The first of the great kingdoms of men is Rohan. The southwestern region of Middle-Earth is the last and greatest bastion of human strength, and Rohan constitutes the northernmost stronghold in this area. The men of Rohan, the Rohirrim, are known throughout Middle-Earth for their courage and skill. They are the firstand usually, the lastline of defense against orc and goblin armies from the north. They have never been defeated in battle, though their trials have at times been very great. At this point in their history, their most immediate enemy is the wizard Saruman.
Saruman is a very powerful wizard, rivaled only by Gandalf and Sauron himself. He was once head of the Wizard's Council, for his greatest strength was in his ability to command men and beasts. Even now, he wields that ability with impressive results. His army is vast and powerful, and led completely by the force of his hand. There is no tradition and no kingdom to guide the minions' swordsonly the will of Saruman. He has created, through unknown and wicked methods, a horrible new kind of orc. The Uruk-hai, as they call themselves, is stronger and larger than normal orcs. More important, they can bear the glow and warmth of the daytime sun, unlike other evil creatures. This makes Saruman's army far more dangerous, as they can besiege any stronghold for extended periods of time, as no band of wild orcs could.
Gandalf's returned marks the beginning of a new phase in the epic.
In JRR Tolkien’s novel The Hobbit, Bilbo Baggins, the protagonist, undergoes the five stages of the hero’s journey: departure, initiation, the road of trials, the innermost cave, and return and reintegration into society. When the adventure is all done, Bilbo takes away an important lesson about who he is from his travels. Thus The Hobbit, the novel by JRR Tolkien is an example of a heroic quest for identity, because the protagonist, Bilbo goes through each aspect of the hero’s journey and learns about who he is.
A hero. Today, by definition, to be a hero is to have abundant power, defiance, to attain fame and wealth, and to have the intrepidity to help the ones who cannot defend for themselves. However, Bilbo Baggins, the protagonist of The Hobbit, by J.R.R Tolkien, grows to be a hero without possessing any of these qualities after he partakes in an adventure to help reclaim the Dwarves’ homeland from the dragon Smaug. This quest to the Lonely Mountain brings the indolent hobbit into a completely new world, where he faces trouble and experiences a region of supernatural wonder. Bilbo’s adequacy and heroism are shown in the adventure through his latent cunningness and courageous acts, and through the loyalty and devotion he shows to his companions.
“Out of the Great Sea to Middle-earth I am come. In this place will I abide, and my heirs, unto the ending of the world,” states Aragorn upon his victorious return to Minas Tirith (Tolkien 946). This moment marks the culmination of years of trial and toil for Aragorn as he strived to regain his kingship; yet, throughout his existence, he remained the epitome of the chivalric hero and maintained his kingly qualities in secrecy. In J. R. R. Tolkien’s The Lord of the Rings, the character of Aragorn is just one of many examples of chivalry Tolkien utilizes to create his “mythology for England.” Tolkien also does not just limit himself to this one example of medievalism in his novels. The concept of feudalism is also present at pivotal moments of the novels and aids in structuring the governmental workings of Middle-earth. Both of these aspects of medieval England can be found in numerous places throughout Tolkien’s works including in the bonds between characters, in the heraldry of the various kingdoms, in the sacred ceremonies and high language of characters, and in the personalities and actions of the characters, themselves. Together, in The Lord of the Rings, these two aspects of medieval England blend together beautifully to create the sense of depth, history, and weight Tolkien strived to achieve in his works.
For this book review I read, Towers Falling by Jewell Parker Rhodes. The main character is a young girl named Deja, who narrates the whole story in first person. Life is difficult for Deja and her family, especially since her father is sick and very depressed and the family has been forced to move into a homeless shelter. Deja has to transfer to a new school where she is assigned to work on a project about September 11th that slowly helps her understand how much that day has affected her father’s life and the life of her entire family. The story takes place in 2016 in New York City. The conflict is person vs. self.
Dark, imposing, devious, powerful beyond measure, Sauron is evil personified in the Lord of the Rings universe. He is the be all and end all when it comes to villiany in the Lord of the Rings tale. He is a major reason that the Lord of the Rings is regarded as a pinnacle of epic fantasy story telling. But he is not an overly complex villain, with morally gray motivations that some may say are required if an evil character, especially the central one, is to be regarded as important and beneficial to the plot. But the genius of Sauron's villaint is his absence of complex reasoning or motives that could be seen as not entirely evil. His one goal is to destroy the world of men. He can't be reasoned with or sympathized with, and this is what the this insatiable, all powerful, purely destructive nature of his villainy so vital to the Lord of the Rings. Sauron and his purely diabolical nature are the constant that every protagonist is leaned against and tested upon, and the podium on which Tolkien showcases the character growth of the many protagonists in this novel from the beginning of the story until the end.
Kathleen, the length is only one of the reasons I “declassified” The Hobbit as a fairy tale not the only reason. Fairy tales are often always short stories and The Hobbit is not. I am familiar with myths and their lengths, and many myths are usually considered epic poems. Paradise Lost, Iliad, and Odyssey are all epic poems, but are Greek myths. Therefore, making them shorter than The Hobbit but longer than a fairy tale. Let me be clear length is a small aspect on why I no longer consider it a fairy tale. Star Wars as in George Lucas? Star Wars has elements of mythology just like The Hobbit has elements of a fairy tale the characters, a moral lesson, and the happy ending to be exact. One of the most important elements of myths is the hero's
Writers have changed the lives of many people over the years. In times of situation that people do not want to be in, times of wars, poverty, near death experience causing one to be immobile, or even just to get out of this world the works they create gives people those opportunities to do so. Stephen King is a big contributor of his published works to people in every on every continent. He is a writer of both novels and short stories, a film director, actor and even screen writer of most of his novels that turn into movies, but is he mainly known because of his works in the genre of horror. Going from his first published novel, Carrie and one of his famous selling The Shining King have made history as the king of
In J.R.R. Tolkien 's novel, The Hobbit, Bilbo Baggins goes through a classic representation of the Hero’s Journey. Throughout the story, Bilbo transitions from being a complacent, sheltered hobbit, to a more adventurous hobbit. The Hobbit has all three parts of the hero’s journey; The Departure, Initiation and The Return, all of which is interpreted throughout the quest.
According to the textbook’s fantasy fiction characteristic of escape, “fantasy can take us far away from our everyday world, to times that never were, to places that never existed; it lets us forget our everyday routines, our frustrations, our anxieties”(p. 205). Harry Potter and the Sorcerer’s Stone, like other fantasy books, help children escape and explore another world, even if that world is not real. Karin Slaughter a mystery novelist said, “ Reading is not just an escape. It is access to a better way of life.” Being able to invest in characters and a story is an escape for a child that does not make it a bad thing. Reading does let children into a world they wish to be a part of, based on the fact that there is magic and characters they wish they could meet. For instance, children invest in the characters of Harry and Ron, because Harry is the brave, courageous friend, while Ron is terrified of everything, but sticks by Harry no matter what happens. J.K. Rowling wrote characters that are relatable to a child. Some parents
The Tower of London arose as a result of the fight concerning who would succeed King Edward the Confessor as the next King of England. King Edward had initially promised William I, the Duke of Normandy, that he would have the throne upon King Edward's death. However, upon his deathbed, he was persuaded to relinquish the throne to his brother-in-law Harold, Earl of Wessex, who was English. This enraged Duke William, who led his army into England from France to obtain what he considered was his rightful throne. He easily defeated Earl Harold at the Battle of Hastings and was crowned King of England on Christmas Day. However, Duke William-who was now called King William the Conqueror-was in a country that was largely hostile toward him. In order to provide protection for himself, he built wooden forts across the country. Realizing that he needed a more permanent structure to show the English he was there to stay, and in case of a large attack, he decided to build a fortress to protect himself.
In the film, The Last Castle, I found many aspects and theories that involve organizational communication throughout the movie. The film is about a US prison where the prisoners have formally served in the military and have committed crimes while serving their time. The movie shows how the prisoners come together when a former well-respected general is sent there to overpower the man that runs the facility.
Peter Jackson directed three films that is a part of The Hobbit trilogy. The films are called An Unexpected Journey, The Desolation of Smaug and There and Back Again. It is an adaption of the 1937 novel by J.R.R Tolkien’s The Hobbit. Jackson has also directed the prequel of The Hobbit films called the The Lord of the Rings (film series).
The Chronicles of Narnia are veritably the most popular writings of C.S. Lewis. They are known as children’s fantasy literature, and have found favor in older students and adults alike, even many Christian theologians enjoy these stories from Lewis; for there are many spiritual truths that one can gleam from them, if familiar with the Bible. However, having said this, it is noteworthy to say that Lewis did not scribe these Chronicles for allegorical didactics of the Christian faith, but wrote them in such a well-knit fashion that young readers might understand Christian doctrine through captivating fantasy and thus gain an appreciation for it. With this in mind, and in the interest of this assignment, the purpose of this paper is an attempt to analyze one of the many doctrines of the Christian faith from The Lion, The Witch, And, The Wardrobe (LWW), namely, temptation and how Lewis illustrates it through an individual character, Edmund.
The movie stuck to the main story of Beowulf, but it still had many differences. The movie brought the poem to reality with its own twist on the story of Beowulf. From the appearance of Hrothgar and Grendel’s mom, to the journey of the dragon. There are many differences and similarities locked into one Legend.
The Tower of London, in central London, has a gloomy past. There was bloodshed, ghosts, wars, imprisonment, torture, and jewels. The Towers past maybe dark and gloomy but the history surrounding it is fascinating.