Aesthetics Of Aging

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An Aesthetics Of Aging

Recall, reader if ever in the mountains a mist has

caught you, through which you could not see except

as moles do through skin …

Dante, Comedy1

ARGUMENT: THE RELEASE FROM THE BODILY EGO

Many recent studies on visual culture highlight the representation of the body in

photography as a signifier of social constructions. Photography however has always played an

important part in the construction of the subject, a perspective that I suggest in what follows,

one that combines analytical concepts with aspects of the phenomenology of perception,

indispensable for the understanding of art works and of our relation to them.

By contrast with the overexposure of the body in commercial photography,

photographers in the art field today represent the body as a visual metaphor for configurations

of interiority engaged in subject construction. Their insistence on formal aspects (of

composition and technique) displaces the focus from the physical to the psychic body so as to

“capture” unstable phenomena of change, of conflict in the subject’s relation to time. In Joyce

Tenneson’s photographs ordinary referents are obliterated to liberate space for other dimensions

* This paper is an abridged and adapted version of a chapter in an unpublished manuscript

devoted to photography, aging, and subject construction, entitled Touching Surfaces:

Photography and the Fabric of the Subject, in Time

1 This Dante fragment coming from Charles Singleton’s prose version of the Comedy

seems to me evocative of the « misty » visual effect in Tenneson’s photographs, and also of her

placing the lens of the camera much like a mole through the skin, to look at the human body

from an interstice, as it were, between the inside...

... middle of paper ...

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