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the brothers grimm little red cap analysis
the brothers grimm little red cap analysis
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Rewriting Classic Texts When authors or writers rewrite classic texts, they are able to reveal important lessons to readers or make the underlying message from an original text more obvious to readers. Rewriting classic texts can also allow the writer make an original text more moderate, by doing so it makes the text more relatable to the readers and help them understand the story more clearly. This is exactly what Angela Carter did in her text, “The Company of Wolves,” Carter creates and reveals to readers a feminist point in her rewrite. Carter is criticizing the original text of Jacob and Wilhelm Grimm’s story, “Little Red Cap.” Carter develops a female protagonist who is independent and also explores her sexuality, unlike the Grimm Brothers who creates a poorly developed damsel in distress. Carter, also does not include a typical fairytale story ending, unlike the Grimm brothers and most fairy tales which end on a happy note. By creating these kind of character developments and disregarding a typical “happily ever after” ending, Carter expresses feminist ideals and rids the stereotypical attributes a female character is usually given in fairytales. Carter is trying to show readers the importance of developing the female characters, unlike the Grimm Brothers who have much more developed male characters than female characters. Endings, especially in fairytales, end on a happy note and by doing so, all is well for the protagonist and their sidekicks in fairytales. Readers can see this when the Grimm brothers ended the story with, “And Little Red Cap returned home happily, and no one harmed her.” (Grimm 1084). This is very typical ending for fairytales, having the protagonist move on with their life, disregarding the fact they... ... middle of paper ... ...t is a young girl with “vulnerable” features, that does not define her and make her dependent. Fairytales have a tendency to create stereotypes or create the basic ideals of how some values of society should be. Though rewrites are an opportunity for an author to trash these repetitive stereotypes and create a statement. Rewriting classic texts help an author to show a realistic moral and make a classic more moderate, making it relatable to readers. This is exactly what Angela Carter did in her rewrite of “Little Red Cap” by the Grimm brothers, Carter had revealed to the readers that female characters do not need to be strong nor weak in her story, “The Company of Wolves.” By stating these attributes of the main character and creating a different ending, she reveals to readers that female characters do not have to fulfill these tropes and can be whatever they want.
As the world has transformed and progressed throughout history, so have its stories and legends, namely the infamous tale of Cinderella. With countless versions and adaptations, numerous authors from around the world have written this beauty’s tale with their own twists and additions to it. And while many may have a unique or interesting way of telling her story, Anne Sexton and The Brother’s Grimm’s Cinderellas show the effects cultures from different time periods can have on a timeless tale, effects such as changing the story’s moral. While Sexton chooses to keep some elements of her version, such as the story, the same as the Brothers Grimm version, she changes the format and context, and adds her own commentary to transform the story’s
In order to appeal to today’s audience, Disney had to change aspects of the Grimm Brothers’ fairy tales to fit the audience’s modern day ideals. Any form of entertainment is written for a specific audience. The time period between when the Grimm Brothers were writing to now has seen many changes which alter the way stories are told. In the 1800s, when the Grimm Brothers wrote their fairy tales, people passed down stories through word of mouth. It was a simple time,”They continue to live in such a way that nobody ponders whether they are good or bad, poetic or crude… And they take pleasure in them without having any reason” (Grimm Brothers page xxvi). People absorbed what they heard which did not require reading deeply into each story. Each
Thinking back to our childhood, we all remember hearing many kinds of fairy tales. Some of them inspired us others confused us, and most of them taught us valuable lessons. Through out centuries tales and stories have been used as a valuable tool to pass on our culture to new generations. There is a strong belief that these fairy tales mirror and influence society. All cultures interpret tales in their own unique way. They add and subtract various aspects of the tale to fit the needs of their particular society. The same tale in the United States is different from the tale told in Asia. A good example of tale evolution can be seen in one of the most famous tales ever told which is “Cinderella”. As a professor of women’s history Karol Kelley points out in her essay Pretty Woman: A Modern Cinderella “There are some 700 versions of Cinderella”.This fairy tale as many others has been changing for many years, and in recent years Cinderella has come under some criticism for its depiction of women’s roles in society.
...nd great intelligence. Both in “The Beauty and the Beast” and “Fowler’s Fowl”, men do not play the part of redeemer as women expected in fairy tales. On the contrary, the female protagonists who are brilliant and persistent acquire happiness. These similar kinds of fairy tales thus admonish women for relying on men and marriage by taking risks with their future. Women should believe in their own abilities and strive to achieve a wonderful future.
The fairytale Little Red Riding Hood by Charles Perrault is a story that recounts the adventure of the protagonist Little Red Riding Hood as she fulfills her mother’s wishes to bring a package to her ill grandmother. Perrault’s short story conveys influential life themes on the idea of male predation on adolescent women who fall victim to male deception. Perrault successfully portrays these themes through his use of rhetorical devices such as personifying the actions of the antagonist Wolf predator as he preys on the protagonist Little Red. Perrault illuminates the central theme of upholding sexual purity and being aware of eminent threats in society in his work. Roald Dahl’s poem, Little Red Riding Hood and the Wolf, is an adaptation to
In a society unbridled with double standards and set views about women, one may wonder the origins of such beliefs. It might come as a surprise that these ideals and standards are embedded and have been for centuries in the beloved fairy tales we enjoyed reading as kids. In her analytical essay, “To Spin a Yarn: The Female Voice in Folklore and Fairy Tales”, Karen Rowe argues that fairy tales present “cultural norms which exalt passivity, dependency, and self-sacrifice as a female’s cardinal virtues.” Rowe presents an excellent point, which can be supported by versions of the cult classics, “Cinderella” and “Snow White”. Charles Perrault’s “ The Little Glass Slipper” and the Brothers Grimm’s “ Snow White” exemplify the beliefs that females are supposed to be docile, dependent on the male persona and willing to sacrifice themselves. In many cases, when strong female characters are presented they are always contradicting in these characteristics, thus labeled as villainous. Such is the case of the Cinderella’s stepsisters in Perrault’s “Cinderella” and the stepmother in the Brothers Grimm’s “Snow White.” These female characters face judgment and disapproval when they commit the same acts as male characters. With such messages rooted in our beloved fairy tales it is no wonder that society is rampant with these ideals about women and disapprove of women when they try to break free of this mold.
The folk tale of “Little Red Riding Hood” has numerous variations and interpretations depending on what recorded version is being read or analyzed. “Little Red Cap,” by the Grimm Brothers, and “The Grandmother,” as collected by Achille Millien, are different in numerous ways: the depth of the narrative structure, characters involved, length – yet, the moral lesson is largely unchanged between the two versions. One of the more glaring differences between the two versions is the way that the narrator and the actions of the characters are used to describe the young girl, female, and the wolf, male. Being either female or male are matters of biological makeup. The characteristics of femininity and masculinity that are associated with being female or male, however, are socially and culturally defined. How do these different descriptions inform gender construction, and more specifically, how do gender constructions help to naturalize stereotypes within the collective conscience of society?
The Last Unicorn doesn’t end with the main character riding off with the Prince where they will live happily ever after. The ending of the story gives the impression that each character’s life will continue onto more adventures to continue their growth, rather than having their entire life based on the course of this specific quest. This is a valuable lesson to children and all people need to learn that other fairy tales do not really teach. You shouldn’t wait for a happily ever after because one quest or journey will lead to being happy forever. The Last Unicorn teaches the readers of life being more than a simple happy ending. It teaches the readers that to become what they want, they have to be active on your journey will get out of the everyday cycle. In addition, it teaches the readers that there is not a sole quest that will define the ending to your story. There is not one quest that will ultimately lead to a “happily ever after,” that other fairy tales seem to push forward. It teaches readers that life continues and you will keep growing with the many obstacles that come your
“I've told her and I've told her: daughter, you have to teach that child the facts of life before it's too late” (Hopkinson 1). These are the first three lines of Nalo Hopkinson's short story “Riding the Red”, a modern adaptation of Charles Perrault's “Little Red Riding Hood”. In his fairy tale Perrault prevents girls from men's nature. In Hopkinson's adaptation, the goal remains the same: through the grandmother biographic narration, the author elaborates a slightly revisited plot without altering the moral: young girls should beware of men; especially when they seem innocent.
“I've told her and I've told her: daughter, you have to teach that child the facts of life before it's too late” (Hopkinson 1). These are the first three lines of Nalo Hopkinson's fairy tale “Riding the Red”, a modern adaptation of Charles Perrault's “Little Red Riding Hood”. Perrault provided a moral to his fairy tales, the one from this one is to prevent girls from men's nature. In Hopkinson's adaptation, the goal remains the same: through the grandmother biographic narration, the author advances a revisited but still effective moral: beware of wolfs even though they seem innocent.
Today, adults reading Charles Perrault’s Cinderella realize similarities and differences between Cinderella and a modern western woman. Adults recognize that Cinderella in Perrault’s fairy tale has undesirable qualities for a modern western woman, today. Cinderella is affectionate, goodwill, forgiving, and loyal. On the other hand, Cinderella is not independent, outspoken, confident, and strong. Cinderella has low self esteem and is incapable of solving problems. Inferiority, dependence and passiveness are characteristics that represent Cinderella do not characterize a modern western woman.
“The Company of Wolves” by Angela Carter is a feminist and gruesome retelling of the fairy tale “Little Red Riding-Hood”. The story involves a werewolf, who represents a sexual predator. The werewolf is used as a symbol for both danger and desire. It also involves a young girl who does not fall victim to the fear of the wolf that she is surrounded by. She embraces her newfound sexual power and serves as symbol of sexual desire/power and female strength.
Ruth B. Bottigheimer is a folklorist, scholar, and author. At the moment, she works at Stony Brook University in New York and she is a professor in the department of Comparative Literature and Cultural Studies. As her writing the book Grimm’s Bad Girls and Bold Boys: The Moral and Social Vision of the Tales suggests, she has a fascination for fairy tales, primarily European fairy tales. This book is an in depth analysis of the stories represented in Grimm's Fairy Tales; however, Bottigheimer’s main argument seems to be focused on gender distinction in the stories. Bottigheimer seems to believe that women were discriminated more in this story as that was the social norm at the time. Various chapters throughout the book seem to focus on the argument that there is an inequality between men and women represented.
Throughout time, mankind has forged stories and legends to explain the unknown. As years went along the stories and tall tales were passed down to each generation. Each recount of the inherited stories are always told differently, how the story was told usually depended on the person and their particular region of habitance. Thus leading to hundreds of different versions of a single story told throughout the world, written and told by different people. Not only are these stories told as pure entertainment, they serve as wise life lessons and set examples for children when they were eventually introduced to society. These stories are so prominent in human history that even to this day the same stories that were told to children centuries ago
...develops in. In Little Red Riding Hood, the grandmother, mother, and child all demonstrate the stereotypical woman in an ancient society where men are superior to women. The wolf and the male character that rescues the female validate the stereotypical male in that time period as the males become clever, brave, and strong throughout the entire story. These gender tactics appear in almost any work of literature to convey the message that the popular belief of genders can either be continued by the submission of individuals to society or altered by the recognition that these labels do not have to exist.