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Raymond carver essay
Raymond carver essay
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The short story, "A Small, Good Thing" by Raymond Carver tells of two American parents dealing with their son's hospitalization and death as the result of a hit-and-run car accident. The insensitive actions of their local baker add to their anger and confusion, yet by the end of the story, leave them with a sense of optimism and strength. With such content, Carver runs the risk of coming across as sentimental; however, this is not the case, and the anguish of the parents and their shock at the situation is expressed with dignity and understatement. It is a story with a broad appeal: the simple prose makes it accessible to a wide audience, while the complex themes and issues make it appealing to the educated reader. Written in Carver's characteristically minimalist style, the story poignantly evokes not only the trauma of the death of a child, but also the breakdown of communication and empathy in society. The plain and direct narrative style suits the content, conveying the lack of communication that is central to the narrative - between the parents, between the hospital staff, and with the baker. Critically, it is generally considered one of Carver's strongest short stories. It is a tale of isolation and of grief, but also of hope, and, with its fluid, pared-down style, clearly demonstrates why Carver is widely regarded as one of the greatest writers of the late 20th century.
On the surface, the story of A Small, Good Thing is simple and universal. Thirty-three-year-old Ann Weiss orders a cake for her son's Scotty's eighth birthday and is a little put off by the baker's cold attitude - "(he) was not jolly. There were no pleasantries between them, just the minimum exchange of words, the necessary information." However, she soo...
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...- emotional yet not melodramatic; sparsely written yet still complex; a human story which explores the arbitrary nature of fate. The writing style is fresh and invigorating; the characters well-drawn, the narrative driving, the themes thought-provoking. While some readers are likely to be frustrated by the limited exposition and the abruptness of the actions, most could be expected to find it well worth their attention. A Small, Good Thing has become a minimalist classic, and a close reading should clearly demonstrate why Carver is regarded as one of the strongest short-story writers in recent times.
Bibliography
Clarke, Graham. "Investing the Glimpse: Raymond Carver and the Syntax of Silence." The New American Writing: Essays on American Literature Since 1970. Ed. Graham Clarke. New York: St. Martin's, 1990. 99-122.
http://cai.ucdavis.edu/enl3/minimalism.htm
Reuben, Paul P. PAL: Perspectives in American Literature- A Research and Reference Guide. Chapter 10: James Baldwin (1924-1987). 3 November 2011. April 2012 .
“Short Stories." Short Story Criticism. Ed. Jelena Krstovic. Vol. 127. Detroit: Gale, Cengage Learning, 2010. 125-388. Literature Criticism Online. Gale. VALE - Mercer County Community College. 28 February 2014
The characters and their traits in the short story, “Good Country People,” play a major role in enhancing the plot of the story. The short story’s main character, Hulga Hopewell, is a physically impaired thirty-two-year-old woman who uses her physical complications as
Litz, A. Walton. American Writers: A Collection of Literary Biographies, Supplement 2, Part 2. New York: Charles
The point of view from the narrators perspective, highlights how self-absorbed and narrow-minded he is. “They’d married, lived and worked together, slept together—had sex, sure—and then the blind man had to bury her. All this without his having ever seen what the goddamned woman looked like. It was beyond my understanding” (Carver...
...emingly lost the ability to communicate with others in addition to his ability to connect to others. Carver believes that communication between individuals is essential for lasting relationships to exist – which is very true. This is why Carver stresses communication in so many of his stories: “Preservation,” “The Compartment,” “A Small Good Thing,” “Vitamins,” “Careful,” “Where I'm Calling From,” and “Cathedral.”
The short story What We Talk About When We Talk About Love, by Raymond Carver, is about two married couples drinking gin and having a talk about the nature of love. The conversation is a little sloppy, and the characters make some comments which could either be meaningless because of excessive alcohol in the bloodstream, or could be the characters' true feelings because of excessive alcohol in the bloodstream. Overall, the author uses this conversation to show that when a relationship first begins, the people involved may have misconceptions about their love, but this love will eventually die off or develop into something much more meaningful.
Raymond Carver, in his short story Cathedral uses a first-person narrator, whose point of view is very much limited and flawed. The narrator in Cathedral has full use of all his senses, unlike the blind man, Robert, who is introduced very early in the story. When comparing the two again, however, Robert is the character that is open to new ideas and willing to experience the joys of life, while the narrator limits himself due to his close-minded thinking. It brings up the question, who is truly blind in the story? Is it a physical ailment or a mental block? The narrator is never given a name in the story, making him the most impersonal character in the story. This also adds to the fact that the narrator is highly ignorant about his surroundings and has a one-sided, self-absorbed view of the world. The perception of the narrator leaves much to be inferred in many points in the story, and at first, it seems pointless to have such a closed off character and the one telling his point of view. I would like to hear the story from the wife’s point of view or Robert’s. Ultimately, however, the limited point of view of the narrator shows where the true ignorance in the world lies.
Raymond Carver uses strategic dialogue and point-of-view to illuminate the themes of his stories. After reading “What We Talk About When We Talk About Love” and “ Cathedral” the reader is able to mend each piece of work together and understand how Carver creates his short stories.
Wilson, M. & Clark, R. (n.d.). Analyzing the Short Story. [online] Retrieved from: https://www.limcollege.edu/Analyzing_the_Short_Story.pdf [Accessed: 12 Apr 2014].
Kelly, John. ENGLISH 2308E: American Literature Notes. London, ON: University of Western. Fall 2014. Lecture Notes.
Raymond Carver’s The Bath is a revised version of his early work of A Small, Good Thing. In his two pieces of the short story, the length of the story significantly varied as The Bath is a lot shorter. Moreover, his former work has more detailed emotional expressions while The Bath lacks communications and leaves to the reader a suspenseful ending. The story begins in a third person view with a mother has her son’s birthday cake made to order at a bakery. Then his son is hit by a car when crossing the road. The mother and father come to hospital and exchange words from the doctor. Finally, the story ends with an unfinished ending which doesn’t show any sign of boy’s fate but a strange phone call that says the son’s name. There are several things
Works Cited “American Literature 1865-1914.” Baym 1271. Baym, Nina et al. Ed. The Norton Anthology of American Literature.
A Small Place by Jamaica Kincaid presents the hypothetical story of a tourist visiting Antigua, the author’s hometown. Kincaid places the reader in the shoes of the tourist, and tells the tourist what he/she would see through his/her travels on the island. She paints a picturesque scene of the tourist’s view of Antigua, but stains the image with details of issues that most tourists overlook: the bad roads, the origin of the so-called native food, the inefficiency of the plumbing systems in resorts, and the glitches in the health care system. Kincaid was an established writer for The New Yorker when she wrote this book, and it can be safely assumed that majority of her readers had, at some point in their lives, been tourists. I have been a tourist so many times before and yet, I had never stopped to consider what happens behind the surface of the countries I visit until I read this essay. Kincaid aims to provoke her readers; her style of writing supports her goal and sets both her and her essay apart. To the reader, it sounds like Kincaid is attacking the beautiful island, pin-pointing the very things that we, as tourists, wish to ignore. No tourist wants to think about faeces from the several tourists in the hotel swimming alongside them in the oceans, nor do they want to think about having accidents and having to deal with the hospital. It seems so natural that a tourist would not consider these, and that is exactly what Kincaid has a problem with.
Belasco, Susan, and Linck Johnson, eds. The Bedford Anthology of American Literature. Vol. 1, 2nd Ed., Boston: Bedford/St. Martin's, 2014. 1190-1203. Print.