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Slaughter house five novel analysis
Post traumatic stress disorder slaughterhouse 5
Slaughter house five novel analysis
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1. Major Characters of the Novel a. Billy Pilgrim is the person that the book is written around. We follow him, perhaps not in a straight order, from his youth joining the military to his abduction on the alien planet of Tralmalfadore, to his older age at his 1960s home in Illum. It is his experiences and journeys that we follow, and his actions we read about. However, Billy had a specific lack of character for a main one. He is not heroic, he has very little personality traits, let alone an immersive and complex character. Most of the story is written around his experiences that seem more like symptoms of Post-Traumatic Stress Disorder from his World War Two days, combined with hallucinations after a brain injury in a near-fatal plane crash. His personality is greatly impacted by his lack of belief in free-will, supported by the theme. b. The Tralmalfadorians a plunger-like aliens that capture Billy and put him in an alien zoo for a period of time. They have a different perception of time than humans, one that has no free-will. They believe everyone is always existing. Everyone lives throughout a pre-determined, fixed timeline. They teach these ideals to Billy, which develop his character and become the premise for his actions, or lack thereof throughout the story. This ideal eliminates several things; responsibility for actions because everything god or bad is predetermined, concept of death because everyone is always existing, and choices because you have no control. This gives Billy a way to avoid the feelings he experiences with the large amount of loss and negativity in his live. He can write off any emotion as a pre-determined “meant to be” existence that he did not, does not, and will never have any control over. So it g... ... middle of paper ... ...as shivering. Her tail between her legs. She had been borrowed that morning from a farmer. She had never been to war before. She had no idea what game was being played. Her name was Princess.” (Vonnegut-52) Princess and Billy are both in similar situations. Both were unwillingly drafted into the war, and had no say in the greater picture, the master plan playing out above their heads. This depicts how neither of them had any decision in what happened to them, the opposite of free will. “Among things Billy could not change were the past, present, and future.” (Vonnegut-60) This once again reaffirms the theme. A subject to fate, Billy has no control over events in the past, present, or future. It should be noted however, that taken literally this can also refer to Billy being a fictional character in a written story, therefore being subject to the author’s narrative.
Billy Pilgrim time travels to various moments in his life at random, which suggests he has no power over his mind and the memories that haunt him. He “is spastic in time, (and) has no control over where he is going next” (Vonnegut 43), as he struggles to make sense of his past. Billy’s ability to remember events in an erratic sequence, mirrors the happenings of war. War is sudden, fast paced, and filled with unexpected twists and turns. Billy cannot forget what he experienced during his time as a soldier, and in turn his mind subconsciously imitates this hectic quality of war. This behavior proves that although the war is over, “psychologically, Billy has never fully left” (Vees-Gulani). For many soldiers, especially those who were prisoners of war (POW), it is inevitable that their mind will not be like it once was (Vees-Gulani).
When Vonnegut created Billy Pilgrim, he made Billy subject to the experience of the war. In fact, Billy experiences it almost. exactly the same as Vonnegut himself had, including the experiences of being a POW and in the firebombing of Dresden. The. But in Billy's case, Vonnegut writes it with.
“How nice – to feel nothing, and still get full credit for being alive” (Vonnegut 50). In Slaughterhouse-Five, Kurt Vonnegut introduces the genuine danger war implements on the innocent minds of soldiers by introducing Billy Pilgrim as a prisoner and Dresden bombing survivor. Kurt Vonnegut’s anti-war novel appropriates around a science fiction theme where Billy Pilgrim becomes “unstuck” in time. This allows Billy to experience his life disorderly.
War novels often depict a war hero facing off against an enemy, with a winner on the other side. However, Kurt Vonnegut’s novel Slaughterhouse Five takes an opposite approach to the telling of a war story. The narrator uses the protagonist, Billy Pilgrim, to display his own anti-war sentiment. Vonnegut’s style of writing as well as his characters help to portray the effect of war on individuals and society as a whole.
The purpose of this paper is to analyze Kurt Vonnegut’s novel, Slaughterhouse-Five; providing details that indicate both Vonnegut and his protagonist Billy Pilgrim suffered from posttraumatic stress disorder (PTSD).
Someone breaks something? So it goes. Somebody dies? So it goes. Throughout Kurt Vonnegut’s novel “Slaughterhouse-five”, “so it goes” was stated 106 times expressing the general sense of acquiescence to the way things are. The author made that the catchphrase to show that bad things that occur should be accepted, because there is nothing that can be done to change it, bringing in the idea of fate. Vonnegut made very big examples of using “so it goes” with people that went through these types of events, the Tralfamadorians that the main character Billy Pilgrim encountered, and the story from the Gideon bible that was alluded to in the novel.
The book, Slaughter House-Five, written by Kurt Vonnegut, is based on the main character named Billy Pilgrim who is a little "lost" in the head. Billy is always traveling to different parts of his life and rarely in the present state. Throughout the book Billy mainly travels back and forth to three big times in his life. In each different time period of Billy's life he is in a different place; his present state is in a town called Illium and his "travels" are to Dresden and Tralfamadore. When Billy is in Illium he is suppose to have a "normal" life; he is married, has two children, and works as an optometrist. Then Billy travels back to Dresden where he was stationed in the last years of WWII and witnessed the horrible bombing. When Billy travels to Tralfamadore he is in an "imaginary" state, everything that happens to him is more like a dream. Through Billy's travels in time he shows that he is striving to find meaning in the events that happened in his life that he is afraid to acknowledge. As Billy says himself, "All moments, past, present and future, always have existed, always will exist," (1) this just proves even further that fact that Billy cannot ever forget any event in his life.
In Slaughterhouse-Five, Kurt Vonnegut tries to make sense of a seemingly meaningless world by creating a novel whose narrative is more a conjunction of events instead of a linear story. Vonnegut beings his novel with a confession about why he wrote this book, he starts, “all this happened more or less” (Vonnegut 1). As a reader it is alarms are signaled when the author themselves makes an omission about the reality of the tale about to be told. He spends the first chapter giving an autobiographical view into what shaped his life and how this book needed to be written. Vonnegut says he thought he would have a lot to say about the bombing in Dresden that “all [he] would have to do would be to report what [he] had seen” (2). But instead “not many words about Dresden came from [his] mind then—not enough of them to make a book, anyway” (2). So here Vonnegut makes it clear this novel is not explicitly an anti-war book but rather an attempt at making sense of how life
Billy is used to showing that everything happens because of fate. As a prisoner, Billy has no control over his day to day life. While Billy is in Dresden, the city is bombed, because of luck, only Billy and a few others survive the bombing in a slaughterhouse. The people of Tralfamadore tell Billy that humans do not understand time because everything they do is in singular progression.
Both his time travels and the aliens’ view of time are related because they define time as a collection of moments. If time is a collection of moments, his life appears less upsetting because he can cherish the happy memories and simply accept the difficult ones as a mere moment in time. If his life is viewed in a linear progress, it appears more tragic, as it becomes a story filled with heartbreaking moments that directly lead to painful resolutions. This explains how both his time travels and the Tralfamadorian understanding of time help Billy deal with the traumatic incidents in his
One day in 1967, as he claims on a radio talk show and in a letter to the editor, Billy is kidnapped by two-foot high aliens whose body shape is reminiscent of an upside down toilet plunger. These are the Tralfamadorians. They take him to Tralfamadore where they mate him with the actress Montana Wildhack and keep both earthlings in a zoo. They also explain to him their perception of time, how all of it exists for them simultaneously in the fourth dimension. When someone dies he is simply dead at a particular time. Somewhere else and at a different time he is alive and well. Tralfamadorians prefer to look at the nice moments.
Symbolism plays a vital role throughout Tom Walker’s tale. Set in the early to mid-18th century in the New England area, Irving uses the location’s landscape as a basis of symbolism throughout the story, as well as to represent the main character. The murky morass environment of the swamp in which Tom Walker meets the devil represents his soul which, like the swamp fog, is clouded and thick with greed. The swamp areas of the New England areas were also used as a stronghold by the Native Americans against the Europeans during the Indian battles. Ironically, this same area in the story is seen as the devil’s stronghold, which symbolizes the prejudice that was still prevalent in the...
Billy is the main Character I already talked about him in last paragraph, so you can just look there for more info on him.
In the novel, Kurt Vonnegut proposes the question of whether free will exist or not. The Tralfamadorians live with the idea of the fourth dimension. The fourth dimension contains occurring and reoccurring events, considering that they believe all moments have already passed. According to the Tralfamadorians, there is only free will on Earth, considering humans only think of time as a linear progression. Billy regresses back to events as a child, and remembers when his father let him sink to the bottom of the pool where he prefers to be, but he was rescued. As a young adult, Billy was drafted into the war against his free will. Even as a soldier in the war, Billy is not taken solemnly by the other soldiers. Billy comes to the conclusion that even if he trained hard, and became a good soldier he’d still die like the other soldiers in Dresden who are much better than him. Billy’s real world on earth seems to be taken into bits and pieces into the Tralfamadorian world where Billy thinks is error free. Although the serenity prayer is directed towards God, Billy directs it towards the Tralfamadorians instead. This prayer is significant to this theme, because Billy is trying to live up to the standards of the Tralfamadorians, which is nearly impossible and
Though he was able to escape war unharmed, Billy seems to be mentally unstable. In fact, his nightmares in the German boxcar at the prisoners of war (POW) camp indicate that he is experiencing Post-Traumatic Stress Disorder (PTSD): “And now there was an acrimonious madrigal, with parts sung in all quarters of the car. Nearly everybody, seemingly, had an atrocity story of something Billy Pilgrim had done to him in his sleep. Everybody told Billy Pilgrim to keep the hell away” (79). Billy’s PTSD is also previously hinted when he panics at the sound of sirens: “A siren went off, scared the hell out of him. He was expecting World War III at any time. The siren was simply announcing high noon” (57). The most prominent symptom of PTSD, however, is reliving disturbing past experiences which is done to an even more extreme extent with Billy as Slaughterhouse-Five’s chronology itself correlates with this symptom. Billy’s “abduction” and conformity to Tralfamadorian beliefs seem to be his method of managing his insecurity and PTSD. He uses the Tralfamadorian motto “so it goes” as a coping mechanism each time he relives a tragic event. As Billy struggles with the conflict of PTSD, the work’s chronological order is altered, he starts to believe