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Ballad of the Landlord Langston Hughes essays
Racism during the Harlem Renaissance
Langston hughes poems and theme of racial discrimination
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Harlem Renaissance poet Langston Hughes writes the poem “Ballad of the Landlord” in 1940, a time of immense discrimination against people of African descent. The poem details an account of a tenant, later found out to be an African American, who is dissatisfied with his rental property. The tenant is politely asking the landlord to make the needed repairs on the realty, but instead the landlord demands to be paid. The tenant refuses to pay the rent, and the police are called after a threat is made towards the landlord. The police arrest the tenant, and he is jailed for ninety days with no bail. Langston Hughes’s “Ballad of the Landlord” is a startling poem that underlines the poor living conditions and discrimination African Americans had to cope with in the nineteen-forties by illustrating an account of an African American tenant’s troubles with a Caucasian landlord through the use of simple words and many literary devices.
Obvious to most, the theme in “Ballad of the Landlord” is racism and discrimination. It is apparent that the tenant is discriminated against by the landlord, the police and the newspaper. The newspaper only shows one side especially in the headlines: “MAN THREATENS LANDLORD,” when the tenant had a justifiable reason for the threat (31). The theme is an important aspect to Hughes’s poem because it is the basis for the purpose and meaning of the poem.
The rhyme scheme in “Ballad of the Landlord” generally follows the simple-4 line rhyme scheme, in which the rhyme pattern is A B C B; this standard form also shows the simplicity of the main speaker, the tenant. The rhyming words are found at the end of the second and fourth lines in each stanza. This phenomena is found throughout the entire poem except for th...
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...angston Hughes writes a short 33-line poem that simply shows the barriers between races in the time period when racism was still practiced through segregation and discrimination. The poem captures the African American tenant’s frustrations towards the landlord as well as the racism shown by the landlord. The poem is a great illustration of the time period, and it shows just how relevant discrimination was in every day life in the nineteen-forties. It is important for the author to use literary devices to help better illustrate his point. Each literary device in the poem helps develop the author’s intent: to increase awareness of the racism in the society in the time period.
Works Cited
Hughes, Langston. “Balled of the Landlord”. An Introduction to Literature. Ed. Sylvan Barnet, William Burto, and William E. Cain. 16th ed. New York: Longman, 2011. 765-766. Print.
In the first two stanzas, the author repeats the word landlord twice in each stanza. This emphasizes the landlord specifically in both of these stanzas. He does this in order to show that the landlord is the main part of the issue that is being addressed and the one for the audience to focus on at the time. In the third stanza, the repeated phrase is “Ten Bucks”. This is repeated to show what the landlord lord believes the man owes him. This emphasizes the landlords desire to get something out of the man that is unnecessary. The fourth stanza repeats the phrase “You gonna,” at the beginning of the different lines. This exemplifies the man’s feeling of oppression from the landlord. The man asks the landlord how he is going to react to what is going on with him and the current issue. Each of these repeated words in the different stanzas are used to point out one of the many issues that is being addressed in the
Because of that, his writing seems to manifest a greater meaning. He is part of the African-American race that is expressed in his writing. He writes about how he is currently oppressed, but this does not diminish his hope and will to become the equal man. Because he speaks from the point of view of an oppressed African-American, the poem’s struggles and future changes seem to be of greater importance than they ordinarily would. The point of view of being the oppressed African American is clearly evident in Langston Hughes’s writing.
“Poetry is the rhythmical creation of beauty in words.” –Edgar Allan Poe. Poetry is one of the world’s greatest wonders. It is a way to tell a story, raise awareness of a social or political issue, an expression of emotions, an outlet, and last but not least it is an art. Famous poet Langston Hughes uses his poetry as a musical art form to raise awareness of social injustices towards African-Americans during the time of the Harlem Renaissance. Although many poets share similarities with one another, Hughes creatively crafted his poetry in a way that was only unique to him during the 1920’s. He implemented different techniques and styles in his poetry that not only helped him excel during the 1920’s, but has also kept him relative in modern times. Famous poems of his such as a “Dream Deferred,” and “I, Too, Sing America” are still being studied and discussed today. Due to the cultural and historical events occurring during the 1920’s Langston Hughes was able to implement unique writing characteristics such as such as irregular use of form, cultural and historical referenced themes and musical influences such as Jazz and the blues that is demonstrative of his writing style. Langston Hughes use of distinct characteristics such as irregular use of form, cultural and historical referenced themes and musical influences such as Jazz and the blues helped highlight the plights of African-Americans during the Harlem Renaissance Era.
When reading the literature of Langston Hughes, I cant help but feeling energetically charged and inspired. Equality, freedom, empowerment, renaissance, justice and perseverance, are just a taste of the subject matter Hughes offers. He amplifies his voice and beliefs through his works which are firmly rooted in race pride and race feeling. Hughes committed himself both to writing and to writing mainly about African Americans. His early love for the “wonderful world of books” was sparked by loneliness and parental neglect. He would soon lose himself in the works of Walt Whitman, Paul Laurence, Carl Sandburg and other literary greats which would lead to enhancing his ever so growing style and grace of oeuvre. Such talent, character, and willpower could only come from one’s life experiences. Hughes had allot to owe to influences such as his grandmother and great uncle John Mercer Langston - a famous African American abolitionist. These influential individuals helped mold Hughes, and their affect shines brightly through his literary works of art.
The contradiction of being both black and American was a great one for Hughes. Although this disparity was troublesome, his situation as such granted him an almost begged status; due to his place as a “black American” poet, his work was all the more accessible. Hughes’ black experience was sensationalized. Using his “black experience” as a façade, however, Hughes was able to obscure his own torments and insecurities regarding his ambiguous sexuality, his parents and their relationship, and his status as a public figure.
One of the advantages of how he wrote his poetry is that it can take hold of people by exemplifying his accounts of the everyday life that the disenfranchised experience. Hughes took on the injustices that other dared no to speak of. He wrote about how the African-American people of the 1920’s suffered the plight of racial inequality. In many cases I believe that Hughes used his writing as an instrument of change. In “Come to the Waldorf-Astoria” (506) Hughes tackles the drastic disparity between wealthy whites and the African Americans of the 1930’s. This piece displays an unconventional style for a poem; using satire to capture the reader’s attention. By using this satiric form of poetry Hughes is able to play on the emotions of the white reader, while at the same time inspiring the black readers. Hughes is constantly comparing the luxuries of the Waldorf-Astoria to the hardships that the African American people were experiencing. “It's cold as he...
Langston Hughes was probably the most well-known literary force during the Harlem Renaissance. He was one of the first known black artists to stress a need for his contemporaries to embrace the black jazz culture of the 1920s, as well as the cultural roots in Africa and not-so-distant memory of enslavement in the United States. In formal aspects, Hughes was innovative in that other writers of the Harlem Renaissance stuck with existing literary conventions, while Hughes wrote several poems and stories inspired by the improvised, oral traditions of black culture (Baym, 2221). Proud of his cultural identity, but saddened and angry about racial injustice, the content of much of Hughes’ work is filled with conflict between simply doing as one is told as a black member of society and standing up for injustice and being proud of one’s identity. This relates to a common theme in many of Hughes’ poems: that dignity is something that has to be fought for by those who are held back by segregation, poverty, and racial bigotry.
The civil rights movement may have technically ended in the nineteen sixties, but America is still feeling the adverse effects of this dark time in history today. African Americans were the group of people most affected by the Civil Rights Act and continue to be today. Great pain and suffering, though, usually amounts to great literature. This period in American history was no exception. Langston Hughes was a prolific writer before, during, and after the Civil Rights Act and produced many classic poems for African American literature. Hughes uses theme, point of view, and historical context in his poems “I, Too” and “Theme for English B” to expand the views on African American culture to his audience members.
Thesis: The poems “Negro”, “I Too”, and “Song for a Dark Girl” by Langston Hughes was written around an era of civil inequality. A time when segregation was a customary thing and every African American persevered through civil prejudice. Using his experience, he focuses his poems on racial and economic inequality. Based on his biographical information, he uses conflict to illustrate the setting by talking about hardships only a Negro would comprehend and pride only a Negro can experience, which helps maintain his racial inequality theme.
Through the exemplary use of symbolism, Langston Hughes produced two poems that spoke to a singular idea: Black people have prevailed through trials and tribulations to carry on their legacy as a persevering people. From rivers to stairs, Hughes use of extended metaphor emphasizes the feeling of motion which epitomizes the determination of the people. Overall, the driving feeling of the poems coupled with their strong imagery produce two different works that solidify and validate one main idea.
This image is the author’s perspective on the treatment of “his people” in not only his hometown of Harlem, but also in his own homeland, the country in which he lives. The author’s dream of racial equality is portrayed as a “raisin in the sun,” which “stinks like rotten meat” (Hughes 506). Because Hughes presents such a blatantly honest and dark point of view such as this, it is apparent that the author’s goal is to ensure that the reader is compelled to face the issues and tragedies that are occurring in their country, compelled enough to take action. This method may have been quite effective in exposing the plight of African-Americans to Caucasians. It can be easily seen that Hughes chooses a non-violent and, almost passive method of evoking a change. While Hughes appears to be much less than proud of his homeland, it is apparent that he hopes for a future when he may feel equal to his fellow citizens, which is the basis of the “dream” that has been
...ites a short 33-line poem that simply shows the barriers between races in the time period when racism was still openly practiced through segregation and discrimination. The poem captures the African American tenant’s frustrations towards the landlord as well as the racism shown by the landlord. The poem is a great illustration of the time period, and it shows how relevant discrimination was in everyday life in the nineteen-forties. It is important for the author to use the selected literary devices to help better illustrate his point. Each literary device in the poem helps exemplify the author’s intent: to increase awareness of the racism in the society in the time period.
Langston Hughes was an activist for the African-American community and made significant artistic contributions to the Harlem Renaissance throughout his career. In one of his most famous poems, “Harlem [Dream Deferred]”, he addresses the limitations and oppression of African Americans after the Great Depression. Many African Americans dreamed of equality, but often times that dream became neglected and pushed aside. In his poem, Hughes responds to a question about a deferred dream with a series of vivid similes, inquiring what happens to a constantly ignored dream.
Langston Hughes “The ballad of a landlord” had an ironic twist when the speaker ended up in jail. The landlord thought that the man was lawfully wrong because he “threaten the government.” The landlord didn’t fix the speakers house because of the color of his skin. This poem can be useful today because of the racial tension that is happening today. Many African American face problem with social injustices every day just because the color of their skin isn’t like everybody else’s. The community gets profiles as soon as they enter the room. Langston Hughes poem is one that brings the audience along to inform them that the African American community is still dealing with a problem with something as simple as living in an
For instance, the harsh reality of black life is demonstrated in Hughes’ poem “Ku Klux”. The poem depicts a black man being...