Since 2012 summer Japan Architect (JA) magazine redirect focus on young Japanese architects age under 35. JA has started to value and explore young Japanese architect design style and try to characterize them through different issues. It is arguable that most young Japanese architect that was selected share similar theme and view in their design after the Great East Japan Earthquake. The theme of simple reconstruction spatial qualities and building that can be use in an event like the Great East Japan Earthquake. On the other hand the current generation of Japanese architects like Toyo Ito, Sou Fujimoto, whom has experience 1993 Kobe earthquake and economic bubble and post economic bubble has placed influenced on the next generation architects their design focus on mainstream architecture theme, of spatial qualities, and pursue perfection in contemporary Japanese Architecture.
Diverse architecture design similar goal or theme
It is arguable that Japanese educational system in Japan share similar design theme that influenced most next generation architects like Junya Ishigmi, Go Hasegawa, Akihisa Hirata and Yusuke Fujita in their design. Most next generation architect holds a position in local University. They work as associate or appoint associate professor, lecturer, and guest speaker in University. Academic influence and collaboration between University and nature disaster even may achieve diverse architecture design into one direction or theme in design. Work experience influence or role model influence can also sometime direct next generation architects to think and act into similar direction or theme. As for role model like Shigeru Ban, Toyo Ito, Hasegawa Itsuko, and Ando Tadao whom has continued to explore both moderni...
... middle of paper ...
...porary Japanese architecture has faced a new changes that been observed by Japanese architects. The idea of modernity in building is countered by a concern for sustainability in other. Older generation Japanese architect Kenzo Tange’s Yoyogi National Gymnasium and Tokyo’s former city hall building to Kisho Kurakawa’s capsule tower in Ginza a bold attempt to capture the future. Japan has a high standard architecture cultures that impressed with pervasiveness of good design. Japan is very like Italy just without sophisticated craftsmanship. One find Japan most sophisticated of its contemporary architect for example Fumihiko maki, Tadao Ando, and Kazuyo Sejima. These architect is very capable to design very modern and beautiful buildings. (page 14)
Current Generation Position holds how Next Generation can follow their foot steps (500 words)
Conclusion (300 words)
Pyle Kenneth B. The Making of Modern Japan. Massachusetts: D. C. Heath and Company, 1978.
When an architect is influenced they create. They make what they see in their mind. But people could always improve what they’ve already created. Homes at one point were only one story houses. But suddenly to someone’s mind they thought homes should be two stories or even three. Back in High School, most of my classmates wanted to become architects and they’d be asked how they were influenced to draw a blueprint like the one they had. Some would respond with “I saw this house that had this this and this and I really liked it so I put it into my home.” Meaning they would be inspired by a home that was already
In order to create innovative public architecture, considered to be the most civic, costly, time intensive and physical of the arts, the project holds a degree of risk, strife, and negotiation . Overcoming these tasks and creating worthy public architecture is a challenge designers try to accomplish, but are rarely successful. The people involved in a potential public building, can be larger than the building itself. Public architecture tries to please all, even the doubters and critics, but because of the all these factors, a building is closer to failing than succeeding.
“Urban Design by Mori Building.” Mori Building Co. Mori Building Co., N.d. Web. 12 Nov.
The essence of modern architecture lays in a remarkable strives to reconcile the core principles of architectural design with rapid technological advancement and the modernization of society. However, it took “the form of numerous movements, schools of design, and architectural styles, some in tension with one another, and often equally defying such classification, to establish modernism as a distinctive architectural movement” (Robinson and Foell). Although, the narrower concept of modernism in architecture is broadly characterized by simplification of form and subtraction of ornament from the structure and theme of the building, meaning that the result of design should derive directly from its purpose; the visual expression of the structure, particularly the visual importance of the horizontal and vertical lines typical for the International Style modernism, the use of industrially-produced materials and adaptation of the machine aesthetic, as well as the truth to materials concept, meaning that the true nat...
In Japan, the architecture is based on grand palaces. Huge palaces were built and protected with many weapons and fortified for strength. Narrow passageways and mazes of stairs are common in the castles. The sense of power in the country is obvious in the location of the buildings. The buildings in Japan are always asymmetrical, opposite of China.
Renzo respects that is it important to not become self referential with design. Therefore, to truly understand the reality of a city, Renzo will never accept a new job without visiting the space first. This is to find the fundamental emotions, which he states is the true source of inspiration (Archinect, 2006). Furthermore, Renzo and his team will make hundreds of models after research to test their theories. “Versions enable us to understand how the pieces will work with each other”, Renzo once said (BMIAA, 2015).
Tadao Ando is an architect of light, a master of space, and a builder for mankind. His work, realized primarily in precisely finished reinforced concrete, unifies building and nature to create a deep sense of sanctuary. Ando was born in Osaka, Japan in 1941. From the age of 10 to 17, he was employed as a carpenter, learning to work in wood in the Japanese tradition. His interest in architecture began when he obtained a book of Le Corbusier sketches when he was about 18. Ando is a self-taught architect. He apprenticed for brief periods with local designers and city planners, but primarily developed his skills by reading extensively, studying Japanese shrines, temples and tea houses, and making study
Abstract: New forms in current world have been testimony to the contemporary style of postmodern architecture and are the strength of today’s generation for creating significant architectural standards. Post modernism has blurred the borders between contemporary and traditional construction classical concepts and simply in the field of art and literature. The architectural elements like domes, arches, and classical shapes have lost their identity but the post modernism tries to bridge between these historical forms and contemporary styles. The related architects not only struggled to achieve the image for the buildings but also rejected oversimplified diagrams for living. The post modernism here tries to achieve theoretical base for their designs that creates the excitement in the design program.
Abstract: Contemporary architects have a wide variety of sources to gain inspiration from, but this has not always been the case. How did modernism effect sources of inspiration? What did post-modernism do to liberate the choice of influences? Now that Contemporary architects have the freedom of choice, how are they using “traditional” styles and materials to inspire them? Even after modernism why are traditional styles still around?
Throughout the world, there are an abundance of diverse cultures, each truly unique in comparison to another. Culture is described as the “characteristics of a particular group of people, defined by everything from language, religion, cuisine, social habits, music and arts” (Zimmermann). Each of these traits is what sets each society apart, and is what influences their expression of design. Throughout this course, we’ve learned how planning and design have varied all through history, however we decided to take it a step further and focus on how different regions throughout the world create spaces that reflect their own cultures’ particular interests. Being a group composed entirely of Interior Design majors, our emphasis is investigating the use of material, color, motifs and layouts of their interior spaces, and how they reflect their societies. Not only do we explore a culture’s influence on design, but we briefly touch on environmental factors as well. Of all of the regions throughout the world, we decided to focus our research on the cultural practices and designs of Mexico, India, and Japan. Our reasoning behind centering on these three cultures is that these cultures are some of the most well-known, yet each entirely distinct within their own way, thus providing a greater understanding of design styles around the world.
There are many generations in society such as Traditionalist, Baby Boomer, Generation X, Y, and Z. Generation Z is the youngest generation in the list. However, in any work place, Generation Y, which is known as an Echo Boomers or Millenniums, is the youngest. No one knows how it emerged, but it began in 1998 and ended in 2006. The people in this era were born between 1977 and 1994, which is my generation. In the United States, there are seventy one million Generation Y-ers, which takes up the largest part of population. Unlike other generations, Generation Y has very outstanding abilities and environments to success. Those abilities and characteristics are efficient in business and companies. Also, Generation Y’s remarkable characteristics affect their social lives a lot. The Generation Y is very family centric, and able to catch up the trends. Their general cultures are pop-music, iPods, social websites, like Facebook and Twitter, and anything that relates to technology. In principle, Generation Y-ers are optimistic, social, and have high self-esteem. Those characteristics bring many pros and cons to hire them. Pros are general mostly, but cons are not true mostly because of misconceptions.
The profession of architecture, the possible career as an architect, taking steps to gain a position and education as well as the set growth and prospects of this profession. According to Lee W. Waldrep (2010), author of the book Becoming a Architect “A Guide to Careers in Design, an architect is an imaginative person who designs a wide range of structures for buildings”(p. 2). These structures not only have to be aesthetically pleasing, but must also meet the safety requirements. Architects have to compete with other architects to attract customers by presenting designs. This process is generally based on building a reputation as an architect. Due to the nature and the amount of time devoted to designing, architects
Every person with a job, no matter what occupation, makes an impact on society in some way, shape, or form. Some people leave their legacy by defending people in court, some saving lives in a hospital, and others planning and building works of construction. These planners have a large-scale effect on everybody in society and have an eye for detail, as well as enjoy using mathematics to ensure proper construction. That is why I have chosen architecture to be my career. An architect is a person who designs buildings and supervises their construction. A broader view of an architect is a person who is responsible for inventing or realizing a particular idea or project. Architecture varies from the pillars of the Greek Parthenon, to peoples’ homes. I often find myself marveling over the design of large-scale building projects such as the skyscrapers of New York City. Most of these buildings belong to a myriad of well-known companies such as Chase and Toshiba. That is why I have particularly chosen to become a commercial architect.
The role of the architect is a question that evokes a spectrum of answers from Norman Foster’s definition; ‘Architect is an expression of values… the way we build is a reflection of the way we live.’ [Foster, cited in Tholl, 2014: Online] This debate of who and what an architect should be and do is not a recent one to emerge but has lead many architects and designers as far back as Vitruvius [15BC] to produce documentation on what they believed to be the make-up of an architect. In Vitruvius’ ‘The Ten Books On Architecture’ he quickly establishes two fragments that make an architect, the manual skill and the theory and scholarship.