With Sasha Jansen, Jean Rhys created in Good Morning, Midnight a female character who does not have a place in the world. Sasha walks the streets of Paris, commenting, reflecting, remembering. Her few coping-mechanisms show how deeply she is already alienated from the world, even from herself. As a reader you get this fed bit by bit, in fragments, jumping between the actual narration, memories and inner monologues.
As a woman in Paris in the late 1930s Sasha Jansen is far ahead of her time. In her book about Jean Rhys, Elaine Savory says about Sasha: "She lives in the 1930s, when women were supposed to gain social standing through marriage to a man (preferably of means), or, if they remained single, to hold onto respectability even in hard times." (p68) Sasha is on her own, her former husband left her at some point in the past, she lives in rented rooms, has very little money and is definitely having a hard time as she is very aware of and does not feel well with her own ageing. Instead of 'holding on to respectability' she drinks. Sometimes she cries in public. She takes men back to her hotel room and has random sex.
Her drinking habits seem to be old, it seems that she has been drinking for a long time, regularly. Drinking is one of her main coping mechanisms. Every time she finds herself in an emotionally challenging situation, she longs for a strong drink to soothe herself, to feel less of the pain that is her life. After she started crying in the house of an artist-friend she says: 'I have an irresistible longing for a long, strong drink to make me forget that once again I have given damnable human beings the right to pity me and laugh at me.' (p. 78)
While she lived in London, she tried to drink herself to death an...
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...ally it wouldn't be too bad to be happy, to be in a better place within herself or just in a lighter, nicer room.
But the end of the book is so shockingly bleak that it takes away all hope. She agrees to the one man on her floor she loathes and fears, she invites him in, into her bed, into her body: 'Then I put my arms around him and pull him down on the bed, saying: 'Yes – yes – yes…' (p. 159) She finally reaches this place of indifference where nothing matters, where she does not care if she lives or dies, as the stranger in the dressing-gown could just easily kill her.
Works Cited
Rhys, Jean. 2000. Good Morning, Midnight. London: Penguin Books
Savory, Elaine. 2009. The Cambridge Introduction to Jean Rhys. Cambridge: Cambridge University Press.
A. L. Kennedy. 2000. Introduction. In: Rhys, Jean. 2000. Good Morning, Midnight. London: Penguin Books
...er appreciate the world in this way because her mental and physical state was always impaired. When she wasn’t she could not make these same associations because bonding with alcohol repetitively was the only constant joy she had in her life.
In Jean Rhys’ novel “Good Morning Midnight” the reader is introduced to Sasha Jansen. Sasha is a run of the mill alcoholic who has seemingly been handed the most dreadful hand in life. Her husband deserted her, her child died, she is poor, and mostly—she is isolated and alone. Her viewpoints on the world, and herself, are very cynical and pessimistic. Sasha’s story details her downfall in a stream of consciousness narrative that takes the reader from one thing to the next and back again. It tells of the things she has sensed which leads to the inevitable end of hopelessness which causes her to suffer severe disconnection from the world around her. The problem is, absolute hopelessness is the best thing that Sasha could find for herself. For Sasha, everything must be kept in perspective. She must not go places that make her remember, she must not do things that make her remember, and she must not see things that make her remember. For Sasha, remembering her tragedies means destroying the careful routine that she has crafted for her life. Sasha herself alludes to this when she claims “[she] doesn’t want the way to the exhibition, [she] wants the way out.” (13)
Wilentz, Sean. "Kennedy, John Fitzgerald." The World Book Encyclopedia. Chicago, IL: World Book, 2009. N. p. Print.
Bibliography:.. Works Cited Meyer, M., Ed., (1999). Bedford Introduction to Literature, 5th Ed. Boston: Bedford/St. Martin.
Abrams, M. H. The Norton Anthology of English Literature. New York: W.W. Norton & Company, Inc., 1993.
Another way these characters avoid living their life is by drinking continuously, in a way to make the time pass by faster and forget. ?Haven?t you had enough? She loses count after 10 cocktails,? (pg.11) proving to the audience her own self denial, and how she wastes every day. Unfortunately, there are many, who in society today, do the same thing to get out of a situation they?re trying to hide or a difficult time they?re going through. This relates back to their affair which they?re obviously hiding and trying to get through this time in their life.
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Updike, John. “A&P.” The Norton Introduction to Literature. 10th ed. Eds. Alison Booth and Kelly J. Mays. New York: Norton, 2010. 409-414. Print.