Adam in "Paradise Lost": Fate's Ruler - and Subject
A central problem in John Milton's "Paradise Lost" in the theological issue of free will versus fate, a traditionally much-debated question. Free will is the condition of having control or direction over fate or destiny; the individual shapes his life and future through his actions. The opposing view, complete lack of free will (made famous by John Calvin), is predestination, which expresses the idea that our futures have been foreseen long before our existences, so our actions are preordained, and our paths chosen for us. Milton's presentation of the character Adam wrestles with these ideas around free will throughout Paradise Lost; while he does in fact eat the apple of his own accord, the episode is foreseen by God, in advance. In this epic poem, Milton asserts that man, through Adam's example, exercises free will; but in doing so, he exposes contradiction, makes some absorbing inquiries and asks some engrossing questions.
A cursory history of both views would be beneficial here. John Calvin, the famed apologist of predestination, defines it in this way:
In conformity, therefore, to the clear doctrine of the Scripture, we assert, that by an eternal and immutable counsel, God has once for all determined, both whom he would admit to salvation, and whom he would condemn to destruction. We affirm that this counsel, as far as concerns the elect, is founded on his gratuitous mercy, totally irrespective of human merit; but that to those whom he devotes to condemnation, the gate of life is closed by a just and irreprehensible, but incomprehensible, judgment. In the elect, we consider calling as an evidence of election, and justification as another token of it...
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...eversed in a moment of free will; else there is a paradox here that is unreconcilable: how can people both have free will and not have it, simultaneously?
In "Paradise Lost", John Milton attacks the theme of free will versus predestination through the actions of Adam, the first man. Adam's actions are unclear -- thus he has free will to act on his own -- but at the same time he is governed by an overriding God who can see past, present, and future. Adam is both the subject and ruler of his fate, in a unique contradiction cleverly set up and expressed by Milton. The writing surrounding Adam evidence Milton's essential believe in free will, but also display his thoughtful treatment of the situation. In the epic poem "Paradise Lost", John Milton carefully weighs the two ideas of predestination and free will against each other, with profound and fascinating results.
"Predestination." Columbia Electronic Encyclopedia, 6Th Edition (2013): 1. Literary Reference Center. Web. 19 May 2014.
Philosophers have developed many different theories to explain the existence and behavior of “free will.” This classical debate has created two main family trees of theories, with multiple layers and overlapping. It all begins with Determinist and Indeterminist theories. Simply put, determinists believe that our choices are determined by circumstance, and that the freedom to make our own decisions does not exist. Indeterminists, for example Libertarians, believe that we are free to make our own choices; these choices are not determined by other factors, like prior events. In class, we began the discussion of free will, and the competing arguments of Determinists and Indeterminists, with the works of Roderick Chisholm, a libertarian who made
The seat of faith resides in the will of the individual and not in the leaning to our own reasoning, for reasoning is the freedom of choosing what one accepts as one’s will. In considering the will was created and one cannot accuse the potter or the clay, Milton writes to this reasoning, as “thir own revolt,” whereas the clay of humankind is sufficient and justly pliable for use as a vessel of obedience or disobedience (3.117). The difficulty of this acceptance of obedience or disobedience is inherent in the natural unwillingness in acknowledging that we are at the disposal of another being, even God. One theme of Paradise Lost is humankind’s disobedience to a Creator, a Creator that claims control over its creation. When a single living thing which God has made escapes beyond the Creator’s control this is in essence an eradicating of the Creator God. A Creator who would create a creature who the Creator would or could not control its creation is not a sovereign God. For who would not hold someone responsible for manufacturing something that could not be controlled and consider it immoral to do so? To think that God created a universe that he has somehow abdicated to its own devices is to accredit immorality to the Creator. Since the nucleus of Milton’s epic poem is to “justifie the wayes of God” to his creation, these ‘arguments’ are set in theological Miltonesque terms in his words (1. 26). Milton’s terms and words in Paradise Lost relate the view of God to man and Milton’s view to the reader. Views viewed in theological terms that have blazed many wandering paths through the centuries to knot up imperfect men to explain perfect God.
Free will is an inherited ability everyone obtains from birth. This ability allows humans or any living being the freedom to act on their own behalf without being influenced or forced by an external medium. However, this fragile, yet powerful capability is susceptible of being misused that may result in unsavory consequences to the one at fault. In Paradise Lost and Frankenstein, both texts feature powerful figures who bequeathed the characters in focus, the freedom to do whatever they desire in their lives. Satan and Adam and Eve from Paradise Lost, and the monster from Frankenstein are given their free will from their creators, all encounter unique scenarios and obstacles in their respective texts however, have distinctions in how they handle each particular situation that ultimately conveys a similar message to
Eleanor Roosevelt once said, "Remember always that you not only have to be an individual, you have an obligation to be one." To be an individual means to act by choice and make decisions with free will enhanced by the power of knowledge. Only then are people true to themselves and to others. In Paradise Lost, Milton clearly conveys this concept of acting freely under God. He shows the reader that only with the freedom to choose do a person's actions become meaningful and sincere. This idea also helps Milton to explain the importance of "the fall" and God's ultimate plan. Throughout the book, free will is demonstrated not only by Adam and Eve, but also Satan and the other fallen angels, as well as God's Son. Each character's fate further explains why freedom is so important in expressing true feelings.
Paradise Lost is an epic poem portraying John Milton’s theological standpoints. The theme is knowledge and the fall of man. Milton uses his poem to state some of his theological beliefs and his personal reflections. Milton wrote Paradise Lost in the 17th century but uses influence from classic poets. Milton’s epic is an extremely important piece of literature. The excerpt used in this commentary takes on the subjects of sin and the punishment with regards to the atonement from God’s point of view. Milton’s states many of his own theological opinions but wants the reader to know that God is justified in everything that he does, and also wants them to know that man has free will.
Fate vs free will is an overwhelming topic, and is a subject that is covered by numerous texts throughout history. It is often hard to determine where fate ends and free will is allowed to begin. Paradise Lost tries to tackle this area between fate and free will between creation and the creator. Mary Shelley’s Frankenstein also deals with similar issues by delving into the relationship between Victor Frankenstein the creator and his monster. I believe these texts setup interesting scenarios to make the reader question whether or not creations have free will especially when it comes to their relationships with their creator.
Ever thought about who controls the decisions you make regarding your daily activities? You may think you control every aspect of your life, but some philosophers have questioned such notions. Many schools of thought explain the analogy of free will, and they present the argument of whether we have the freedom to act or other causes and effects determine our destiny. Free will in this context is defined as the freedom to choose and act where there several alternative courses of action. Theologically, the concept of free will is presented as the power to make decisions on our own without necessarily been influenced by external or predetermined courses.
Free will tends to be a topic where even the most non-philosophical person will have an extreme opinion on it and understandably so. The issue of free will has an immense consequence that affects even the most basic day-to-day activities in our lives. Specifically, free will is entirely intertwined with the idea of responsibility. Two contrasting views of free will are determinism and indeterminism, both of which threaten the idea of human responsibility in their own way. Similarly to most everyone else, I experience my own decisions as choices between genuine possibilities and this undoubtedly has an effect on how I could choose to commit to an answer on whether or not we have free will.
The theme of free will is highlighted at various points throughout Paradise Lost through different characters. Through each characters actions and the element of choice displayed, Milton conveys his view point that while God is omniscient and there is an eternal providence, free will his not hindered. Milton also conveys through Eve that she choose to disobey God, she does so knowing there will consequences, signifying that she does not have the full capacity to reason clearly. Despite his being aware of the paradox that free will and eternal providence present the reader, Milton did not believe that this constrained one’s understanding of Paradise Lost.
There have been many different interpretations of John Milton's epic, Paradise Lost. Milton's purpose in writing the epic was to explain the biblical story of Adam and Eve. Although the epic is similar to the Bible story in many ways, Milton's character structure differs from that of the Bible's version. Through-out the epic Milton describes the characters in the way he believes they are. In book II of Paradise Lost, Milton portrays Satan as a rebel who exhibits certain heroic qualities, but who turns out not to be a hero.
In Book IV, Eve recalls awakening to consciousness but she is uncertain of her identity and of her place in the Garden of Eden. Eve's first thoughts are of “where and what [she] was, whence thither brought, and how” (Paradise Lost, IV.451-52), and it is this curiosity about her identity that leads Eve to disobey God eventually. From the moment of her conception, Eve is already distant from God because she awakens in the shade and not in God’s light. Throughout Paradise Lost, Eve is identified with reflections, shadows, and dreams. Representing the “otherness” of Eden, Eve is an outcast and she seeks to find meaning in her life. At the moment of her awakening, Eve is engrossed by her reflection in the water, which she thinks is another being. This watery, wavering image of Eve extends throughout Milton’s poem, and this further puts Eve in a weak position, for Eve is merely a ref...
Paradise Lost is one of the finest examples of the epic tradition in all of literature. In composing this extraordinary work, John Milton was, for the most part, following in the manner of epic poets of past centuries: Barbara Lewalski notes that Paradise Lost is an "epic whose closest structural affinities are to Virgil's Aeneid . . . "; she continues, however, to state that we now recognize as well the influence of epic traditions and the presence of epic features other than Virgilian. Among the poem's Homeric elements are its Iliadic subject, the death and woe resulting from an act of disobedience; the portrayal of Satan as an Archillean hero motivated by a sense of injured merit and also as an Odyssean hero of wiles and craft; the description of Satan's perilous Odyssey to find a new homeland; and the battle scenes in heaven. . . . The poem also incorporates a Hesiodic gigantomachy; numerous Ovidian metamorphoses; an Ariostan Paradise of Fools; [and] Spenserian allegorical figures (Sin and Death) . . . . (3)
In conclusion, Paradise Lost can be seen through a historically contextual lens that allows us to see the parallels between Milton’s life and experiences during the reign of Charles I, and the predominant themes in his epic poem. Many of the themes in Paradise Lost, from the broader situational occurrences to the behavior of individual character’s and their attitudes toward the situations in which they find themselves can be seen as directly influenced by Milton’s time as a Parliamentarian in 17th century England.
Throughout Paradise Lost, Milton uses various tools of the epic to convey a traditional and very popular Biblical story. He adds his own touches to make it more of an epic and to set forth new insights into God's ways and the temptations we all face. Through his uses of love, war, heroism, and allusion, Milton crafted an epic; through his references to the Bible and his selection of Christ as the hero, he set forth a beautifully religious Renaissance work. He masterfully combined these two techniques to create a beautiful story capable of withstanding the test of time and touching its readers for centuries.