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Good art never dies, but rather lingers on in the minds of the society. Allan Ginsberg’s poem “Howl” has relevance many years after it was written. “Howl” is a poem, and a story about the history of the beat generation, and the philosophies of the beat poets. At the time that Howl was written America was in the middle of the cold war, and conservatism was the norm. The shocking nature and vulgar language of “Howl” makes the poem unique during a time when having your hair long, or even having a beard was risqué. Allan Ginsberg makes the reader think about their freedom and expression during the time when even the society is against them. By using his obscene, even by today’s standards, words he startles the read and gives them the branch to see that the world can be opened if they open their minds and go outside of the societal norms. The near-libertine, openly-homosexual, shocking, narrative-like poem plays a role in influencing our society’s, in general, more liberal philosophy on homosexuality, art, and artists. Themes on liberty and expression resonate even today after such a change in philosophy. Ginsberg’s writing of this historic poem gives a glance of his generation. This essay will seek to show in what ways “Howl” has influenced the current culture. Pursuant to this goal, the history of the contemporary society at the time of the writing of “Howl” will be analyzed. Then the structure of “Howl” will be reviewed for its artistic merit. Lastly, the contemporary view on “Howl” will be researched. “Howl” reaches society by both shocking, instructing, and by embracing the reader.
The time, during which Ginsberg wrote, was hard for a person like Alan Ginsberg: a homosexual poet. In “Prelude to a Poem: Ginsberg's Long path to ‘...
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...an Ginsberg went through as homosexual man living in the 1950s. Being ostracized for something ridiculous, instead of an actual immoral action.
Works Cited
Jackson, Brian. "Modernist Looking: Surreal Impressions in the Poetry of Allen Ginsberg." Texas Studies in Literature and Language 52.3 (2010): 298-323. Project MUSE. Kansas University Libraries, Lawrence, KS. 29 Nov. 2010 .
Ginsberg, Alan. “Howl.” The Norton Anthology of Modern and Contemporary poetry. 3rd ed. Vol. 1. Eds. Jahan Ramazani, Richard Ellmann, & Robert O’Clair. New York, NY: Norton, 2003.
Ginsberg, Allen, et al. "From "The Poem That Changed America: 'Howl' Fifty Years Later." American Poetry Review 35.2 (2006): 3-10. Academic Search Premier. EBSCO. Web. 29 Nov. 2010.
Schumacher, Michael. “Prelude to a Poem: The Long Path to ‘Howl.’” Tricycle. 3. Spr. 2007. 96-103.
Ellmann, Richard and Robert O’Clair, eds. The Norton Anthology of Modern Poetry. 2nd ed. New York: W.W. Norton, 1988.
Rosenthal, M.L. "Poet of the New Violence". On the Poetry of Allen Ginsberg. Ed. Lewis Hyde. Ann Arbor: University of Michigan Press, 1984. 29-31.
Strand, Mark and Evan Boland. The Making of a Poem: A Norton Anthology of Poetic Forms. New
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69. Print. Strand, Mark, and Eavan Boland. The Making of a Poem: a Norton Anthology of Poetic
Homosexuality remained illegal in most parts of America until the 1960s, but Ginsberg refused to equate his Gay identity with criminality. He wrote about his homosexuality in almost every poem that he wrote, most specifically in ‘Many Loves’ (1956) and ‘Please Master’ (1968), his paeans to his errant lover Neal Cassady. Ginsberg’s poems are full of explicit sexual detail and scatological humour, but the inclusion of such details should not be interpreted as a childish attempt to incense the prudish and the square.
...us 75.1 (Jan. 1991): 150-159. Rpt. in Poetry Criticism. Ed. Lawrence J. Trudeau. Vol. 58. Detroit: Gale, 2005. Literature Resource Center. Web. 25 Feb. 2011.
A few cases in which this poem is particularly relevant in today’s society, apart from just the general hipster culture, is the fact that in many ways we’re faced with similar issues of social oppression of certain sects of the population, homophobia, discord amongst different cultures and excessive consumerism – all these being matters than Ginsberg felt strongly about and sought to fight against.
“I saw the best minds of my generation destroyed by madness, starving hysterical naked, dragging themselves through the negro streets at dawn looking for an angry fix, Angel-headed hipsters burning for the ancient heavenly connection to the starry dynamo in the machinery of night.” The opening lines of Howl, by Allan Ginsberg, melodiously encapsulates the beat generation. The beats alluded to by the verbatim ,“The best minds”, are a group of idiosyncratic poets whom through the instrument of prose(driven by spontaneity and a primal lifestyle) , orchestrated a rebellion against the conservative beliefs and literary ideals of the 1950s. Howl, utilizing picturesque imagery, expounds holistically upon the instigator of the movement in culmination with personal experiences of beat members. Accordingly “Howl” evokes feelings of raw emotional intensity that reflects the mindset in which the poem was produced. The piece is structured into three stanzas, sacrificing temporal order for emphasis on emotional progression. The first sequence rambles of rampant drug forages and lewd sexual encounters, eliciting intonations of impetuous madness, one ostensibly hinging upon on a interminable need for satiation of hedonistic desires. Concordantly the following stanza elucidates upon the cause of the aforementioned impulsive madness (i.e corruption of the materialistic society motivated by capitalism), conveying an air of hostility coalesced with quizzical exasperation. Yet, the prose concludes by turning away from the previous negative sentiments. Furthermore, Ginsberg embraces the once condemned madness in a voice of jubilation, rhapsodizing about a clinically insane friend while ascertaining the beats are with him concerning this state of der...
Natoli, Joseph. "William Blake." Critical Survey Of Poetry, Second Revised Edition (2002): 1-12. Literary Reference Center. Web. 17 Jan. 2014.
Ramazani, Jahan. Richard Ellmann, Robert O’Clair, ed. The Norton Anthology Of Modern And Contemporary Poetry. Vol 1 Modern Poetry. Third Edition. Norton. 2003.
Rothenberg, Jerome and Pierre Joris, eds. Poems for the Millennium: The University of California Book of Modern and Postmodern Poetry, Vol. 2. Berkeley: University of California, 1998.
...g with many individuals, are alienated and in turn, wish for extreme change and even another life. Ginsberg conveys a vital message that carries through to the year 2010 even more. Materialism does not make a person, it is insignificant. What is imperative is the natural world; beauty, individuality, and real human interactions as these are concepts that make an individual.
Meinke, Peter. “Untitled” Poetry: An Introduction. Ed. Michael Meyer. 6th ed. Boston: Bedford/ St. Martin’s 2010. 89. Print
The 1950’s beatniks gather around coffeeshops, writing and grumbling about the unfairness of the government and society’s closed mind. Today, youth gather around their laptops and type away, despairing over the unfairness of the government and society’s closed mind. Allen Ginsberg’s poetry embodies those angry youth. His unique choices in diction, symbolism and imagery artfully conveys his criticism against the wrongdoings of Uncle Sam and his subjects. Through his poem America, Ginsberg reaches out to all generations of people and exposes the ethical mistakes that both the government and society as a whole make, and these mistakes are classic in the sense that it is always a mistake that everyone keeps repeating.