Even though there are only sixteen lines is this poem it is packed with the passions and frustrations of a lifetime of suffering. William Blake uses symbolism, allusion, and imagery to paint a vivid picture of the streets of London in the late 1700's and early 1800's. His AB, AB rhyming pattern resembles the narrator’s footsteps as he “wanders through each chartered street.” Each stressed syllable is like a foot hitting the cobblestoned streets. This rhythmically patterned style is used to convey Blake’s dissatisfaction of the social and political changes of the city. The poem focuses on the people of the city as they are coping with the French Revolution. The streets are lined with impoverished vagabonds young and old. The majority of the city has been taken over by soldiers and the streets are blood stained. All hope for a brighter future is lost. Even the church is jaded and has lost it ability to comfort the people.
We begin our journey in the city near the Thames River. A “chartered” river, an allusion to the Magna Carta also known as The Great Charter of Freedoms. A...
godly misery. But it could also be the pain of the people as not only
The theme of the suffering innocent person, dying and being diseased, throws a dark light onto the London seen through the eyes of William Blake. He shows us his experiences, fears and hopes with passionate images and metaphors creating a sensibility against oppression hypocrisy. His words come alive and ask for changes in society, government and church. But they remind us also that the continued renewal of society begins with new ideas, imagination and new works in every area of human experience.
“Its deserted streets are a potent symbol of man and nature 's indifference to the individual. The insistence of the narrator on his own self-identity is in part an act of defiance against a constructed, industrial world that has no place for him in its order” (Bolton). As the poem continues on, the narrator becomes aware of his own consciousness as he comes faces nature and society during his walk. He embraces nature with the rain, dark and moon but he also reinforces his alienation from society as he ignores the watchman and receives no hope of cries for him. The societal ignorance enforces our belief that he is lonely on this gloomy night. “When he passes a night watchman, another walker in the city with whom the speaker might presumably have some bond, he confesses, ‘I… dropped my eyes, unwilling to explain.’ Likewise, when he hears a voice in the distance, he stops in his tracks--only to realize that the voice is not meant "to call me back or say goodbye" (Bolton). The two times he had a chance to interact with the community, either he showed no interest in speaking or the cry wasn’t meant for him. These two interactions emphasize his loneliness with the
William Blake was born in London on November 28, 1757 to James and Catherine Blake. His father, James was a hosier (seller of legwear) in London. Blake had four brothers, James, John, Richard and Robert; and a sister named Catherine (Harris 5). Blake got along best with his younger brother, Robert as they shared an interest in art (Clarke 1). As a young boy, Blake claimed to have had visions of God, spirits, prophets and angels. When he was four he is claimed to have seen God’s head in his window. In his most famous vision, he saw the prophet Ezekiel under a tree and a tree of angels when he was nine (“Early Years”). Though his parents believed he was lying, they took into consideration that their son was “different” and did not believe he would succeed in a traditional school setting (“Poets”). So Blake was home schooled by his mother until he was ten years old. Blake was constantly by himself as a boy “…to seek a world of the imagination without fear of recrimination by others” (Harris 21).
William Blake is remembered by his poetry, engravements, printmaking, and paintings. He was born in Soho, London, Great Britain on November 28, 1757. William was the third of seven siblings, which two of them died from infancy. As a kid he didn’t attend school, instead he was homeschooled by his mother. His mother thought him to read and write. As a little boy he was always different. Most kids of his age were going to school, hanging out with friends, or just simply playing. While William was getting visions of unusual things. At the age of four he had a vision of god and when he was nine he had another vision of angles on trees.
angered him and inspired him to convey his ideas and feelings through the poem 'London'. In the poem, Blake travels through London and describes what he sees. And as a result, he sees a severely oppressed society that is caused by the authority, such as royalty, and the church. This is as Blake sees. that even the streets and the thames are 'chartered' and governed.
Chaos and drudgery are common themes throughout the poem, displayed in its form; it is nearly iambic pentameter, but not every line fits the required pattern. This is significant because the poem’s imperfect formulation is Owen making a statement about formality, the poem breaks the typical form to show that everything is not functioning satisfactorily. The poem’s stanza’s also begin short, but become longer, like the speaker’s torment and his comrades movement away from the open fire. The rhyming scheme of ABABCDCD is one constant throughout the poem, but it serves to reinforce the nature of the cadence as the soldiers tread on. The war seems to drag on longer and longer for the speaker, and represents the prolonged suffering and agony of the soldier’s death that is described as the speaker dwells on this and is torn apart emotionally and distorts his impressions of what he experiences.
can see the limits set to the people by themselves in the mind and the
poem is about only a small snapshot of the city, when it is very quiet
Romanticism was both an artistic and intellectual movement geared essentially toward emphasizing nature’s subliminal aura, the individual’s expression of emotion and imagination, and ultimately a heightened sense of consciousness. Widely acknowledged for his contributions to Romanticism, English poet William Blake is considered to be one of the most influential poets of the nineteenth century. Blake, a visionary far beyond his years, was adamant in expressing his views on the cosmos; that one cannot simply have the good without experiencing the bad nor can one have the bad without experiencing the good. Near the end of the seventeen hundreds, Blake published two highly acclaimed works supporting his claim that in order for the world to function as it does, all things in the universe must have an opposite, or a contrast. He published his poem collection entitled “Songs of Innocence and of Experience” in 1794 and finished composing his book “The Marriage of Heaven and Hell”, a few years prior to it. These two brilliant works exemplify exactly just how important a positive balance in the cosmos really is. William Black depicts good and evil in his poems with the use of the reference to joy and sorrow.
In 1789, English poet William Blake first produced his famous poetry collection Songs of Innocence which “combines two distinct yet intimately related sequences of poems” (“Author’s Work” 1222). Throughout the years, Blake added more poems to his prominent Songs of Innocence until 1794, when he renamed it Songs of Innocence and Experience. The additional poems, called Songs of Experience, often have a direct counterpart in Blake’s original Songs of Innocence, producing pairs such as “The Lamb” and “The Tyger.” In Songs of Innocence and Experience, Blake uses musical devices, structure, and symbolism to develop the theme that experience brings both an awareness of potential evil and a tendency that allows it to become dominant over childhood
William Blake was a painter, poet, and engraver of the Romantic era. He was born in London on November 28, 1757 as the third of five children. He claimed to have experienced visions when he was young, as early as four years old, when he saw God’s head in a window, and then again at the age of nine when he saw a tree filled with angels. Blake learned to read and write at an early age, having briefly attended school but primarily being taught at home by his mother.
William Blake uses repetition, rhyming and imagery in his poem to help promote the idea that London, England is not the city that people dream that it is, the city itself can be a
William Blake was one of England’s greatest writers (Tejvan) in the nineteenth century, but his brilliancy was not noticed until after he was deceased. Blake was very much a free spirit who often spoke his mind and was very sensitive to cruelty. At the age of twenty five he married a woman named Catherine Boucher. They created a book of all Blake’s poems called Songs on Innocence, which was not very popular while he was alive. On the other hand Blake’s other book of poems, Songs of Experience, were much more popular. These two collections are so magnificent because it is two different forms of writing successfully written by one man. Two major poems written by William Blake were “The Tyger” and “The Lamb”. The Lamb is from Songs of Innocence while The Tyger is from Songs of Experience, they may share different perspectives on the world yet they both complement one another very well. Blake believed that life could be viewed from two different perspectives, those being innocence and experience. To Blake, innocence is not better than experience. Both states have their good and bad sides. The positive side of innocence is joy and optimism, while the bad side is naivety. The negative side of experience is cynicism, but the good side is wisdom (Shmoop Editorial Team). The Tyger and The Lamb are two completely different styles of poems yet it wouldn’t have the same affect on a reader if one poem didn’t exist.
Although written prior to what became know as Marxism, William Blake’s poem London exhibits many of the qualities favored by Marxism. The poem, in its sixteen lines, centers on both the political background and the social background of London. Keeping with Marxist beliefs, it exemplifies the differences between the upper class citizens and the poverty stricken lower class. He also attacks the Church and the Palace for contributing to the plights of those on the lowest spectrum of society. Blake starts his poem with