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movie analysis of pretty woman
media concept of beauty
movie analysis of pretty woman
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American Beauty (1999) is an American drama film which stars Kevin Spacey as Lester Burnham, a man who is seen to be having a midlife crisis and becomes sexually attracted/interested in his teenage daughter’s best friend. As the film progresses this attraction leads him to make major changes in his life in order to cope up with his urges, and thus these changes somehow helps him to manage and tackle his midlife crisis. This film written by Alan Ball and directed by Sam Mendes tries to show how the American middle class may view beauty and personal attraction. This film uses humor, irony and ridicule to show and criticize people's stereo types of American families. The film takes an approach to portray everything an American middle class family …show more content…
In the next scene now he can hear Lester himself talking, although we cannot see him yet but we can clearly hear him giving his own introduction. One can say that Lester is the main narrator of this film. He gives the audience an insight not only to what he is thinking himself/his own thoughts but also gives a preview of what is about to happen or what might happen later on in the film. In the following scene we see Lester physically, after finishing his own introduction he moves on to introducing other personals in his life (other characters in the film) like his wife in the front yard picking a rose, the dog and his neighbors. He gives us, the audience insights into the relationship between him and his family via his brief narration. According to theorist Bordwell this is the exposition part of the film, where we can see Lester establishes the general situation of his character and his surroundings. We can say that his narrations throughout the film is seen to be developing the plot of the film at the same time as explaining it. Soon we find Lester in a car where his wife is driving him to work and their daughter to school. There we see Lester mention and further talk about his current situation/ problem/crisis in life. After the beginning scenes and his brief narrations, now in the following scenes of the film we see the demonstration of what Lester was talking about. For example the scene where he is having dinner with his family, we see a slight sense of sarcasm from both Lester and his daughter towards each other, we see his wife raise her tone and almost get into an argument with her husband. This can be the part of the film where the conflict is being introduced; the conflict between Lester and his wife, the conflict between Lester and his
In America is a movie about an Irish family that immigrates to New York in order to find better work and improve their lives, but end up finding that it is very difficult to live in the U.S. This is due to the problems they face involving health, money, and the overall environment of the place they live. There are many aspects of cultural geography that are brought up throughout the movie. Some examples include the neighborhood they live in, class of people, and the health factors that impact the people that live there.
Sex, love, depression, guilt, trust, all are topics presented in this remarkably well written and performed drama. The Flick, a 2014 Pulitzer Prize winning drama by Annie Baker, serves to provide a social commentary which will leave the audience deep in thought well after the curtain closes. Emporia State Universities Production of this masterpiece was a masterpiece in itself, from the stunningly genuine portrayal of the characters of Avery and Rose, to the realism found within the set, every aspect of the production was superb.
"Mrs. Robinson, you are trying to seduce me," says Benjamin Braddock (Dustin Hoffman). The Graduate, directed by Mike Nichols in 1967 is an influential satire/comedy film about a recent East Coast college graduated who finds himself alienated and aimless in the changing, social and sexual general public of the 1960s, and questioning the values of society. The theme of the film is of an innocent and confused youth who is exploited, mis-directed, seduced (literally and figuratively) and betrayed by a corrupt, self-indulgent, and discredited older generation (that finds stability in “plastics”) that I found to be quite clear and understanding, while also capturing the real spirit of the times and allows America's youth to perceive onscreen an image of themselves which they can both identify with and emulate. The Graduate is a significant film even today due to its use of abstract camera angles, telephoto lenses, excellent cinematography, and great acting. Few visual effects were used, however, matting and numerous point of view shots were used. These characteristics and the fabulous use of mis-en-scene, great writing and the era of the film all made The Graduate what it is today, magnificent.
The Bad and The Beautiful (1952) and State and Main (2000) are films within films that unmask Hollywood Cinema as a dream factory and expose the grotesque, veneer hidden by the luxury of stars. The Bad and the Beautiful, directed by Vincent Minnelli, is a black and white film narrated in flashback form. The films theatrical nature requires more close-ups than wide-screen shots to capture the character’s psychological turmoil. For example, Fred and Jonathan’s car ride is captured in a close-up to signify their friendship; however their relationship deteriorates after Jonathan’s deceit. While the camera zooms out, Fred stands alone motionless. Here, Fred is captured from a distance at eye-level and he becomes ostracized by the film industry and
“I never had any friends later on like the ones I had when I was twelve. Jesus, does anyone?” Many of us don’t realize how true our friendships were when we were young. Back then you just get along with other kids, and it’s all smooth sailing. Eventually we all get to that turning point in each of our young lives, and we realize for the first time the people in our lives won’t be a part of our lives forever. This is what Gordie Lachance comes to realize in the 1986 hit movie, Stand by Me. Stand by Me was a very intriguing movie with many heartwarming scenes, good characters, and the perfect amount of humor, but it is also quite vulgar and dirty for a teen movie.
A director is successful when they take the audience away from comfort and security. In the film American Beauty, director Sam Mendes effectively achieves this. Creating a sense of discomfort and insecurity throughout the film allows the viewer to have a more in depth knowledge of the underlying themes within the film. Mendes strips viewers away from a sense of comfort and security through the portrayal of a dysfunctional family and the use of aggressive verbal slurs.
This film absolutely deserves to be recognised as it has a positive impact on both the indigenous and white community and how we can gain
One theme that is present in the film American Beauty is that one can discover happiness in many different ways. Depending on how you interpret different part of the movie you can learn that happiness exists as a myth, as a goal, and as a disguise. All of the characters in the film are going after the pursuit of happiness in their own way. All the characters have very different ideas about what happiness is to them and how to find it, but this is what makes this film a good one. One of the overarching themes in the movie and something that links all of the characters together despite their differences is the fact that they are all trying to live the American dream. At the beginning of the film, Lester realizes that despite all of the negativity
What does it mean to give yourself completely to your vocation or life? We find in a fictional story from Wes Anderson, his eighth feature presentation, “The Grand Budapest Hotel” What it means to be completely giving of oneself. Even though Wes’s movie is fictional, we find many deep and underlying themes, tones, and values. these are values are applications that anyone male or female that one can implicate in ones life to any situation. The main values we can find in the movie are simple, but can improve life ten-fold. Three easy steps to improving ones life are as stated: gratitude, positivity, and you must contribute yourself 100% of the time no matter how hard the road in front of you is going to
video camera, of a young teenage girl. The narration reveals that she wants her father dead. The image portrayed around her is constructed as an evil, unaffectionate youth. The next scene is of a high angle shot, with a voice-over narration. The voice-over goes to explain that this is Lester Burnham’s speaking and he is already dead and the following is a construction of the relevant events. This scene holds relevance for two reasons. First it constructs an image that the young teenager in the previous scene is the killer. And as we will learn by the end of the film this image is not all that it appeared to be. This is a reoccurring theme throughout the film, that these are constructed images, and to notice that there is more to the story then what appears on the surface. The high angle spanning shot of Lester’s street also holds significance for the spectator. This opening shot is quite similar to that of Alfred Hitchcock’s opening scene in Psycho. The similar themes is the spectators being the voyeurs. In each we are looking into the private sphere of the character. However, in American Beauty our voyeuristic nature is not shameful.
The film American Beauty, directed by Sam Mendes, is an acclaimed award winning film, ending up on around 200 critics top twenty lists. It's not only the script and they way it was written that makes this film so unique, but also the techniques that were used and decisions that were made when it came to filming and editing the film. At the time the film was filmed in 1999 Sam Mendes was a relatively new director, this film put his name on the map, he later directed films such as, Revolutionary Road, Road to Perdition, Jar head, and many others including the new hit James Bond movie, Spectre. Sam Mendes has made his presence known in the industry becoming one of the most eminent directors in the twentieth century.
The Blind Side is a true story, which makes it all the more heartfelt and inspirational. It is a semi biographical film that is based on the life of a football player named Michael Oher. This film captures his troubled life through high school as he endures various adversities and difficulties.
Gone Girl, an American thriller film released in 2014, is about the story of Nick, the husband, who became the primary suspect in the murder of his wife, Amy. It ended up that Amy is revealed to be alive, and apparently, she is the one who had faked everything. It seems like a typical thriller film; however, there are a lot going on beneath the surface plot involved in the heterosexual imaginary.
A surplus amount of people in the common everyday life usually are not content with what they have. Instead, they possess a drive that makes them desire what they cannot have, also known as envy. Moreover, our culture is consumed with the vacant promises of materialism, like having a well-paying job, perfect family and/or luxurious house. Having the image of being happy but in reality, happiness is what they lack. The American beauty is a film that premiered in 1999. The film is centered on a suburban family; Lester, the main protagonist, Carolyn, the wife and Jane, the daughter. American beauty demonstrates what it would seem to be a stereotypical modern suburban family in America, representing in a dark cynical way, the culture society has
My Mise-en-scene analysis is on American Beauty on page 217: number 1(The dinner scene). The frame itself is a very closed, tight shot; there is no way for the characters to escape and they're left with only confronting each other in this very little space. The shot of the camera isn't necessarily far away or close either. It's neutral, and we can see the full action of the family's dinner conversation happening right in front of us. My eyes were immediately attracted to the bright, white table and then my eyes focused on the faces of the family. The scene's texture is slightly fuzzy, and is not very detailed. But the character's faces are still recognizable. The foreground of this scene is the table with the man and woman sitting at each end; the middle is the girl-who is