopher Gottfried Wilhelm von Leibniz, who had published a work titled Théodicée in 1710, addressing the problem of evil in a universe divinely planned by a benevolent God. In it, he argued that the world was imperfect, as it was made of matter, but it was nonetheless the best of all possible worlds, as it was created by a compassionate God. ...
... middle of paper ...
...e of positive action on all levels, a lesson Candide was at last beginning to grasp.
Bibliography
Adams, Robert M. “Summary: The Intellectual Backgrounds.” In Candide: Second Edition, edited by Robert M. Adams, 79-84. New York: W. W. Norton & Company, Inc., 1991.
Mason, Haydn. “Gestation: Candide Assembling Itself.” In Candide: Second Edition, edited by
Robert M. Adams, 99-112. New York: W. W. Norton & Company, Inc., 1991.
Voltaire. Candide: Second Edition. Translated and edited by Robert M. Adams. New York: W. W.
Norton & Company, Inc., 1991.
Voltaire. “Well, Everything is Well.” In Candide: Second Edition, edited by Robert M. Adams, 84-9.
New York: W. W. Norton & Company, Inc., 1991.
Wade, I. O. “Voltaire and Candide.” In Candide: Second Edition, edited by Robert M. Adams, 144-
153. New York: W. W. Norton & Company, Inc., 1991.
The author, Voltaire, wrote in the Enlightenment period, a literary movement characterized by the rising concern of philosophy, science, and politics. Voltaire’s writing was influenced by the Enlightenment movement to create awareness of global issues. This is evident in the repeated tragedies Candide stumbles upon. Social issues, corrupt authority figures, and war are real world topics that Voltaire chooses to address in Candide. The satirical nature of Candide allows for an in-depth discussion between the characters regarding the problems they face and the problems of the people they meet, creating a perspective that the audience is forced to look through. It is also a coming of age story, not just for Candide, but for the rising awareness in global issues. Voltaire’s inclusion of the issues of his time reflect the severity of those issues. Satire is used as a reaction to a society’s hypocrisy. Candide as a satirical piece reflects what people have neglected to pay attention to. Coming into a new era of awareness and responsibility leads Candide to reflect on the live he lived in Westphalia and the people he encountered across
In Voltaire’s novel “Candide”, Candide (The main character) has a tutor in the beginning of the novel named Pangloss. This character is the most lampooned character in the novel and for good reason. “ Pangloss taught metaphysico-theologico-cosmolo-boobology” (Pg. 42) this was the belief that things could not be anything other than what they are; due to the fact that things are made for an end and thus everything is necessary for the best end. Voltaire criticizes this as it is the greatest type of ignorance that there can be against the enlightenment, thusly it is an absurd way of thinking. Throughout the novel Voltaire shows us vivid examples of how Pangloss’s beliefs are absurd and not justified. The first example of this comes in page 47
...reflected critically on the events of his life—even just the two examples used in this essay--, he would probably find that this is not the best of all possible worlds as it is rife with evil and suffering. With this novella, Voltaire made the point that some spend a lifetime justifying—not rationalizing—the events of the world because those same people are too busy attempting to prove one theory rather than develop others that may fit reality more. When Candide dismisses Pangloss at the end of the novella by saying, “Let us cultivate our garden,” he is rejecting Pangloss’ philosophy, turning over a new leaf, and taking charge of his own life and giving it its own meaning free of Pangloss’ influence.
However, along the way Voltaire introduces characters with distinctive worldviews and philosophies. Unique to the story of Candide is the character Pangloss, a philosopher of metaphysico-theologico-cosmolo-boobology and Candide’s teacher. In chapter one, Pangloss abruptly shares his philosophy that, “for since everything is made for an end, everything is necessarily for the best end.” The tail goes on to say, “Candide listened attentively and believed innocently.” During their journey together certain situations cause Candide to question many of Pangloss’
Candide or Optimism, written by Voltaire in 1759, was created to satirize the a priori thinking that everything is for the best in the world. Candide, the guileless and simpleminded main character and his companions are exposed to the very worst the world possibly has to offer with rape, murder, whippings, war, earthquakes, shipwrecks, cannibalism, thievery, disease, greed, and worst of all, human nature. Through these horrific events, Pangloss, the philosopher maintaining a priori thinking, stubbornly upholds the idea that everything is for the best. It is Pangloss’s influence above all else that is imprinted upon Candide and that as the novel progresses, is slowly replaced in Candide’s mind by others characters’ viewpoints. Rather than assertive
Pangloss is a very hopeful character in the story because he refuses to accept bad. He is also somewhat naive and believes that he could make the world a better place by spreading his theories on optimism. When Candide had met up with Pangloss after a long period of time, Pangloss said that he was almost hanged, then dissected, then beaten. Candide asked the philosopher if he still thought that everything was for the better, and Pangloss replied that he still held his original views. No matter how little Pangloss believed in the fact that somehow everything would turn out well, he still maintained his original views.
Voltaire, and David Wootton. "Candide." Candide and Related Texts. Indianapolis: Hackett Pub., 2000. 35-42. Print
In Candide, by Voltaire, Candide struggles through a world torn by constant bloodshed and crime. As he travels, he and other characters are deceived, injured, and abused by the world around him. Voltaire’s Candide reveals another side of human beings’ hearts as he portrays humanity’s hamartias as greed, lust, and religion.
Each chapter of Candide is a part of the story which Voltaire carefully expresses his concerns and criticism of 18th century society. Chapter 11 “The History of the old women” in particular criticises the pre-modern era in regards to religion. The enlightenment period called for freedom of religion from many philosophers ...
In chapter 5 of Candide, the Enlightenment and the birth of tolerance were on full display. In Candide, the Enlightenment thinkers’ view of the optimum world is challenged through the shipwreck and the satiric explanations of the Lisbon Bay and Lisbon Earthquake. Voltaire continues to use ironically tragic events to test Pangloss’s optimistic philosophy, which attempts to explain evil. The use of grotesque and naive behavior between individuals in this chapter makes the reader question Pangloss’s irrational thinking with the cause and effects of the events.
The book Candide by Voltaire is a humorous satire constructed of many themes. Through his book, Voltaire expresses his views on life by criticizing many aspects of humanity at that time. He focused in war, religion, and love, but the main target of Voltaire's satire was a certain philosophy. All of the previous topics unite to ridicule the philosophy that, as the character Pangloss said, "things cannot be otherwise than as they are; for as all things have been created for some end, they must necessarily be created for the best end" (1).
Voltaire did not believe in the power of reason to overcome contemporary social conditions.In Candide, Voltaire uses Pangloss and his ramblings to represent an often humorous characterization of the "typical" optimist. Of Pangloss, Voltaire writes, "He proved admirably that there cannot possibly be an effect without a cause and that in the best of all possible worlds the Baron’s castle was the best of all castles and his wife the best of all possible Baronesses." (522) The attack on the claim that this is "the best of all possible worlds" permeates the entire novel. Throughout the story, satirical references to this theme contrast with natural catastrophes and human wrongdoing. When reunited with the diseased and dying Pangloss, who had contracted syphilis, Candide asks if the Devil is at fault.
Voltaire, Francois-Marie Arouet de. “Candide.” The Norton Anthology of World Literature. Gen. ed. Martin Puchner. Shoter 3rd ed. Vol. 2. New York: Norton, 2013. 100-59. Print.
Frautschi, R.L. Barron's Simplified Approach to Voltaire: Candide. New York: Barron's Educational Series, Inc., 1998.
Defining optimism and redefining the philosophies of the fictional Pangloss and the non-fictional Leibniz, Candid embarks on a mishap journey. From the very onset, Voltaire begins stabbing with satire, particularly at religion.