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In Hawthorne’s “The Minister’s Black Veil,” Hawthorne uses gloomy diction and tone to characterize both the apprehension of the people and the affliction of the veil on Mr. Hooper.
Throughout the passage, Hawthorne utilizes fairly simple diction, avoiding long, obscure words. Words like “preternatural” and “impertinence” are among the few words that may cause an average reader some trouble. Consequently, Hawthorne’s writing appeals to and targets the common man as an audience, as he writes with a straightforward choice of words.
Despite his use of simple words, Hawthorne uses long, complex sentences to describe the situation: “By persons who claimed a superiority to popular prejudice, it was reckoned more an eccentric whim, such as often mingles with the sober actions of men otherwise rational, and tinges them all with its own semblance of insanity” (Hawthorne, __). He creates compound and complex sentences by constantly adding more information to a given sentence. Rather than simply declaring that some members of the town think Mr. Hooper has developed an eccentric mannerism, Hawthorne expands it into something more general and universal by making a broad statement about the sometimes odd actions of normally rational men. This literary style, coupled with Hawthorne’s simple language, gives the impression that he intends to teach a lesson to the common man through his writing; his writing is a parable of sorts.
As any storyteller would do, Hawthorne makes declaratory statements about the situation to inform the reader of the context of the situation. He tells how Hooper’s dislike and apparent fear of the veil is common knowledge, along with the tendency of people to either flee or follow him around. At the same time, howeve...
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...ng as he passed by” (Hawthorne __). Hawthorne’s selection of “worldly” to describe the crowd adds another facet, suggesting that the people may be blinded and limited by their knowledge of the world. Mr. Hooper’s sad smile may be one of pity for the confusion of the less spiritual crowd, who cannot understand what he is doing.
Despite the doubt cast by Hawthorne about why Mr. Hooper wears a veil, it is still apparent that he intends for his story to serve as a parable. Hawthorne focuses on the veil as the source of evil, and uses it to teach a lesson about the unknown. Through his descriptions, he suggests that Mr. Hooper has not changed, save for the black veil he now wears on his face. The addition of a simple black piece of cloth transforms a beloved minister into an object of fear and curiosity in a social commentary on the fear of things unknown and different.
he used real life situations to relate what was happening to the reader. “It gave him,to the very depth of his kind heart ,to observe how the children fled from his approach.”(Hawthorne,Pg,109) To this day people still have to deal with situations similar to this, therefore he could relate to some of the readers. “Such was the effect of this simple piece of crape” He used an outdated style so some of the readers might not of been able to get the full picture if was trying to present.
In the short story “The Minister’s Black Veil”, fear of the unknown is used by the main character, Mr. Hooper, to draw attention to what he believed was a necessary in order to achieve salvation. He believed people should be honest and forward with God, and should avoid wearing a “veil” to hide their true faces when speaking with God. He wore the veil to symbolize the indirectness most people use to cover themselves when speaking to God. Hooper refused to remove his veil, saying he would cast aside his veil once everyone else did, Unfortunately, Hooper never explained why he choose to wear his veil, which led to an uproar of confusion in the community. The community members looked for a simple explanation for his actions. For instance, some believed he had relations with a young girl who recently died, and he was in mourning, or committed a sin so severe he refused to show his face. The community began to avoid Hooper and fear the Reverend they once respected, just because of his one unexplained action. The community began to fear him in such a way that he losses almost all the respect he held within the community, and dies without his betrothed by his side. Even upon his deathbed he refuses to share, with the community, why he chose to wear his veil. Hawthorne reveals in this short story how people crave an explanation for the abnormal, and when they fail to find a satisfactory answer, they will reject and fear the
Nathaniel Hawthorne's "The Minister's Black Veil" illustrates the dangers of secret sin. Allowing guilt from things done in the past, things that cannot be changed, can ruin lives. The life of the secret-carrier will be devastated, along with the lives of that person's most loved ones. Hawthorne uses various types of figurative language in his works to portray his message. "The Minister's Black Veil” is no exception; Hawthorne uses symbolism and suggestion to add depth and mystery.
The theme to this part of the story is dark romanticism. He shows another them towards the end of his story, which is sin. Puritanism is also shown throughout his story, because it is a huge part of Hawthorne’s background. Self-alienation is also shown, due to Parson Hooper wearing a black veil that causes people to ostracize him. Their entire attitude changes towards him, which causes him to live his life alone.
Lang, H.J.. “How Ambiguous is Hawthorne?” In Hawthorne – A Collection of Critical Essays, edited by A.N. Kaul. Englewood Cliffs, NJ: Prentice-Hall, Inc., 1966.
Mr. Hooper in “The Minister’s Black Veil” puts on a veil to symbolize “those sad mysteries which we hid[e] from our nearest and dearest, and would fain conceal from our own consciousness, even forgetting that the Omniscient can detect them” (Hawthorne 310). From the moment the townsfolk see the black veil they become very frightened and intimidated by Mr. Hooper, the citizens felt that “the black veil seemed to hang down before his heart” (Hawthorne 308). People became very frightened even the “most innocent girl, and the man of hardened breast” (Hawthorne 312) Mr. Hooper puts this crape on as a “symbol of a fearful secret between him and them” and because of this society chastises him and makes him out to be a...
The year is 1729 and the Puritans are going about their daily life of strict, religious life. Nathaniel hawthorne is not part of this crowd but he likes to pick fun at their lifestyle. In "The Minister 's Black Veil" and "Young Goodman Brown" he does just that. In both these stories he makes fun of their idea that everything is a sign, and has a double meaning. These allegories that Hawthorne uses may confuse the average reader. In both stories there is something that has a meaning based on reality, and a more mystical meaning. The word faith, when used in "Young Goodman Brown" can either mean Faith, as in the name of Goodman 's wife, or faith in God. The black veil, is it just a veil, or does it have a deeper, darker meaning of sin?
Lang, H.J. “How Ambiguous is Hawthorne?” In Hawthorne – A Collection of Critical Essays, edited by A.N. Kaul. Englewood Cliffs, NJ: Prentice-Hall, Inc., 1966.
"The Minister's Black Veil" by Nathaniel Hawthorne is a short story that was first published in the 1836 edition of the Token and Atlantic Souvenir and reappeared over time in Twice-Told Tales, a collection of short stories by Nathaniel Hawthorne. The short story narrates the events following Reverend Mr. Hooper's decision to begin wearing a black veil that obscures his full face, except for his mouth and chin. Mr. Hooper simply arrives one day at the meeting house wearing the semi-transparent black veil and refuses from then on to take it of, leading to the loss of his fiancée and isolation form the world. He is even buried in the black veil. Yet, what is important to note are Mr. Hooper's last words to those surrounding his deathbed. He tells them namely in anger that all of them wear black veils: “I look around me, and, lo! on every visage a Black Veil!”. This declaration underlines the meanings of the veil in the story as symbolic of sin, darkness, and the duality within human nature. Thus, "The Minister's Black Veil" by Nathaniel Hawthorne is a literary work of art that demonstrates the author's use of allegory to highlight the psychological angle of the story and characters.
In “The Minister’s Black Veil,” for example, Hawthorne describes how, “perhaps the palefaced congregation was almost as fearful a sight to the minister, as his black veil to them”(2). This directly contrasts the “light” faces of the members of the congregation with the darkness of the minister’s veil. By stating that the minister was just as afraid of the people as the people were of him, Hawthorne indicates that the people fear the minister due to the abrupt reveal of his mysterious sin, but the minister also somewhat fears the people and the secrets they hold deep within their hearts. The people of the town are supposedly pure and innocent, yet it is clear that many of the citizens carry the burden of their own evils. Although the minister boldly comes forward with his own sin, he still feels the pain of the loneliness, scorn, and spite that has come with his statement. Hawthorne represents the discomfort the guilty townspeople feel when in the presence of Mr. Hooper when he describes how they were, “conscious of lighter spirits the moment they lost sight of the black veil” (3). Once again, this use of light and dark imagery supports Hawthorne’s argument that people, even those who claim to be pure and innocent, are capable of sin. The townspeople in Mr. Hooper’s community feel the burden of their own sins when they come in
Kaul, A. N., Ed.. "HAWTHORNE: A Collection of Critical Essays." Englewood Cliffs: Prentice-Hall, Inc. 1966.
Since ours is an age that has found irony, ambiguity, and paradox to be central not only in literature but in life, it is not surprising that Hawthorne has seemed to us one of the most modern of nineteenth century American writers. The bulk and general excellence of the great outburst of Hawthorne criticism of the past decade attest to his relevance for us (54).
In the short story, “The Minister’s Black Veil,” Nathaniel Hawthorne tells the Mr. Hooper’s black veil and the words that can describe between him and the veil. Hawthorne demonstrates how a black veil can describe as many words. Through the story, Hawthorne introduces the reader to Mr. Hooper, a parson in Milford meeting-house and a gentlemanly person, who wears a black veil. Therefore, Mr. Hooper rejects from his finance and his people, because they ask him to move the veil, but he does not want to do it. In Nathaniel Hawthorne’s “The Minister’s Black Veil”, Mr. Hooper’s black veil symbolizes sins, darkness, and secrecy in order to determine sins that he cannot tell to anyone, darkness around his face and neighbors, and secrecy about the black veil.
Nathaniel Hawthorne's works are notable for their treatment of guilt and the complexities of moral choices. "Moral and religious concerns, in short, are almost always present in Hawthorne's work"(Foster, 56). Given Hawthorne's background, it is not a stretch of the imagination to say that his novels are critiques of Puritanism. Hawthorne lived in the deeply scarred New England area, separated from Puritanism by only one generation. His grandfather had been one of the judges in the Salem Witch Trials. Personal issues include the various ways Hawthorne's family and specific events in his life influenced his writing. Readers can easily recognize how "Young Goodman Brown" incorporates facts about his Puritan ancestors. Father Hooper in "The Minister's Black Veil" may be symbolically paralleled to Hawthorne's ancestors, trying to hide a sin they have committed. His descendants' remarks on him in The Custom House introduction to The Scarlet Letter mix pride in Hawthorne's prominence and a sense of inherited guilt for his deeds as judge. Hawthorne's guilt of wrongs committed by his ancestors was paramount in the development of his literary career. He investigates human weaknesses through the time period of his ancestors. Generally Hawthorne's writings contained powerful symbolic and psychological effects of pride, guilt, sin and punishment.
Heims, Neil. “An Introduction to Some Elements of Nathaniel Hawthorne’s Fiction.” Philadelphia: Chelsea House Publishing, 2003. Blomom;s Literary Reference Online. Fact On File, Inc. 21 January, 2011.