The American dream originated when immigrants came to America searching for new opportunities and a better life. In the early 1900’s all people could do is dream; however, those dreams gave many different meanings to the phrase “American dream”, and for the most part, wealth and hard work play a very large role in the pursuit of “the dream”. In F. Scott Fitzgerald’s novel, The Great Gatsby, and Arthur Miller’s drama, Death of a Salesman, both protagonists, Jay Gatsby and Willy Loman, are convinced that the way to achieve a better life is by living the “American dream”. However, the dream does not end up successfully for these two characters. In fact, their ideals and hopes of rising to success cause their American dream to take a turn into a nightmare.
Although it may seem as if F. Scott Fitzgerald’s The Great Gatsby is portraying a romantic relationship between Jay Gatsby and Daisy Buchanan, a woman he meets and falls in love with in Louisville while training to be an officer, the novel portrays the wealth and materialistic culture in the 1920’s. The more luxury and the more things a person can show off, the more accomplished and successful the person felt. In the roaring twenties, having a family, cars, and luxury was what people would pursue in life but for others, that was not enough.
Nick Carraway, the narrator of The Great Gatsby, is not necessarily looking to live the dream but to become successful in business. After World War I, Nick decides to move to Long Island, New York, better known as the “West Egg”. He rents a cottage and ends up living next door to the extravagantly wealthy and mysterious Jay Gatsby. In the twenties, people trying to become successful by hard work were obsessed with their social class statuses....
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Moseley, Merritt. “Arthur Miller’s Death of a Salesman.” The American Dream. Ed, Blake Hobby. New York: Info Rose Publishing, 2009, 47-55
As depicted by Scott F. Fitzgerald, the 1920s is an era of a great downfall both socially and morally. As the rich get richer, the poor remain to fend for themselves, with no help of any kind coming their way. Throughout Fitzgerald’s, The Great Gatsby, the two “breeds” of wealthier folk consistently butt heads in an ongoing battle of varying lifestyles. The West Eggers, best represented by Jay Gatsby, are the newly rich, with little to no sense of class or taste. Their polar opposites, the East Eggers, are signified by Tom and Daisy Buchanan; these people have inherited their riches from the country’s wealthiest old families and treat their money with dignity and social grace. Money, a mere object in the hands of the newly wealthy, is unconscientiously squandered by Gatsby in an effort to bring his only source of happiness, Daisy, into his life once again. Over the course of his countless wild parties, he dissipates thousands upon thousands of dollars in unsuccessful attempts to attract Daisy’s attention. For Gatsby, the only way he could capture this happiness is to achieve his personal “American Dream” and end up with Daisy in his arms. Gatsby’s obsession with Daisy is somewhat detrimental to himself and the ones around him; his actions destroy relationships and ultimately get two people killed.
The Roaring Twenties was a time of excitement for the American people, with cities bustling with activity and a large community that appreciated Jazz, thus creating the title the “Jazz Age.” The Great Gatsby by F. Scott Fitzgerald takes place in this magnificent age characterized by Jazz and the popular new dance, the “Charleston.” Through the midst of all this new activity, we follow a character named Jay Gatsby through the eyes of the narrator, Nick Carraway. Fitzgerald’s themes of friendship and The American Dream is seen in The Great Gatsby through Nick and Jay’s companionship and Gatsby’s growth from being a simple farm boy to becoming a wealthy man.
Wealth, material possessions, and power are the core principles of The American Dream. Pursuit of a better life led countless numbers of foreign immigrants to America desiring their chance at the vast opportunity. Reaching the American Dream is not always reaching true happiness. In F. Scott Fitzgerald’s The Great Gatsby, Jay Gatsby achieves the American Dream, but his unrealistic faiths in money and life’s possibilities twist his dreams and life into useless life based on lies.
Miller, Arthur. Death of a Salesman. Literature: An Introduction to Fiction, Poetry, and Drama. Seventh Edition. X.J. Kennedy, and Dana Gioia. New York: Addison Wesley Longman, Inc., 1999. 1636-1707.
Miller, Arthur. “Death of a Salesman”. Literature: An Introduction to Fiction, Poetry, Drama, and Writing. Ed. Dana Gioia and X.J. Kennedy.10th Ed. New York: Pearson, 2007.
The American Dream is a concept that has been wielded in American Literature since its beginnings. The ‘American Dream’ ideal follows the life of an ordinary man wanting to achieve life, liberty, and the pursuit of happiness. The original goal of the American dream was to pursue freedom and a greater good, but throughout time the goals have shifted to accumulating wealth, high social status, etc. As such, deplorable moral and social values have evolved from a materialistic pursuit of happiness. In “Advertising the American Dream: Making Way for Modernity”, Roland Marchand describes a man that he believed to be the prime example of a 1920’s man. Marchand writes, “Not only did he flourish in the fast-paced, modern urban milieu of skyscrapers, taxicabs, and pleasure- seeking crowds, but he proclaimed himself an expert on the latest crazes in fashion, contemporary lingo, and popular pastimes.” (Marchand) This description shows material success as the model for the American Dream. In his novel The Great Gatsby, Fitzgerald reveals the characterization of his characters through the use of symbols and motifs to emphasize the corruption of the American Dream.
The Jazz age was a convivial time known for innovation, creativity, and women pushing the limits of their new found freedom, but it was also a time of mourning and loss after the end of World War I. The combination of these emotions is what made the roaring twenties so unique, yet unstable. Before the twenties, the American dream had been to earn a stable income and raise a family in the great country that is America, but during the twenties the American dream became much more diminished as people worked for riches and luxuries that only a few could afford. In The Great Gatsby the main characters are striving for this dream of riches in a turbulent setting, but ironically are blinded by the distractions of the Jazz age and they do not realize until it is too late and that they have been walking away from their own dreams. During the Jazz age people partied, drank, and danced to their heart’s content, but little did they know that they were losing sight of the American dream.
Miller, Arthur. Death of a Salesman. Literature: An Introduction to Fiction, Poetry, and Drama. Seventh Edition. X.J. Kennedy, and Dana Gioia. New York: Addison Wesley Longman, Inc., 1999
Miller, Arthur. Death of a Salesman. The Bedford Introduction to Literature. 8th ed.Ed. Michael Meyer. Boston: Bedford, 2008. 1908-1972. Print.
Miller, Arthur “Death of a Salesman” Literature: Craft and Voice. Ed. Nicholas Delbanco and Alan Cheuse. 2nd ed. New York: McGraw Hill, 2012. 205-13. Print.
People from all around the world have dreamed of coming to America and building a successful life for themselves. The "American Dream" is the idea that, through hard work and perseverance, the sky is the limit in terms of financial success and a reliable future. While everyone has a different interpretation of the "American Dream," some people use it as an excuse to justify their own greed and selfish desires. Two respected works of modern American literature, The Great Gatsby and Death of a Salesman, give us insight into how the individual interpretation and pursuit of the "American Dream" can produce tragic results.
DiYanni, Robert. "Death of a Salesman." Literature Reading Fiction, Poetry, and Drama. Ed. Emily Barrosse. 6th. New York, NC: McGraw-Hill, 2002. Print.
Miller, Arthur. Death of a Salesman. Literature. Ed. Sylvan Bates New York: Longman, 1997. 1163-1231.
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"LitCharts | Death of a Salesman: Act 1 Summary, Analysis & Themes." LitCharts | Death of a Salesman: Act 1 Summary, Analysis & Themes. LitCharts, n.d. Web. 16 Feb. 2014.