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The count of monte cristo analysis
The count of monte cristo analysis
The count of monte cristo analysis
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The Count of Monte Cristo, a captivating novel written by Alexander Dumas, tells the story of a young French sailor, Edmond Dantès, in 1815 who spends fourteen years in prison through the acts of his jealous and conspiring enemies. He eventually escapes with hatred and a vengeance that calculatingly dictates the kind of man he develops into. In this novel the Count of Monte Cristo, in secret Dantès, seeks nearly unrelenting revenge when he returns to Marseilles looking for his enemies. Acting under the self proclamation of divine providence, Dantès spends the first ten years of freedom, a prisoner of no emotion other then vengeful hatred.
During Dantès’ time in the prison Château d’If, he becomes good friends with his neighboring prisoner, Abbé Faria, a priest who helps Dantès figure out who put him in prison and why. When Abbé dies from a disease he obtains from his past relatives, Dantès considers killing himself because he cannot bare the loneliness. Right before he makes the final decision to commit suicide, he cries out to himself “I want to live, to fight in to the end...
Here Dante is gassed on by Virgil because he shows pity to the souls in Hell. Since God is the one who sends souls to Hell, Virgil thinks that Dante believes God has made the wrong choice. Throughout the poem we see Dante change his views; he comes to realize that those who are in Hell truly belong there. We see people on the street and feel pity for them, but we don 't stop to think how they got there; it might just be part of God’s ultimate plan.
In this book, The Count of Monte Cristo, many readers find the use of honesty in the novel to be problematic. The Count of Monte Cristo or in other words Dantes, is dishonest by lying to everyone about who he is. Because he was in prison for such a long time, his looks changed and when he got out no one knew who he was.
	The Count of Monte Cristo, written by Alexandre Dumas, tells the story of a man, Edmond Dantes, a sailor who goes through being betrayed by his enemies and thrown in to a dark prison cell to planning revenge on his enemies. His behavior and personality changes after spending 14 years in jail for a crime that he didn’t commit. Edmond Dantes was thrown in jail ,after being framed by his enemies, accused of committing treason and being a bonapartist. The story takes place during the Napoleonic Era while the usurper, Napoleon has escaped to his place of exile, the Isle of Elba, located in the Mediterranean Sea.
Dante experiences a vision, at the age of 35, after experiencing traumatic events in his hometown of Florence. The events that are occurring in Florence at the time are associated with papal corruption and cause Dante to be forced into exile. Following the vision, which confirms to Dante that he has strayed from the right path in life, Dante begins his travel through the three realms, which contain the possible consequences following a person’s death. Dante’s journey begins on Good Friday, when he is escorted to the gates of Hell, moves to Purgatory and ends in Heaven. However, an escort accompanies him for duration of his journey. Virgil, who Dante has long admired, escorts Dante through Hell and...
As readers in the modern age, it is sometimes hard for us to examine and understand the words and messages due to the bridge between the ancient classical poems and the modern age poems. In Dante’s inferno poem, it is very challenging to analyze the information in such a rigorously written poem and relate the same poem to the said writer (Williams). Understanding the poem goes beyond the fiery depths of hell and into the real world of Dante and the surroundings that influenced his writing and creativity. The involvement of Dante Allegro in ancient political factions, in his own city state, led to his exile and consequently his demise. His mortality will forever be felt from his work as readers will constantly warn of the rot in the political and church corruption.
Akin to many of Alexandre Dumas’ other masterpieces, “The Count of Monte Cristo” is a dramatic tale of mystery and intrigue that paints a dazzling, dueling, exuberant vision of the Napoleonic era in France. In this thrilling adventure, Edmond Dantès is toiling with the endeavor of attaining ultimate revenge, after being punished by his enemies and thrown into a secret dungeon in the Chateau d’If. He reluctantly learns that his long intolerable years in captivity, miraculous escape and carefully wrought revenge are all merely vital parts in his journey of awakening to the notion that there is no such thing as happiness or unhappiness, there is merely the comparison between the two. Ultimately, the irony that Dumas is presenting through this novel suggests that the inability to attain happiness through the hypocrisy that is revenge is because one is really avenging their own self. This becomes evident through his dramatic transformations from a nave, young sailor, to a cold, cynical mastermind of vengeance, and finally to a remorseful, humble man who is simply content.
When Dante and Virgil reach the gate of Hell, Dante is overcome with fear upon reading the inscription above the gate and hearing the screams and lamentations of those inside. He reacts to the inscription by crying out, " ‘Master,’ I said, ‘these words I see are cruel.’ " (III.12). By this he shows his fear of the unknown because he does not yet know exactly what he will witness during his descent. One of Dante’s truest display of fear occurs upon reaching the vile City of Dis. When the "fallen angels" deny the travelers access through the city, Virgil, usually unflappable, even appears shaken up. Understandably, this does not help Dante’s nerves at all. He actually makes a side comment to the reader declaring the terror he felt after the angels had defied Virgil’s request saying: "And now, my reader, consider how I felt / when those foreboding words came to my ears! / I thought I’d never see our world again!" (VIII.
This quote symbols all feelings of sympathy and kindness have left Datnes heart as he now get revenge on all those who betrayed him. Dantes wants to be the instrument that hands out the punishment to his enemies.
“If you would not be forgotten as soon as you are dead and rotten, either write things worth reading or do things worth writing.” This maxim applies to the poet Dante Alighieri, writer of The Inferno in the 1300s, because it asserts the need to establish oneself as a contributor to society. Indeed, Dante’s work contributes much to Renaissance Italy as his work is the first of its scope and size to be written in the vernacular. Due to its readability and availability, The Inferno is a nationalistic symbol. With this widespread availability also comes a certain social responsibility; even though Dante’s audience would have been familiar with the religious dogma, he assumes the didactic role of illustrating his own version of Christian justice and emphasizes the need for a personal understanding of divine wisdom and contrapasso, the idea of the perfect punishment for the crime. Dante acts as both author and narrator, completing a physical and spiritual journey into the underworld with Virgil as his guide and mentor. The journey from darkness into light is an allegory full of symbolism, much like that of Plato’s Allegory of the Cave, which shows a philosopher’s journey towards truth. Therefore, Dante would also agree with the maxim, “Wise men learn by others’ harms; fools scarcely by their own,” because on the road to gaining knowledge and spiritual enlightenment, characters who learn valuable lessons from the misfortunes of others strengthen their own paradigms. Nonetheless, the only true way to gain knowledge is to experience it first hand. Dante’s character finds truth by way of his own personal quest.
In conclusion, we can see that Dante presents the reader with a potentially life-altering chance to participate in his journey through Hell. Not only are we allowed to follow Dante's own soul-searching journey, we ourselves are pressed to examine the state of our own souls in relation to the souls in Inferno. It is not just a story to entertain us; it is a display of human decision and the perpetual impact of those decisions.
While he lies on the ground gasping for breath, Caderousse tells the Abbe Busoni that he does not believe in God. Only moments later, Edmond Dantes reveals himself to him, and he spends his dying breath asking the Lord to forgive him. Edmond Dantes, looking at his corpse, whispers “one”. This was the first evident moment in Alexandre Dumas’s The Count of Monte Cristo where Edmond Dantes achieves any justification on his enemies for the wrongs they have done to him. After twenty years of meticulous planning, Dantes carries out his plan of ultimate revenge on his enemies in order to achieve the justice he believes he deserves. In his novel, Dumas shows that to obtain true justice—whether personal or societal—one must understand the limits of
"The Count of Monte Cristo" is a book which contains few characters but many identities. Edmond Dantes if not the main character, than one of the main characters kind of has a reality dysfunctional problem. In the book, Edmond Dantes creates various identities to fulfill his missions(fantasies). One of the few characters that Edmond Dantes transformed into was Sinbad the Sailor.
Alexandre Dumas’s novels and in particular The Three Musketeers are so great for his ability to mix fact with fiction. As a historical novel, The Three Musketeers bases its story around some major characters and events of 17th century, French history. Cardinal Richelieu, Anne of Austria, and other important characters really lived and acted the way they do in the novel. In fact, the historical basis of Dumas's story extends all the way to his initial idea for the novel, even to the Musketeers and d’Artagnan themselves.(history 1)
Dante’s Inferno presents the reader with many questions and thought provoking dialogue to interpret. These crossroads provide points of contemplation and thought. Dante’s graphic depiction of hell and its eternal punishment is filled with imagery and allegorical meanings. Examining one of these cruxes of why there is a rift in the pits of hell, can lead the reader to interpret why Dante used the language he did to relate the Idea of a Just and perfect punishment by God.
Dante's "Inferno" is full of themes. But the most frequent is that of the weakness of human nature. Dante's descent into hell is initially so that Dante can see how he can better live his life, free of weaknesses that may ultimately be his ticket to hell. Through the first ten cantos, Dante portrays how each level of his hell is a manifestation of human weakness and a loss of hope, which ultimately Dante uses to purge and learn from. Dante, himself, is about to fall into the weaknesses of humans, before there is some divine intervention on the part of his love Beatrice, who is in heaven. He is sent on a journey to hell in order for Dante to see, smell, and hear hell. As we see this experience brings out Dante's weakness' of cowardice, wrath and unworthiness. He is lead by Virgil, who is a representation of intellect. Through Dante's experiences he will purge his sins.