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The word to The Second Coming by Yeats
The word to The Second Coming by Yeats
The word to The Second Coming by Yeats
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In "The Second Coming" by William Butler Yeats, Yeats uses allusions, symbols, and vivid imagery to convey his cynical and despondent tone about the new evil, corrupt, and immoral era following World War I.
Yeats begins the poem with an image of a "widening gyre" or a vortex of spiraling motion. This image immediately implies the chaos and disorder in a society that is spiraling wider and wider out of control and becoming more corrupt. Yeats elaborates on and supports this idea with "Things fall apart; the center cannot hold" and "Mere anarchy is loosed upon the world" to further symbolize how the universe is collapsing with confusion and the absence of principles. Yeats also implies the danger and disaster to come with an image of a falcon who "cannot hear the falconer" to further illustrate suspense and danger that humanity is facing. This image also suggests that similar to the falcon that is flying around in a "widening gyre, society has wandered too far away from its morals and is doomed with curruption. Yeats continues his cynical tone with "everywhere the ceremony of innocenc...
"The blood-dimmed tied is loosed, and everywhere the ceremony of innocence is drowned". As many currently see our society today, Yeats was in fear of what the future had in store, and felt it necessary to warn society of their abominable behavior. All of the good in the society has been taken over and overwhelmed by the horrible actions. No longer do ceremonies, or acts of kindness, take place, which Yeats believes is a direct effect of the loss of youth and innocence. "That twenty centuries of stony sleep were vexed to nightmare by a rocking cradle". This quote from "The Second Coming" informs the society that if they do not begin to correct their transgressions against one another as a whole they will awake the anti-Christ. The anti-Christ will come to claim his Jesus and correct the predicament that they have gotten themselves in to.
William Yeats is deliberated to be among the best bards in the 20th era. He was an Anglo-Irish protestant, the group that had control over the every life aspect of Ireland for almost the whole of the seventeenth era. Associates of this group deliberated themselves to be the English menfolk but sired in Ireland. However, Yeats was a loyal affirmer of his Irish ethnicity, and in all his deeds, he had to respect it. Even after living in America for almost fourteen years, he still had a home back in Ireland, and most of his poems maintained an Irish culture, legends and heroes. Therefore, Yeats gained a significant praise for writing some of the most exemplary poetry in modern history
...eme in his writing. Although the previous poems mentioned only represent a small fraction of Yeats’ writings, it is easy to see this repetitive idea. In When You Are Old the man’s love is never changing, however the woman’s realization of this is constantly wavering. Then in the poem The Lake Isle of Innisfree he wants to change his life from chaos to peace, and the lake never changes. Then in The Wild Swans at Coole the birds are always there, but the seasons change. The Second Coming also represents how mankind changes, but God’s principles are never-wavering. And lastly Sailing to Byzantium portrays how monuments never change, but what they mean to the viewers will always change. Yeats knew that this was something that future generations would also face, and therefore his poem will forever last in history but the importance of it is up to the future generations.
In these lines from "All Things can Tempt Me" (40, 1-5), Yeats defines the limitations of the poet concerning his role in present time. These "temptations" (his love for the woman, Maude Gonne, and his desire to advance the Irish Cultural Nationalist movement) provide Yeats with the foundation upon which he identifies his own limitations. In his love poetry, he not only expresses his love for Gonne, he uses his verse to influence her feelings, attempting to gain her love and understanding. In regard to the Nationalists, he incorporates traditional Irish characters, such as Fergus and the Druids, to create an Irish mythology and thereby foster a national Irish identity. After the division of the Cultural Nationalists, Yeats feels left behind by the movement and disillusioned with their violent, "foolish" methods. He is also repeatedly rejected by Gonne. These efforts to instigate change through poetry both fail, bringing the function of the poet and his poetry into question. If these unfruitful poems tempt him from his ?craft of verse,? then what is the true nature verse and why is it a ?toil? for the poet? Also, if Yeats cannot use poetry to influence the world around him, then what is his role as a poet?
Yeats opens his poem with a doom-like statement. He states "Turning and turning in the widening gyre." This enhances the cyclic image that Yeats is trying to portray. Here, Y...
Thomas Hardy (1840-1928) was one of the great writers of the Late Victorian era. One of his great works out of the many that he produced was his poem Hap, which he wrote in 1866, but did not publish until 1898 in his collection of poems called Wessex Poems. This poem seems to typify the sense of alienation that he and other writers were experiencing at the time, as they "saw their times as marked by accelerating social and technological change and by the burden of a worldwide empire" (Longman p. 2165). The poem also reveals Hardy's own "abiding sense of a universe ruled by a blind or hostile fate, a world whose landscapes are etched with traces of the fleeting stories of their inhabitants" (Longman p. 2254).
'Thing fall apart the centre cannot hold' is a line in W.B Yeats poem 'The Second Coming' because of its stunning, violent imagery and terrifying ritualistic language, "The Second Coming" is one of Yeats's most famous poems, its set in a world on the threshold of apocalypse must like the three texts. The texts 'Henry IV Part 2' by William Shakespeare, 'The Handmaid's Tale' by Margaret Atwood and the poem 'The Waste Land' by T.S Eliot deals with the topic of disintegration of and within civilisation. The authors each explore this disintegration with their own medium, Shakespeare through a play, Eliot a poem and Atwood a novel, despite the differences in form all three texts contain similarities in content, exploring conflict in gender, the role of power and religious influences.
Both William Butler Yeats' "Second Coming" and T.S. Eliot's "Journey of the Magi" present a renewal process, but each one focuses on different goals and subjects; Eliot on a particular person's transformation, whereas Yeats predicts a renovation of the entire world as a result of an escalation of chaos. And while Yeats attempts to present a definite picture of what he believes will happen at the time of this renovation, as a human being, lack of foresight leaves him to conclude with nothing more than an unanswerable question. Eliot, on the other hand, uses ambiguity to support and develop his theme: death is the way to rebirth. But for Eliot this rebirth, which must be necessarily obscure, is full of doubt, accompanied by pain, and extremely perplexing to the newly-born (www.fgcu* 6). Eliot utilizes a vague diction and imagery, and his narrative tone progresses to philosophical and doubtful discourse. In contrast, Yeats maintains a pessimistic tone created by his futility on the bleak situation toward which the world proceeds. As opposed to projecting an inevitable and pessimistic demise of the Christian era and a renewal of the world as Yeats does in his poem, "Second Coming," Eliot presents the renewal of a Magus, his way of life and beliefs as a result of the birth of the Christian era.
Though written only two years after the first version of "The Shadowy Waters", W.B. Yeats' poem "Adam's Curse" can be seen as an example of a dramatic transformation of Yeats' poetic works: a movement away from the rich mythology of Ireland's Celtic past and towards a more accessible poesy focused on the external world. Despite this turn in focus towards the world around him, Yeats retains his interest in symbolism, and one aspect of his change in style is internalization of the symbolic scheme that underlies his poetry. Whereas more mythological works like "The Shadowy Waters" betray a spiritual syncretism not unlike that of the Golden Dawn, "Adam's Curse" and its more realistic fellows offer a view of the world in which symbolic systems are submerged, creating an undercurrent of meaning which lends depth to the outward circumstances, but which is itself not immediately accessible to the lay or academic reader. In a metaphorical sense, then, Yeats seems in these later poems to achieve a doubling of audience, an equivocation which addresses the initiate and the lay reader simultaneously.
In conclusion, Yeats enjoys the idea of change and changelessness within the world. Yates of course approaches the idea of change and changelessness differently in each of the poems. Some of the ways that the idea of change is used can be optimistic more like the poem of The Wild Swans at Coole and some are more pessimistic and quite an eye opener like the poem on The Second Coming or Sailing to Byzantium. Either way, the critic Richard Ellmann was correct in his statement discussed before.
...se in their once-strong social system. The “Second Coming” Yeats’ refers to is also addressed in the book, as Achebe relates the second coming to the arrival of the white missionaries. Through the writing of his book, Achebe is able to express his feelings of unfairness and hatred that he attributes to the Christians that had torn his people apart. Especially toward the Christians, who believe in the “second coming”, he scoffs at their hypocrisy and the corruption they bring. It should be noted that Yeats’ poem has multiple interpretations regarding its meaning, and Achebe’s comparison between them is strictly only based on what Achebe himself believes is the poem’s purpose. Through these two pieces of literature, Achebe is able to accurately describe his opinion of the white missionaries, as well as provide a picture of the conflict that result from their arrival.
The first stanza is crowded with sensual and concrete images of nature and its ripeness during the first stages of Autumn. Autumn is characterized as a “season of…mellow fruitfulness” (1). It is a season that “bend[s] with apples the mossed cottage-trees” (5), “fill[s] all fruit with ripeness to the core” (6), “swell[s] the gourd, and plump[s] the hazel shells” (7), and “set[s] budding more” (8). The verbs that Keats uses represent the bustling activity of Autumn and also reflect the profusion of growth. Autumn also acts as the subject of all the verbs, indicating its dynamic behavior. Furthermore, the multitude of these images depicting the ripening of nature contributes to the sense of abundance that characterizes the first stanza. The stanza also contains many short phrases, again calling up images of abundance. Keats, through his use of sensual imagery, draws readers into the real world where there will ultimately be decay and death. The sound devices in this stanza further develop the sensual imagery and...
Author of poetry, William Butler Yeats, wrote during the twentieth century which was a time of change. It was marked by world wars, revolutions, technological innovations, and also a mass media explosion. Throughout Yeats poems he indirectly sends a message to his readers through the symbolism of certain objects. In the poems The Lake Isle of Innisfree, The wild Swans at Cole, and Sailing to Byzantium, all by William Yeats expresses his emotional impact of his word choices and symbolic images.
The present research work deals with the development of symbols in the poetry of W. B. Yeats. To comprehend and thereby fully appreciate Yeats’s poetry requires some knowledge of the forces working together to form the basis of his philosophy and the symbolic system Yeat’s view of the artistic function of the imagination and of the symbol and the development of his personal symbolic system are made clear in this chapter. W. B. Yeats has been regarded as a great symbolic poet. Arthur Symons dedicated his book “The Symbolist Movement in Literature (1919)” to W. B. Yeats and called him “the chief representative of that movement in our country”. The Symbolist movement began in France. Its high Priest was Stephane Mallaseme. Yeats has already much in common with the symbolists. Both aimed at something elusive and intangible. Both were subjective, alike in method and natural mode of thought. In Yeats own words, “a symbol is the possible expression of some invisible essence, a transparent lamp about a spiritual flame - - - -.” In this essay we discussed the various symbols which are used by W. B. Yeats in his poetry.
This refrain enforces his disgust at the type of money hungry people that the Irish have become. In the third and fourth stanza, however, Yeats completely changes the tone of his poetry. He praises the romantics of Irish history, such as Rob...