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In order for Canada to share an equal part in the overall media industry as any other country, Canadian content regulations must be in place. CanCon regulations should be enforced on Canadian media content, as it is a crucial aspect of national culture, representative of the country as a whole. Without such regulations determined by CanCon, Canadian society risks becoming lost within the commotion of international media and their varied interests.
CanCon regulations not only help define Canada as a unity but help the creative Canadians that express themselves through musical expression. David Young states, “According to the CRTC, the higher requirements would expand the exposure given to Canadian artists and provide increased support to the Canadian music industry.” (Young, 2004) Therefore, in order for the Canadian music industry to expand and become successful there must be government intervention of content regulations. This is reinforced in the article The government steps in, “Without government support, the number of Canadian films, records and television shows would be much lower than it already is.”(1995) If CanCon regulations are not in place the amount of Canadian works will contract until one day there are none left. Hence, Canadian culture being lost within many other cultures. Shedd et al. state that having CanCon regulations in place “Could promote greater national unity. Similarly, it could promote a distinct Canadian culture, and as a result, a greater national identity or pride.”(Shedd et al. 1990) This helps to enforce that with CanCon regulations put in place the Canadian culture can be truly identified through television, films and music.
Although CanCon helps the innovative individuals in Canada in regards t...
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...t in cultural diplomacy: The Canadian Co- operation Project and Canadian tourism. International Journal, 68(4), 576.
Wellington, F. O. (2013). Broadcasting regulation and building the multicultural
Canadian nation: understanding the CRTC's Al-Jazeera Arabic decision.
Communication Law and Policy, 18(2), 121-154.
Shedd, M. S., Wilman, E. A., & Burch, R. D. (1990). An Economic Analysis of
Canadian Content Regulations and a New Proposal. Canadian Public Policy,
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Terzic, M. (2006). Canadian hardware, foreign software: the political economy of pay-per-view. Academic OneFile, 50(3), 421.
Wright, R. (1991). ‘Gimme shelter’: Observations on cultural protectionism and the recording industry in Canada. Scholars Portal Journals, 5(3), 306-316.
Young, D. (2004). The promotional state and Canada's Juno awards. Scholars
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"We have an extremely antiquated Broadcasting Act," he said. "Things get old. People get old. Legislation gets old. We 're looking for a refresh of the Broadcasting Act. It 's a reasonable request." Entwistle suggested that the Canadian Radio-television and Telecommunications Commission(CRTC) should displace the Canadian Television Fund with a fund created and manage by company such as TELUS. (POST, 2006)Although his suggestions drew the CRTC’s attention, the Conservative government had already set the plan to the CRTC. However, Entwistle is brave and astute to strive for the maximum benefits, not only for TELUS, but also the Canada government and the whole
To what extent do you think the U.S.-Canadian magazine dispute was motivated by genuine desires to protect Canadian culture?
Much has been written about the ways in which Canada's state as a nation is, as Peter Harcourt writes, "described" and hence, "imagined" (Harcourt, "The Canadian Nation -- An Unfinished Text", 6) through the cultural products that it produces. Harcourt's terms are justifiably elusive. The familiar concept of "Canadian culture", and hence Canadian cinema, within critical terminology is essentially based on the principle that the ideology of a national identity, supposedly limited by such tangible parameters as lines on a map, emerges from a common geographical and mythological experience among its people. The concept that cultural products produced in Canada will be somehow innately "Canadian" in form and content first presupposes the existence of such things as inherently Canadian qualities that can be observed. Second, it presupposes a certain commonality to all Canadian artists and posits them as vessels through which these said "inherently Canadian qualities" can naturally flow. Third, it also assumes the loosely Lacanian principle that Canadian consumers of culture are predisposed to identify and enjoy the semiotic and mythological systems of their nation, and further connotes that Canadians have fair access to their own cultural products. Since these assumptions are indeed flawed but not altogether false, this paper will deal with the general relationship between the concept of Canada, its cultural texts, and its mythological and critical discourse as an unresolved problematic that should be left "open" in order to maximize the "meaning potential" of films as cultural texts within the context of "national identity," an ideological construct that remains constantly in flux.
Publication bans have been a part of the Criminal Code since 1988. A publication ban is a court law that prohibits trial information from leaving the case. Since these bans were first introduced in Canada, they have become a very useful tool in Common Law. These bans have been frequently used over the years for many purposes including avoiding the risk of adverse consequences to participants and for more accurate trial procedures. Having publication bans are beneficial, in every which-way, than not. These bans contribute positively to the environment of law and most importantly, the society within. This essay will outline why the court should have the right to impose a publication ban in Canada. It will support the debate that if Canada wishes to build towards a reputation of having trials handled efficiently, then it should not change the nature of these publication bans. It will portray the importance of these bans through a thorough explanation of how the bans work, and two solid arguments of the cause on the society and environment. First, this essay will discuss basics of publication bans and how they work. Then, this essay will point out how publication bans contribute to trial fairness in the court. Finally, this essay will touch upon how publication bans protect victims and those involved in the trials.
Over the years, ICT, information communication technologies, has lead to a smaller world. A world where information can be transmitted instantaneously, a world where the quality of the information received has vastly improved. This information highway era has become so efficient that it has created a "global village". Canada is placed in a rather unique societal position today in this global village. It stands out from the rest of the world with its culturally diverse population, community networking and experts in the field. From representing its multicultural citizens through broadcasting programming, to creating successful community networks, and having leading experts in the field of communications, Canada must be considered one of the leading model communication innovators to the rest of the world.
Canada holds the same beliefs about pubic broadcasting as Lowe & Jauert (2005). As a nation that is not only democratic but multicultural and diverse, media influence plays a major role in bringing together and shaping the Canadian society. Howev...
Conflict theory claims that advertising does not sufficiently address issues of inequality in society. (Brime, Roberts, Lie, Rytina 2013, p.462) There are five major media outlets that form a monopoly of the media industry in Canada: CTVglobalmedia Inc. owned by Bell Canada, Rogers Communications Inc. Controlled by the Rogers family, Shaw Communications controlled by the Shaw family, CBC/Radio Canada, and Quebecor Inc. Controlled by the Péladeau family. (Brime, Roberts, Lie, Rytina 2013, p.462-463) CBC/Radio Canada is the only publicly owned media company in Canada, whereas, approximately 90% of the media in Canada is privately owned. (Brime, Roberts, Lie, Rytina 2013, p.464) This allows for 90% of advertising content to be chosen by wealthy corporations. In an American study, 93% of newspaper editors admitted to advertisers attempting to influence news stories and 37% admitted that advertisers have influenced their stories. (Brime, Roberts, Lie, Rytina 2013,
Many women have been mistreated at one point or another in their lives. This form of abuse assumes many forms and is not always visible to the naked eye. One of these such hardships that women of the 20th century have had to face is the struggle for equality. In Canada, the Charter of Rights and Freedoms affords women full equality before and under law and equal protection and benefit of the law.1 But yet, this society openly contributions to the production, sale, and distribution of pornography which implies that women are second class citizens. Destroying these stereotypes which portray women as slaves, objects, toys, and mindless, sex-driven beings must be accomplished in order for women to attain true equality. The censorship of pornography is not in violation of the Freedom of Expression guaranteed in section 2 (b) of the Canadian Charter of Rights and Freedoms since pornography drastically compromises a woman's right to equal treatment as was proven by the R v. Butler ruling of 1992, it makes those portrayed in pornography subject to acts of violence, and it corrupts the moral fiber of society.
Back to the early 1970s, people from CRTC (Canadian Radio-television and Telecommunications Commission) felt anxious and threatened when they became aware of American Cultural imperialism had a big influence on Canadian Cultural Identity which made the latter to diminish. To solve this crisis, CRTC adopted Canadian content rules (CanCon) to govern the percentage of the music with Canadian content should be played from radio stations until now. Theoretically, this regulation could cause Canadian talents to rise and support the Canadian music industry. Also for Canadian artists, they would get more opportunities to let the masses to hear their music. However, from my point of view, CanCon works the opposite way. Reasons are as follows.
In conclusion, Canada was influenced throughout the 1920's by America, that by 1929 Canada became very similar to America in social trends, economics and produce. But has this stopped in modern day era? Canada continues to be heavily influenced by the amount of American products and media outpouring into Canada. Canada has made attempts throughout time to impede the onslaught of American invasion but American invasion is seen on a huge global scale. Hit movies, tv shows, products among others are generally based on American culture, views, or based within American domain. It is a reign yet to be stopped.
Many people might have a diverse opinion on the extend of the American cultural influence on Canada, but the truth is, these two countries share a long common border, they use frequently the same language, they watch the same movies, listen to the same music and collaborate on other numerous levels, including economic and political activity. In this paper, I would like to show the extent of the influence on Canadian popular culture that comes from the United States. For my analysis I have chosen four segments of popular culture: television, printed media, music and films. In these are the main sectors where we can see the biggest evidence of this phenomenon. In the first part I would like to shortly introduce the history of this issue. The second part is the analysis of the four sectors.
The topic of discussion in this paper is advertising in Canada. It will argue that the Canadian advertising industry strives to protect themselves from competition in the United States. The paper will discuss how the Canadian advertising industry allots their money to different forms of media to ward off the United States competition. Tracing the history of advertising from the early 1960’s to the present day, will help to show why Canada concentrates on the television and radio portion of the media.
Transparency in the Canadian Government is being used inefficiently and unfairly. Over many years since Canada has been a country their have been many different censorship laws. Censorship has been included, in film, broadcasting, print, art, and the internet. As years pass the Canadian Government has been lenient towards censorship towards film, broadcasting and the arts. However, with the expansion of technology the Government still censors and denies multiple files and information from the General Public. The Harper Conservative government and CSIS have denied access to multiple government files and even censored out files allowed viewing by the general Public and now Canada has had the most files censored currently in the history of the
In this assignment I will be studying the ways bodies regulate the media. Media regulation is the regulation of the media, such as enforcing rules and regulations and how they deal with the breakers of these rules.
Wall Street Journal 12 Feb 2009: p. A.13. SIRS Researcher. Web. 11 February 2010.