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Literary analysis a good man is hard to find
Flannery O’Connor’s “A Good Man is Hard to Find” text analysis essay
A critical article about "a good man is hard to find
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A prolific writer, famously known as Flannery O’Connor in 1953, wrote the short narrative titled “A Good Man is Hard to Find” (Scott 2). However, it was published two years later in 1955, in her second collection of short stories. This particular collection presented the author as a key voice in the ancient American literature world until she met her sudden death in 1964 when she was only 39. The collection also won her tremendous fame, especially concerning her unmatchable creativity and mastery of short narratives (Seel 211). Interestingly, Flannery O’Connor considered all her works realistic and extremely cynical, despite the fact she also incorporated the use of fiction as a style in her works. In addition, her works were fundamentally inspired by her outstandingly strong faith in Roman Catholicism. This is also exhibited in the short tale “A Good Man is Hard to Find” as discussed herein.
The story begins by Bailey’s grandmother trying to persuade him and his spouse to take their family for a tour in Tennessee rather than Florida. Her argument for the piece of advice is based on a story she locates in an article (O’Connor 73). According to the story, an old lag who had run away from the prison is also headed for a vocation in Florida, and he is worried about the safety of Bailey’s family if they choose to go to Florida for the tour. On the day of the trip, the grandmother dresses like a young lady and joins the family. The family later makes a stop at a restaurant whose owner, Red Sammy, complains of how untrustworthy people can sometimes be (O’Connor 73). Red Sammy’s wife also interjects the discussion between her husband and Bailey’s grandmother and says that she does not believe in any person, including her own husband, R...
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...hat really makes a good man or woman? Is it an individual’s early childhood experience? Is it associated with how straightforward or decent an individual is? Or is it just impossible to run into a good man? The reader must answer all these questions as he reads the book. However, Flannery O’Connor seems to associate good morals with religion.
Works Cited
Eder, Katharina. Flannery O’Connor, A Good Man is Hard to Find-An Analysis. London, UK: GRIN Verlag, 2011. Print. 10 March. 2014
O’Connor, Flannery. “A Good Man is hard to find”. New York, NY: Rutgers University Press, 1993. Print. 10 March. 2014
Scott, Neil. Flannery O'Connor: An Annotated Reference Guide to Criticism. London, UK: Timberlane Books, 2002. Print. 10 March. 2014
Seel, Cynthia. Ritual Performance in the Fiction of Flannery O'Connor. New York, NY: Camdem House, 2001. Print. 10 March. 2014
A brilliant storyteller during the mid-twentieth century, Flannery O'Connor wrote intriguing tales of morality, ethics and religion. A Southern writer, she wrote in the Southern Gothic style, cataloging thirty-two short stories; the most well known being “A Good Man is Hard to Find.”
Douglas, Ellen. "O'Connor's 'A Good Man is Hard to Find.'" Contemporary Literature Criticism. Eds. Carolyn Riley and Phyllis Carmel Mendelson. Detroit, MI: Gale, 1976. Vol. 6. 381.
Scott, Nathan A., Jr. "Flannery O'Connor's Testimony." The Added Dimension: The Art and Mind of Flannery O'Connor. Ed. Melvin J. Friedman and Lewis A. Lawson. New York: Fordham UP, 1966. 138-56.
Cofer, Jordan. "Flannery O'connor's Role In Popular Culture: A Review Essay." Southern Quarterly 47.2 (2010): 140-157. OmniFile Full Text Mega (H.W. Wilson). Web. 2 Nov. 2013.
O'Connor, Flannery. “A Circle in the Fire." Flannery O'Connor The Complete Stories. New York: Farrar, Straus and Giroux, 1971. 175-193. Print.
Flannery O’Connor's perception of human nature is imprinted throughout her various works. This view is especially evident in the short stories, “A Good Man Is Hard to Find” and “Revelation.” She conveys a timeless message through the scope of two ignorant, southern, upper class women. In “A Good Man is Hard to Find,” O’Connor presents readers to a family who is going on a road trip with their selfish grandmother. She is a religious woman who does not follow the set standards that she preaches. Similar characteristics are exposed in “Revelation.” As the self centered Mrs. Turpin sits in the waiting room, she contemplates on her own status with God. Nevertheless, she still commits the sin of judging others. In both of O’Connor’s short stories, these controversial protagonists initially put up a facade in order to alienate themselves from their prospective societies. Although the grandmother and Mrs. Turpin both believe in God, O’Connor utilizes theme to expose that they also convince themselves that they can take on His role by placing judgement on people who, at the most fundamental level, are in the same category as them.
Flannery O’Connor’s personal views on the justification of religion and the resulting world or corruption and depravity are apparent in her short story “A Good Man is Hard to Find”. She analyzes the basic plight of human existence and its conflict with religious conviction. The first two-thirds of the narrative set the stage for the grandmother, representing traditional Christian beliefs, to collide with The Misfit, representing modern scientific beliefs. The core of symbolism and the magnet for interpretation is at the end, the conversation between the grandmother and The Misfit. The conversation represents the examination of the clash between animal and metaphysical human nature and the Misfit is the literary depiction of the outcome of that clash.
O'Connor, Flannery. "A Good Man Is Hard to Find." The Story and Its Writer An Introduction to Short Fiction. 8th ed. Boston: Bedford / St. Martin's, 2011. 1042-053. Print.
1) O’Connor, Flannery, A Good Man Is Hard to Find (Women Writers: Text & Contexts Series). Rutgers University Press, 1993.
The story begins with the grandmother trying to persuade the family not to travel towards Florida but perhaps go to Tennessee instead. This is based on the grounds that “the Misfit”, a escaped criminal is on the loose somewhere in Florida. The Ironic part of this is that the grandmother is the only family member to conceive of bad things happening to the family. She bases this solely on the fact that they were traveling in the same direction as the Misfit. This negative thinking quite possibly could have led to the eventual rendezvous between the convict and the family.
To the uninitiated, the writing of Flannery O'Connor can seem at once cold and dispassionate, as well as almost absurdly stark and violent. Her short stories routinely end in horrendous, freak fatalities or, at the very least, a character's emotional devastation. Working his way through "Greenleaf," "Everything that Rises Must Converge," or "A Good Man is Hard to Find," the new reader feels an existential hollowness reminiscent of Camus' The Stranger; O'Connor's imagination appears a barren, godless plane of meaninglessness, punctuated by pockets of random, mindless cruelty.
Being raised under devout Catholic parents, Flannery O’Connor grew up with a strong sense of moral values. By a young age, she learned the standard of right from wrong through her practice of Catholicism. O’Connor utilizes her strong grasp of morality in her writings to demonstrate the decline of ethical standards. In A Good Man Is Hard To Find, O’Connor depicts the lack of moral judgement among people. Throughout the story, the theme of moral decay is expressed by the characters of the grandchildren, the grandmother and The Misfit.
Whitt, Margaret. Understanding Flannery O’Connor. Columbia: University of South Carolina Press, 1995. 47-48, 78. Print.
In Flannery O 'Connor 's short story, A Good Man is Hard to Find, the theme of good vs. evil unravels throughout the series of tragic events. The Grandmother’s epiphany introduces the idea of morality and the validity is left to the interpretation of the reader. By questioning the characteristics of right and wrong, morality and religion become subjective to personal reality and the idea of what makes individuals character good or bad becomes less defined.
...sque, and in Flannery O’Connor’s artistic makeup there is not the slightest trace of sentimentally” (qtd. in Bloom 19). Flannery O’Connor’s style of writing challenges the reader to examine her work and grasp the meaning of her usage of symbols and imagery. Edward Kessler wrote about Flannery O’Connor’s writing style stating that “O’Connor’s writing does not represent the physical world but serves as her means of apprehending and understanding a power activating that world” (55). In order to fully understand her work one must research O’Connor and her background to be able to recognize her allegories throughout her stories. Her usage of religious symbols can best be studied by looking into her religious Catholic upbringing. Formalist criticism exists in “A Good Man is Hard to Find” through Flannery O’Connor’s use of plot, characterization, setting, and symbolism.