Crime and Punishment, written by Fyodor Dostoyevsky, establishes his motifs through the use of. This novel reinstates the motif of self-sacrifice into different characters that interact with the main character, Raskolnikov. Although the largest case of self-sacrifice lies in the character of Sonya which is not thoroughly discussed in Chapter III and IV of Part One, pages 35 to 64 contributes the largest variety of self-sacrifice that is found within Crime and Punishment. Here, self-sacrifice comes in three different forms: the sacrifice of ones own body, the sacrifice of someone you love, and the sacrifice for someone you love. The slight contrast between the three situations allow for a greater understanding of this motif. In Crime and Punishment, the motif of self-sacrifice is established through the characterization of Dunya and Raskolnikov’s mother in the letter and his encounters with a potential young prostitute.
In Chapter IV, Raskolnikov encounters a young girl that represents the motif of self-sacrifice through her potential of becoming a prostitute. Raskolnikov first encounters the girl on page 57, when the sight of an older man pursuing her interrupts his thoughts of his mother’s recent letter. He observes the girl and finds her current state peculiar. Established through imagery, the desolate state of the young girl is described as “wearing a little silk dress of thin material, but she had it on in a very odd manner with hardly any of its fasteners done, and in behind, just where the skirt began, at her waist, it was torn; a whole piece of material had come away and hung loose” (57). The ‘torn skirt’ gives a typical image of what young women and girls looked like in brothels in third-world countries.
Raskolnikov’...
... middle of paper ...
...v believes that “… [Dunya’s] selling herself for her brother, for her mother! (54)”.
There is a contrast between Dunya’s situation and the young drunken girl that Raskolnikov encountered towards the end of chapter IV. Although Dunya’s situation is not as drastic or imminent as the young girl’s situation, this is still considered to be a form of prostitution because she is sacrificing herself for a man that even relates business to marriage proposals, when “…he very politely made his proposal, asking for a swift and definite reply.” If love or respect was situated into Luzhin and Dunya’s relationship, then the circumstance would be different and it could no longer be compared to prostitution because the marriage would give her happiness, as well.
Works Cited
Dostoyevsky, Fyodor. Crime and Punishment (Penguin Classics). New York: Penguin Classics, 2002. Print.
In life, there can be many obstacles one faces causing them to suffer. Along with suffering, those who are dealing with obstacles have to sacrifice large parts of their lives in order to move forward and achieve their goals. Reaching or accomplishing one’s goals takes suffering or sacrifice, and more often than not, both. Santiago, in The Alchemist and Yusra Mardini, an Olympic athlete competing on the refugee team, both have to sacrifice parts of their life and suffer on their way to achieve their goals.
It was both this interesting plot and the philosophical nature of Dostoyevsky's writing, which initially attracted me to this book. It also features many themes and characters, as well as an effective setting. As a result, I will examine the literary techniques used in "Crime and Punishment" by Fyodor Dostoyevsky to convey the downfall and subsequent rise of the main character, Raskolnikov. I will begin by looking at how the setting formed Raskolnikov's character, and then discuss the structure and other characters of the novel. The setting plays a primary role in forming Raskolnikov's character.
In Dostoyevsky's Crime and Punishment, Raskolnikov's initial crime, failure, and acceptance of mistakes are his road to overcoming his ego, as well as self discovery.
Suffering and its role in Crime and Punishment are centered on Raskolnikov, his “infinite love” for Sonia, and the “repay[ment for] all her sufferings” (542). Sonia, the eighteen-year-old stepdaughter of Katerina Ivanovna, does not want to be sucked into prostitution but is forced to because of the living conditions her family is faced with (17). The situation that Raskolnikov believes Sonia to be in fosters the misconception that she is just as bad as he, thus he confronts her about it. Raskolnikov does not realize that his shallow thoughts add to her suffering and he takes her for granted until she becomes ill (540). Sonia’s suffering is final pivot that turns Raskolnikov’s perception of an ubermensch. Now, it is Raskolnikov turn to pay for his new life, the life that will only come after “great striving, [and] great suffering” (542).
Dostoevsky was made aware of the problems with Nihilistic ideas while he was exiled in Siberia. Crime and Punishment was Dostoevsky’s first attempt at a psychological analysis of a person’s inner struggles to rationalize this radicalism. Raskolnikov represents that intelligentsia and is being used by Dostoevsky to portray and warn against succumbing to these ideals. Dostoevsky uses Raskolnikov’s life to illustrate the implications and applications of this Nihilist to the public and then expands upon it in Demons.
When we watch any military motion pictures or documentaries we perceive that youthful troopers are taught that they ought to be prepared to give up their life whenever for their country. What does self-sacrifice actually mean? It’s an ability to willingly give up something good for something better. Envision a soldier fighting in the war where he has to establish a hard decision which includes either to relinquish his life to spare thousand different lives or be narrow minded and let others bite the dust. What do we anticipate from the soldier? Nearly all of the people will concur that he will give his life, and it’s true that he will as it’s his task to defend his nation. It’s not a child’s play to sacrifice happiness and spirit; one requires a large deal of strength and courage to act thus. Mot of the savants believes that one can’t evaluate the strength of someone by merely expecting at their physique, only by the readiness of self-sacrificing themselves for the betterment of others. In the movie Lord Of The Rings: The Fellowship Of The Ring directed by Peter Jackson, the main character Frodo Baggins, his companions Marry and Pippin and a wise wizard Gandalf self-sacrificed their comfort, serenity and life in order to successfully complete their quest and to stop Sauron from crushing the Middle Earth. Sometimes individuals face compelling circumstances in their lives where they need to make life altering choices. The film proposes that by the act of self-sacrifice one can achieve internal strength that may have never existed before.
Fyodor Dostoevsky’s Crime and Punishment begins with Rodion Romanovich Raskolnikov living in poverty and isolation in St. Petersburg. The reader soon learns that he was, until somewhat recently, a successful student at the local university. His character at that point was not uncommon. However, the environment of the grim and individualistic city eventually encourages Raskolnikov’s undeveloped detachment and sense of superiority to its current state of desperation. This state is worsening when Raskolnikov visits an old pawnbroker to sell a watch. During the visit, the reader slowly realizes that Raskolnikov plans to murder the woman with his superiority as a justification. After the Raskolnikov commits the murder, the novel deeply explores his psychology, yet it also touches on countless other topics including nihilism, the idea of a “superman,” and the value of human life. In this way, the greatness of Crime and Punishment comes not just from its examination of the main topic of the psychology of isolation and murder, but the variety topics which naturally arise in the discussion.
Often times in literature, we are presented with quintessential characters that are all placed into the conventional categories of either good or bad. In these pieces, we are usually able to differentiate the characters and discover their true intentions from reading only a few chapters. However, in some remarkable pieces of work, authors create characters that are so realistic and so complex that we are unable to distinguish them as purely good or evil. In the novel Crime and Punishment, Fyodor Dostoevsky develops the morally ambiguous characters of Raskolnikov and Svidrigailov to provide us with an interesting read and to give us a chance to evaluate each character.
“The greatest sacrifice is when you sacrifice your own happiness for the sake of someone else.” Sacrifice does not come easy, but one sacrifice can inspire many as seen in the novel One Flew Over the Cuckoo’s Nest. In the novel McMurphy sacrifices himself to undergo a lobotomy to inspire the other men on the ward that they aren’t crazy and they can stand up for themselves.
In his book Crime and Punishment, Dostoevsky explores the paths of two men, Raskolnikov and Svidrigailov. These two men encompass many similar problems and obstacles throughout their lives. Both commit murders and are faced with the long and mentally excruciating journey of seeking redemption. They also share many characteristics of their personalities. The reason that the outcomes of their lives are so drastically different is due to the fact that they have completely different perspectives on life.
The conflict between good and evil is one of the most common conventional themes in literature. Coping with evil is a fundamental struggle with which all human beings must contend. Sometimes evil comes from within a character, and sometimes other characters are the source of evil; but evil is always something that the characters struggle to overcome. In two Russian novels, Fyodor Dostoevsky’s Crime and Punishment and Mikhail Bulgakov’s The Master and Margarita, men and women cope with their problems differently. Raskolnikov in Crime and Punishment and the Master in The Master and Margarita can not cope and fall apart, whereas Sonya in Crime and Punishment and Margarita in The Master and Margarita, not only cope but pull the men out of their suffering.
Within the tortured mind of a young Russian university student, an epic battle rages between two opposite ideologies - the conservative Christianity characteristic of the time, and a new modernist humanism gaining prevalence in academia. Fyodor Dostoevsky in the novel Crime and Punishment uses this conflict to illustrate why the coldly rational thought that is the ideal of humanism represses our essential emotions and robs us of all that is human. He uses the changes in Raskolnikov's mental state to provide a human example of modernism's effect on man, placing emphasis upon the student's quest for forgiveness and the effect of repressed emotion. The moral side of Raskolnikov's mind requires absolution in a Christian manner. This need obliviates his claim to be a Nietzschean superman, and illustrates that all humans have a desire for morality.
In Dostoevsky's Crime and Punishment, Raskalnikov undergoes a period of extreme psychological upheaval. By comparing this death and rebirth of Raskalnikov's psyche to the story of the resurrection of Lazarus, Dostoevsky emphasizes not only the gravity of his crimes, but also the importance of acceptance of guilt.
In his novel Crime and Punishment Fyodor Dostoevsky uses Raskolnikov as a vessel for several different philosophies that were particularly prominent at the time in order to obliquely express his opinions concerning those schools of thought. Raskolnikov begins his journey in Crime and Punishment with a nihilistic worldview and eventually transitions to a more optimistic one strongly resembling Christian existentialism, the philosophy Dostoevsky preferred, although it could be argued that it is not a complete conversion. Nonetheless, by the end of his journey Raskolnikov has undergone a fundamental shift in character. This transformation is due in large part to the influence other characters have on him, particularly Sonia. Raskolnikov’s relationship with Sonia plays a significant role in furthering his character development and shaping the philosophical themes of the novel.
According to Raskolnikov’s theory in Fyodor Dostoevsky’s “Crime and Punishment”,there are two types of people that coexist in the world; the “Extraordinary” and the “Ordinary”. The ordinary men can be defined as “Men that have to live in submission, have no right to transgress the law, because they are ordinary.”(248). To the contrary “extraordinary” men are “Men that have a right to commit any crime and to transgress the law in any way , just because they are extraordinary”(248). Dostoevsky’s theory is evident through the characters of his novel. The main character, Raskolnikov, uses his theory of extraordinary men to justify contemplated murder. There is a sense of empowerment his character experiences with the ability to step over social boundaries. He is led to believe the killing of the pawnbroker is done for the perseverance of the greater good. It is ironic that character who is shown to be powerful in the early stages of the novel subsequently go on to show many weaknesses.