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Elements of the lion, the witch and the wardrobe
Biblical parallels in the lion the witch and the wardrobe
Lion witch wardrobe and the bible parallels
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Recommended: Elements of the lion, the witch and the wardrobe
Like most movies based on novels, there are some major differences between the written and the theatrical versions of The Chronicles of Narnia: The Lion, the Witch, and the Wardrobe.
There are also many similarities, or else it wouldn't be The Chronicles of Narnia. The similarities and differences can be due to artistic differences for instance how one person interprets something may not be how another interprets it, budget reasonings, or it may just simply have to do with a time line of the filming. Seeing as a majority of films are not made by the author of the book, it can be extremely hard for a director and movie writer to completely capture the book on film. Another thing that could make it hard to transcribe the book to film is the fact that the book was published in 1950 where the movie was released in 2005 (IMBd).
Just who is the author of this magnificent book? Clive Staples Lewis was born in 1898 and raised in Belfast, Ireland, where he enjoyed being imaginative, creating worlds of talking animals, much like that of Narnia. When Lewis was in his forties and fifties he became an extremely popular writer and renowned scholar and critic (Bell 12). Lewis was born to a Protestant family though around age fifteen he abandon his faith and become an atheist. At age 31 Lewis, with the encouragement of friends, accepted God back into this heart. Lewis attended University College, Oxford in 1916 during World War I. Since Lewis was of Irish decent he was exempt from the draft but enlisted anyway. After returning from the army in 1918 Lewis returned to his schooling and work. Lewis taught at the Magdalen College, Oxford for nearly 30 years, and was the first professor of Medieval and Renaissance Literature at th...
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...to any other child reading the book though the movie makes it seem as though the whole thing was a fairytale, other than just Narnia itself. Some characters also just didn't live up to their full potential for instance, Susan's character in the book is brave and courageous and in the movie she doesn't act all that brave or courageous at all.
Works Cited
Bell, Robert H. “Inside the Wardrobe.” Commweal 132.22 (2005): 12-14 Academic Search Premier. EBSCO. Web 3 Feb. 2011.
"The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005) – IMDb."The Internet Movie Database (IMDb). Web. 12 Mar. 2011. .
The Chronicles of Narnia: The Lion, the Witch, and the Wardrobe. Dir. Andrew Adamson. Walt Disney, 2005.
Lewis, C.S. The Chronicles of Narnia: The Lion, the Witch, and the Wardrobe. New York: Scholastics 1950. Print.
In the case of the Argonautika the book illuminated every step of the journey that the Argonauts took but in the movie there were major parts left out and the story line was skewed severely. If you compare the Odyssey, the book and the Odyssey the movie, the movie was much closer to the book, yes there might have been things left out or changed for the purpose of making the movie easer to view, but there weren’t large chunks left out or changed severely. For instance, in the movie Jason and the Argonauts, the voyage home was left out completely. They got the fleece and got in their boat and in a few moments were back home. This was not an accurate account of the trials of the Argonauts. The Argonauts had many hard ships getting back home because they could not go the same way they had come, because the Clashing Rocks were now to forever stay together never to reopen once a ship successfully passed through them, as did the Argo. Also the Argonauts had the Kolchians following them wanting to get Medeia and the Golden Fleece
Lewis, C.S. The Chronicles of Narnia: The Lion, The Witch, and The Wardrobe. PDF File.
Overall, the movie and book have many differences and similarities, some more important than others. The story still is clear without many scenes from the book, but the movie would have more thought in it.
The Chronicles of Narnia are enticing books, which offer a wonderful fictional plot line, but also a deeper philosophical importance if one analyzes the series. Many religious allusions can be found between characters in Narnia and biblical people. Deeper understanding can be found throughout the stories even in many overlooked aspects of everyday life. “The Chronicles of Narnia” is a piece of literature filled with religious symbols and allusions, such as the actions of Aslan and the personality of Peter, that enhance one’s perception and understanding of the books.
“Let us suppose that there were a land like Narnia and that the son of God, as he became a man in our world, became a lion in theirs, and then imagine what would happen” (letters to children qtd. Gazora 9). Throughout Clive Lewis life, he changed his religion so many times from not believing in God to believing again. Lewis was always known for his fantasy, and his most known book The Chronicles of Narnia. Lewis wrote The Lion, the Witch, and the Wardrobe, to show his Christian faith. In Lewis’s novel, The Lion, the Witch, and the Wardrobe, he uses the archetype of the hero, and the villain, as well as the symbol of the stone table.
Furthermore, one of the main differences between the movie and the novel, Twilight, are the characters. Although both stories share the same characters and background information about the characters, there are differences in their
“Courage is not simply one of the virtues but the form of every virtue at the testing point, which means at the point of highest reality.” Clive Staples Lewis, known as C.S. Lewis, was a popular Irish author, famous for his Christian works, especially “The Chronicles of Narnia.” Throughout his novels, Lewis enlightened his readers with his views about faith. Although his novels were revolved around Christianity, Lewis was not always a believer. There were many things that influenced Lewis as a writer, but the most significant were his love of fantasy, his fascination with mythology, and his Christian beliefs.
Lewis did not intend for The Lion, The Witch and the Wardrobe to attempt to strike at moral standpoints. Lewis stated in an interview, “’I don’t like stories to have a moral: certainly not because I think children dislike a moral. Rather because I feel sure that the question: ‘What do modern children need?’ will not lead you to a good moral”’ (Sadler). However, his use of the innocence of children evokes the essence of purity and good. This purity conflicts with the cruelty and scorn displayed through the White Witches actions, resulting in her becoming an evil figure. The archetype of good vs. evil that writers use throughout literature has proven to be a successful means of striking intrigue in an audience. This combined with the magical setting employed by the mysterious Narnia allows Lewis’ work to be so interesting to readers through decades and generations.
Lewis, C. S. The Lion, the Witch, and the Wardrobe. New York: HarperCollins, 1994. Print.
The Lion King. Dir. Roger Allers and Rob Minkoff. By Irene Mecchi, Jonathan Roberts, Linda
Lewis, C. S. The Lion, the Witch, and the Wardrobe. New York: HarperCollins, 1994. Print.
C.S. Lewis created a story of a fictional world called Narnia that was inside of a wardrobe. There were four siblings who found this world, once inside they saw numerous creatures like witches and centaurs that were symbols for something bigger. C. S. Lewis uses Christian symbolism in The Lion Witch and the Wardrobe through the characters of Aslan, Edmund, and the White Witch.
Lewis, C. S., and Pauline Baynes. "The Magician's Nephew and The Lion, The Witch and the Wardrobe." The Chronicles of Narnia. New York: HarperCollinsPublishers, 2001. N. pag. Print.
Shmoop Editorial Team. "The Lion, the Witch, and the Wardrobe Quotes." Shmoop.com. Shmoop University, Inc., 11 Nov. 2008. Web.03 May 2011.
The Narnia Chronicles have already established themselves as timeless works of literature. They appeal to both the atheists and the God-fearing, to both the uneducated and to scholars; to children and adults. An understanding of the Biblical allegory in these books is not essential to their appreciation. A critical analysis of these works, however, does allow the reader to more fully appreciate Lewis' unique gift to simplify complex narratives and craft beautiful children's fantasies. This, in turn, allows the reader to gain both a deeper understanding of Lewis as a skilled creative writer, and a deeper satisfaction of his art. To be able to appreciate C.S. Lewis as such an artisan can only add to one's enjoyment of his works.