Language of Money
One of the striking aspects of Mamet’s play is its language. More often than not language is the product of both social forces and time. And in this case it serves true. The play is a realistic account of the world of business in America and the language used is nothing but the exact same language exercised in the world of business. There are abundant uses of the language of monetization (e.g., incommensurabilities, equivalencies, self-sufficiency). The language of the play is full repeated words related to money such as leads, prospects, salesmen, exchange, buy, sell, sit, deadbeat, investment, company, stock market, contract, robbery, consumption, etc. These are all economic concepts. A reader, in order to understand the play, must be familiarized with such economic vocabulary. Some of these technical terms such as ‘lead’ is explained by Mamet in the course of the play. The fact is that the subject of money inevitably requires the language of money. In every play the characters become important when they are universal. I do not agree with this,
What Samuel Beckett famously held about Joyce’s Finnegan’s Wake that “Here form is content, content is form... His writing is not about something, it is that something itself” (27), holds true for Mamet’s work. We observe that the subject of the play influences its form. For instance, in scene three Roma speaks incessantly (when speaking with Lingk) and does not allow Lingk to speak but a few words and then jumps in the middle of his sentences. As a salesman, it is his job to act as such and inculcate so many things to his most likely prospect and this affects the form of the play. The language also shapes the play.
The world that Mamet describes is simultaneously hu...
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With differing economies and the growth of specie and paper money, Brands argues that the basis of knowledge about the money system of this time lays a foundation for how Carnegie, Rockefeller, and others were able to manipulate the market and gain wealth. Leading into price manipulation by those in corporate
When the first Europeans settled in what would become the United States, the need of a currency to make trade easier rapidly arose. Before the US Dollar as we know it, the American Colonies went through several currency systems. Since most settlers were from the United Kingdom, the colonies were under the authority of the crown, and used the British system of pounds, shilling and pence. The use of Spanish dollars was also very widespread, and the name of the country’s official currency comes from this common practice. While the first trades took place with British or Spanish currency or commodities, the Massachusetts Bay Colony was the first to issue some paper currency, which it denominated in British terms at first, and then in both British and Spanish terms. For the first time in the colonies, a colonial authority delivered a piece of paper, regardless of the Crown’s opinion, which people trusted would be worth money. This was therefore the first fiat currency of the colonies, which would later become the United States of America. In this paper, we will explore the evolution of fiat currency in the United States, and the process that led to the adoption of the US Dollar still in use today. It will cover the period from 1690 to 1863, separated in three parts that correspond to currency evolution: Colonial currency from 1690 to 1775, the Revolution and the first banks from 1775 to 1860, and finally the US Dollar, the Legal Tender Act and the National Banking Act from 1860 onwards.
“A dramatistic explaination appears in terms that performers can comfortably employ in their efforts to stage events” (Pelias and Shaffer 62). This means that the process for understanding text in an aethestic manor needs to be simple and understandable to the performer so it can be clearly related to the audience. So, for the process to be effective it has to be true to reality, otherwise the message of the text will be lost. Pelias and Shaffer describe the questions in Burke’s Pentad as “fundamental of all human action” (62). The simplicity and familiarity of the concepts are comfortable for even the most inexperienced performer.
words so that the sound of the play complements its expression of emotions and ideas. This essay
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Communication is a vital component of everyday relationships in all of mankind. In plays, there are many usual staging and dialogue techniques that directors use to achieve the attention of the audience. However, in the play, “Post-its (Notes on a Marriage)”, the authors Paul Dooley and Winnie Holzman use both staging and conversation in order to convey the struggles of modern relationships. The play is unconventional in how it attempts to have the audience react in a unique way. The authors use staging and conversation to portray to the audience that there are complex problems with communication in modern relationships.
...ne else in the play the power of language to alter reality, and the issues of conscious or unconscious deceit.
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A true fan of word play will undoubtedly appreciate this novel, having almost as much fun reading it as Nabakov had drafting it. There is hardly a page in the novel that does not incorporate a good pun, play on words, or coined term derived from the one and only, linguistic genius, Nabakov himself. Humbert seduces his readers through his romantic language, with his constant wordplay throughout Lolita. Word play is important in Lolita as it diverges the reader’s attention away from the horrible events to focus on the beauty of word choice.
The archetypal tragedy of two star-crossed lovers, separated by familial hate, is a recurring theme, which never fails to capture the minds of the audience. It is only at great cost, through the death of the central characters that these feuding families finally find peace. This is an intriguing idea, one antithetical. I have chosen to analyze both Shakespeare 's Romeo and Juliet and Laurent 's West Side Story. The purpose of this essay is showing how the spoken language is utilized in these different plays to meet differing objectives. The chosen scenes to further aid comparison and contrast are the balcony scenes.
Few of us can deny the importance and power that money has in our society. It is difficult to think of issues that affect us on a daily basis, that does not involve money. But where does this fixation on money originate...
Mamet's visual point of view gives the reader a better understanding of what makes a good movie. He uses a lot of examples about what works and what does not work. Some of the main examples of the visual point of views are Counter Cultural Architecture. For an instant, he uses his house as an example of how back in the day, people had a better understanding of the simple things. He simply states “It was built with an understanding of, wood, weather, and human domestic requirements” (Mamet 17). He expresses that more thought needs to been put into what you make. The more complex things that are in life aren't always the most efficient. In, addition to Counterculture Architecture movies also is another example Mamet gives. He explains how ‘bad
Introduction Death of a Salesman and Glengarry Glen Ross are two plays which attempt to validate the key values that have been strongly advocated for by capitalism. The two plays dwell on somewhat similar themes, but these themes are presented in different styles. Both Miller and Mamet hold a similar interpretation of success in that the success of the main characters in the two plays is measured from a material standpoint. According to Miller and Mamet, these characters will do anything within their reach to stay ahead of other members of the society (the system/principle of capitalism), but as fate would have it, tragedies befall them in the end. Nevertheless, Miller and Mamet interpret these themes from different perspectives.