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Theatre and society
The Victorian era society
The Victorian era society
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Societal appearance and acceptance is an utmost characteristic an average individual tends to underestimate. It may seem as if individual morals go against the social appearance, but in value, individuals perceive a need for an appearance to convey a sense of belonging. Within two diverse yet similarly realist drama's, A Doll’s House and Death of a Salesman societal appearance’s stands above all else. Henrick Ibsen's A Doll's House embarks on the gender fitting and domesticity of the Victorian Era at its worse as Nora Helmer's unrealistic marriage falls within her grasps, leading to rebellion. Arthur Miller, on the other hand, sets forth the "tragedy of the common man" through the tragic hero of Willy Loman and the “American Dream” in Death of a Salesman (Shmoop Editorial Team 4). In comparison, Nora and Willy follow the ethics society put forth, but in contrast, Nora’s will leads to rebellion, whereas Willy’s dramatizing deprivation leads to conformity.
Through Nora, Ibsen makes it obvious that the atmosphere springs out of influence from the Victorian Era. Domesticity stood as a central theme, gender division stood as common field. Gender fitted, women were placed with the responsibility of the children and the household. In addition to the domestic role, women were expected to be completely submissive to their husbands (Shmoop Editorial Team 1). Nora perfectly fit the societal aspects of what was expected during the time. Her complete devotion to Helmer makes it clear that she is recognizing him as the dominating figure and degrading her own position as his wife. Within the start of the play, Ibsen describes Nora as she secretively eats cookies from her husband. Helmer states: “Hasn’t Miss Sweet-Tooth be...
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...used her to awaken and realize her surroundings. With Helmer’s last words of blame toward her, she realized that the relationship did not include her as a wife nor partner. Instead of being fully submissive and devoted toward her husband, Nora rebels against society’s ideals and chooses herself over the dominancy of her husband. Unlike Nora, Willy choose to give up his life in hope that once he has died, his dream would succeed through his sons. How society and how he left society stood above all else for him, but what Willy did not realize that he conformed to society’s perceived appearance of the American dream and took it with him. The images and stereotypical atmosphere society sets for the individual plays into thought, but it is the individual’s responsibility to control and maintain the appearance, to personalize it as their own rather than imitate it.
He never realizes what he has lost by chasing after inconceivable dreams; however, Wilder’s Emily reflects on her life after she dies and begins to understand that her lack of appreciation for the little moments took away from the fullness of her life. Even though Wilder and Miller tell two unique stories, they use similar methods to show their thoughts on living and essentially convey the same message about how dreams can ruin people and how not appreciating the little things takes away from the quality of life. After seeing both his father and brother find success, Willy attempts to prove himself to his family by chasing after his own version of the American dream. Willy grew up in the “wild prosperity of the 1920’s” when rags-to-riches tales inspired everybody, making them believe that “achieving material success [is] God’s intention for humankind” (Abbotson, Criticism by Bloom).
Structure – The work is formatted to be a play. It has three acts, each beginning with stage directions.
In Henrik Ibsen’s A Doll House, a drama written in the midst of an 1879, middle-class, suburban Europe, he boldly depicts a female protagonist. In a culture with concern for fulfilling, or more so portraying a socially acceptable image, Nora faces the restraints of being a doll in her own house and a little helpless bird. She has been said to be the most complex character of drama, and rightfully so, the pressure of strict Victorian values is the spark that ignites the play's central conflicts. Controversy is soon to arise when any social-norm is challenged, which Nora will eventually do. She evolves throughout the play, from submissive housewife to liberated woman. It seems as though what took women in America almost a century to accomplish, Nora does in a three-day drama. Ibsen challenges the stereotypical roles of men and women in a societally-pleasing marriage. He leads his readers through the journey of a woman with emerging strength and self-respect. Nora plays the typical housewife, but reveals many more dimensions that a typical woman would never portray in such a setting.
Modern interpretations of “A Doll’s House” and “Trifles” portray that these dramas are solely works of feminism, when in fact they address a more important issue of the time: marriage ideals. During this time, marriages were nothing but a masquerade. Husbands and wives hid behind their commitment, and were overly focused on the appearances and opinions of society. Society played a key role in the formation of the attitudes and opinions of marriage in the late 1800’s and early 1900’s. “A Doll’s House” by Ibsen was written in 1879 and focuses on the problems within the traditional marriage of the time. “Trifles” was written several years later in 1916 by Susan Glaspell and was also a story that brought the issues with marriage ideals to the forefront. Both of these plays were meant to convince people to start questioning society and to bring forth issues that were being ignored.
Willy has spent his whole life teaching and believing that you can achieve success by your appearance and by making yourself as amiable as possible. Eventually Willy begins to fabricate stories about himself to be able to live with himself because he can’t meet his own expectations. He falls deeper into his lies, making himself and his family suffer for it. Thesis. Thesis.
Weintraub, Stanley. ""Doll's House" Metaphor Foreshadowed in Victorian Fiction." Nineteenth-Century Fiction 13: 67-69. Web. 6 Jan. 2011.
...ment about how Torvald doesn’t like for her to eat them. Nora lies and says Kristine brought them too her. As Nora’s secret side is revealed, her life seems anything but perfect. As we look at the character change in Nora, we see two different sides to her. The beginning of the play reveals a woman totally dependent on her husband for everything,. It isn’t until the end of the play that she realizes she can be herself and she doesn’t have to depend on her husband. Nora realizes “that if she wants an identity as an adult that she must leave her husband’s home” (Drama for Students 112). By examining Nora, we see from Ibsen’s theme that if we ignore all the expectations the social world has for a person, our true selves can be revealed.
to discover and educate herself. She must strive to find her individuality. That the perception of woman is inaccurate is also supported by the role of Torvald. Woman is believed to be subordinate to the domineering husband. Instead of being the strong supporter and protector of his family, Nora's husband is a mean and cowardly man. Worried about his reputation he cares little about his wife's feelings and fails to notice many of her needs. The popular impression of man is discarded in favor of a more realistic view, thus illustrating society's distorted views. Ibsen, through this controversial play, has an impact upon society's view of the subordinate position of women. By describing this role of woman, discussing its effects, and predicting a change in contemporary views, he stressed the importance of woman's realization of this believed inferiority. Woman should no longer be seen as the shadow of man, but a person in herself, with her own triumphs and tragedies. The exploration of Nora reveals that she is dependant upon her husband and displays no independent standing. Her progression of understanding suggests woman's future ability to comprehend their plight. Her state of shocked awareness at the end of the play is representative of the awakening of society to the changing view of the role of woman. "A Doll's House" magnificently illustrates the need f...
See “Death of Salesman” introduction of Arthur Miller.] In“Death of a Salesman,” Miller used a short period of time of main character’s life to reflect his whole tragedy life. He borrowed some expressionist approach, broke the imagination and reality, past and present boundaries, and reflected the broad social life through these characters’ mental activity. For many years, those comments about the play mostly stay in the story’s twists and turns, the tragic fate of the male characters, the cold reality of society, especially the hard-working of the Willy's "American dream" had shattered. However, the image of the female character, Willy’s wife-- Linda, failed to do a more in-depth research. Even with about Linda's research, mostly viewer were held the attitude of perspective of feminism to blame Linda’s fault instead of sympathy for her. In this paper, it is going to start with female trauma perspective, with the "American Dream" as the background, to do the interpretation of the tragic fate of the female character Linda in the play to show why she is the most tragedy character than Willy.
Women Have Come A Long Way “A Doll House” is no more about women’s rights than Shakespeare’s Richard II is about the divine right of kings, or Ghosts about syphilis. . . . Its theme is the need of every individual to find out the kind of person he or she is and to strive to become that person.” (Bloom 28) Ibsen portrays this behavior in A Doll House through one of the main characters, Nora Helmer, by setting the scene in Norway in 1872. In the late 1800s, women did not play an important role in society at all.
In Arthur Miller’s Death of A Salesman and Edward Albee’s The American Dream, Willy Lowman and Mommy possess the trait of superficiality. Their priorities are to look good and be liked, and this contributes to their misguided paths to reach success. This attribute is one of many societal criticisms pointed out by both authors. Arthur Miller criticizes society for perceiving success as being liked and having good looks. He illustrates society’s perception through Willy, who thinks the keys to success are being popular and attractive. Willy transmits this philosophy to his sons by ignoring their education and personal growth and setting an example that popularity is most important. Edward Albee criticizes society for the same thing. He points out the wrong priorities in life such as emphasizing good looks and the wish to be liked at the expense of deeper ethics and morals. Through Mommy’s incident with the hat, which showed she wanted to be liked, and her problems with her own son’s physical and mental faults, which showed she cared too much for good looks, Albee shows how society is misguided in its methods to achieve success.
In the play, A Doll’s House portrays the fixation to keep up with appearances through the main characters’ actions and words. A Doll’s House creates a statement about the gender roles and social norms in the nineteenth century. Ibsen argues that individual tend to get sidetracked due to appearances, especially in an effort to please society. Individuals tend to focus on the opinions of others, therefore they believe that keeping up with appearance is important. Appearances can be used to masks or deflect various hardships and issues of reality. A Doll’s House depicts that not everything is how it appears. Appearance are not necessary, if fact they only hold people back from doing what is important and distorts reality.
The characters of this play help to support Ibsen's opinions. Nora's initial characteristics are that of a bubbly, child-like wife who is strictly dependent on her husband. This subordinate role from which Nora progresses emphasizes the need for change in society's view of women. For Nora, her inferior, doll-like nature is a facade for a deeper passion for individuality that begins to surface during the play and eventually fully emerges in the ending. An example of this deep yearning for independence is shown when Nora tells her friend, Kristina Linde about earning her own money by doing copying. Nora explains, "it was tremendous fun sitting [in her room] working and earning money. It was almost like being a man" (A Doll's House, 162). Mrs. Linde is an inspiration to Nora, because Kristina has experienced the independence that Nora longs for.
Krogstad is one of the most complex characters from Ibsen’s A Doll’s House. Initially, Krogstad appears to be the villain of the play. Nora owes Krogstad a great deal of money. Krogstad uses the existence of her debt to blackmail Nora, threatening to inform her husband of her debt and her forgery if she does not use her influence to secure his position at the bank. Krogstad serves at a catalyst which brings about the central conflict of the play. However, Krogstad has other roles as well. Krogstad is a foil to Nora. He had been the exact same situation that Nora is in now. He had forged a signature to save the life of someone dear to him. Krogstad is also a foil to Torvald. Whereas Torvald continues to advance in society, Krogstad is at risk at losing his livelihood and reputation. In an unexpected twist, Krogstad becomes the hero of the play by the end. When love and hope is restored to him, he withdraws his threats against Nora and forgives her debt, saving Nora from suicide or from a life of ignominy.
Societal problems prevail throughout the history of the world and exist within all countries, regions, and cultures. The controversial aspects in societies are based on a large variety of subjects, and have to be identified in order to cause societal change. Therefore, Realism is the portrayal of difficulties in societies that are depicted in everyday life, which includes common situations and actions. Realism allows authors to describe and emphasize the incompetence of some aspects within communities, while enabling writers to call for societal reform. Henrik Ibsen portrays and addresses the concepts of Norway’s society in the 19th century in A Doll House, which is a tragic play translated by Rolf Fjelde. Ibsen desires to challenge assumptions as well as rules of Norwegian life, and most importantly wants to depict society accurately, as he meticulously incorporates everyday life. Therefore, A Doll House represents a Realistic drama due to the issues involving women, illnesses, and laws within the play, while conveying Ibsen’s desire of controversy and change in Norway’s society.