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Reproductive Fantasy is Burning
Of fire, what can be written that would not be better off singed, immolated, baked, or outright burnt? Flame of the match lights a watch. Dancing embers of destruction hide records, burn bodies and papers. Glistening radiance of torches light the way through the night of Victorian horror and fantasy. Fire is lively (it breathers, it takes in, it puts out, it moves, it grows, and it makes more) yet takes away life (defined by the same characteristics.) Everywhere it is fire.
Suddenly, away on our left I saw a faint flickering blue flame. The driver saw it at the same moment. He at once checked the horses, and, jumping to the ground, disappeared into the darkness. I did not know what to do, the less as the howling of the wolves grew closer. But while I wondered, the driver suddenly appeared again, and without a word took his seat, and we resumed our journey. I think I must have fallen asleep and kept dreaming of the incident, for it seemed to be repeated endlessly, and now looking back, it is like a sort of awful nightmare. Once the flame appeared so near the road, that even in the darkness around us I could watch the driver's motions. He went rapidly to where the blue flame arose, it must have been very faint, for it did not seem to illumine the place around it at all, and gathering a few stones, formed them into some device.
Once there appeared a strange optical effect. When he stood between me and the flame he did not obstruct it, for I could see its ghostly flicker all the same. This startled me, but as the effect was only momentary, I took it that my eyes deceived me straining through the darkness. Then for a time there were no blue flames, and we sped onwards through the gloom, with the howling of the wolves around us, as though they were following in a moving circle.
Deception from the eyes, hoarding of the light by the intensity of a blue flame, repetition of unqualified flickering fire. The undead Dracula is fiercely alive, in his metabolism, reproduction and movement. Making his rules and carving his possibilities for life, inasmuch as he has agency to begin with, it is one which forms and informs its own possibility.
Fire is a simple human necessity that is capable of sustaining life, but if misused can easily destroy it. Guy Montag a firemen destine to burn books, meets a young girl named Clarisse who changes his view on everything. His character slowly starts to change as he realizes books are in fact pieces of art, doomed to the flames. Montag digs deeper and deeper, until eventually it may tear the society wide apart. In the novel Fahrenheit 451 by Ray Bradbury, the main character Montag’s view point of fire progresses from a weapon capable of destroying anything, eventually the fire disinfects Montags head, and in the end causes him to changes completely.
“[Fire is] perpetual motion; the thing man wanted to invent but never did... It’s a mystery... It’s real beauty is that it destroys responsibility and consequences... clean, quick, sure; nothing to rot later. Antibiotic, aesthetic, practical” (Bradbury 115).
Bradbury first depicted fire as a hurtful force through Montag, a fireman, who burn books. With the converted mentality of his culture, “it was [Montag’s] pleasure to burn. It was a special pleasure to see things eaten, to see things blackened and changed” (3). Montag’s culture sees burning as an enjoyment; however, the fire portrayed here demonstrates the destruction of knowledge and personality. While Montag’s profession brings him joy he does not understand that burning is the most permanent form of destruction. He is oblivious to his governments’ strong desire to eliminate the ideas and knowledge that books hold. In this society, where ignorance is bliss and their phobia of unhappiness controls all aspects of life, people believe that their destructive fire “is bright and…clean”, as it is used as a means to keep themselves oblivious and happy (60). In addition, Bradbury establishes the difference in the symbolisms of fire by naming part one of his novel “The Hearth and the Salamander”. The hearth is the fireplace of the home and is the most positive image of fire. This fire contributes warmth and restores relationships between people. The salamander, the symbol of the firemen, and who personify fire’s destruction is contrasted with the hearth, which represents restoration.
The late nineteenth century Irish novelist, Bram Stoker is most famous for creating Dracula, one of the most popular and well-known vampire stories ever written. Dracula is a gothic, “horror novel about a vampire named Count Dracula who is looking to move from his native country of Transylvania to England” (Shmoop Editorial Team). Unbeknownst of Dracula’s plans, Jonathan Harker, a young English lawyer, traveled to Castle Dracula to help the count with his plans and talk to him about all his options. At first Jonathan was surprised by the Count’s knowledge, politeness, and overall hospitality. However, the longer Jonathan remained in the castle the more uneasy and suspicious he became as he began to realize just how strange and different Dracula was. As the story unfolded, Jonathan realized he is not just a guest, but a prisoner as well. The horror in the novel not only focuses on the “vampiric nature” (Soyokaze), but also on the fear and threat of female sexual expression and aggression in such a conservative Victorian society.
Hyperparathyroidism is a disorder that results from an excess of parathyroid hormone in the bloodstream due to one or more of the body's four parathyroid glands being overactive. These glands are small and oval shaped and are located in the neck. The parathyroid hormones produced by the parathyroid glands help to maintain an acceptable balance of calcium in the bloodstream and in tissues that depend on calcium for proper functioning.
I stepped into the middle of the road and just stood there, the lights stretching in either direction, glowing in the deep chilly air. I could see my own breath, could feel my own warmth as it formed right there in front of me. Behind me, our house looked dark, faint lingering of I'd walk a million miles, and I wasn't even sure if it was really playing or if I was imagining the familiar, the same way a bright light remain when you close your eyelids, the way I imagine that the sight of an eclipse would burn its image into your eyes forever(pg.
The thyroid gland is found in the front of the neck and produces two main hormones. The hormones are called thuroxine (T4) and Triiodothyronine (T3). Together these hormones regulate the body’s metabolism by increasing energy use in cells, regulate growth and development, help to maintain body temperature and aid in oxygen consumption. These two hormones are regulated by hormones produced by the hypothalamus and pituitary gland. The hypothalamus senses changes in body’s metabolic rate and releases a hormone known as thyropin-releasing hormone (TRH). This hormone then flows through connecting vessels to the pituitary gland which signals it to release another hormone. This hormone is known as thyroid-stimulating hormone (TSH). TSH then makes its way to the bloodstream until it reaches the thyroid where it is then signaled to activate T3 and T4 production [1]. This mechanism is controlled by a negative feedback loop meaning that when there is a sufficient amount of thyroid hormones in the blood stream, this will signal back to stop production of thyroid stimulating hormones. Complications occur when the thyroid hormones keep increasing even though there is already a sufficient amount of T3 and T4 in the blood stream. This process of over expression of thryroid hormones is known as hyperthyroidism. Hyperthyroidism is a general term that includes any disease that has a consequence of an overabundance of thyroid hormones. Hyperthyroidism is a general term but there are many variant diseases that are in the hyperthyroidism category. These diseases include diffuse toxic goiter, Basedow’s disease, thyrotoxicosis, Parry’s and Graves’ disease.
“It was a pleasure to burn” (1) is dramatic irony that Bradbury uses to show that the firemen are blind to their ruthless actions and the dysfunctional society in which they take pride living within. Bradbury uses a powerful quote that help the reader understand that, from the beginning there was darkness and vile in the firemens eyes. In reality firemen work to prevent and stop fires, feeling sorrow if they cannot achieve their mission, however Bradbury contrast the firemen in the story by showing that they take pleasure in these burnings and enjoy watching them while showing no remorse for who they effect and oblivious of their destructive morals. To continue on, Bradbury further develops the firemen by introducing Montag as cold-hearted and one who has a burning passion for destruction by using, “...To shove a marshmallow”(1) by exalting to the reader, the discomforting motives at which
While the character of Renfield is ostensively extraneous to the central plot of Dracula, he fulfils an important role in Stoker’s exploration of the central themes of the novel. This paper will examine how Renfield character is intertwined with the three central themes of invasion, blood and otherness. Firstly, through Renfield’s inner struggle we learn that he is ‘not his own master’ (Stoker, 211). The theme of invasion is revealed by the controlling and occupying powers of Count Dracula. Secondly, the recurring theme ‘the Blood is the Life’ (Stoker, 121), is portrayed throughout the novel and has been interpreted through Stoker’s character Renfield. Then finally, a look at the social construction of the ‘other’ in Dracula and how, through Renfield, who is ‘unlike the normal lunatic’ (Stoker, 52), the Count emerges as the ‘other’ of all ‘others’.
Monasteries and convents in the Middle Age were like a ray of light in the dark for women in the Middle Ages. Women who found their future in a nunnery, either by their own choosing or otherwise, had the opportunity to be educated and in many occasions to develop their creativity without the pressure of a male figure. This freedom that nuns enjoyed allowed them to work and use their creativity in many different ways. In the monasteries besides getting educated, women also had the option to be trained as illuminators. Since in these time the production and storage of sacred books and secular classics was confined to monasteries and convents, women got a chance to use their training as painters in the production of these sacred books.
... much he himself resembles the monster that he despises, Dracula does encourage readers to see ourselves in the novel, to recognise our connectedness with the Other.” Readers continually return to Dracula because they recognise in the novel desires that, as Jonathan remarks in the film “[we] dare not confess to [our] own soul[s]”
Dracula seems to possess unexplainable supernatural powers. When Jonathan Harker is traveling to castle Dracula, he is unaware that the driver of his coach is the Count himself. During the nocturnal journey, the coach is circled by wolves, not knowing what to do Jonathan calls for the coachman and in return “heard his [Dracula’s] voice raised in a tone of imperious command, and looking towards the sound saw him stand in the roadway. As he swept his long arm, as though brushing aside some impalpable obstacle, the wolves fell back and back further still” (23). This unnatural power over the wolves is Stoker’s first way of showing Dracula’s power over nature. Harker also describes in his journal that one evening “I saw the whole man slowly emerge from the window and begin to crawl down the castle wall over that dreadful abyss, face down with his cloak spreading out around him like great wings… I saw the fingers and toes grasp the corners of the stones… and inequality move downwards with considerable speed, just as a lizard moves along a wall” (43). This tr...
As the sky begins to brighten to a gray, and the stars that were so brilliant just seconds ago begin to grow dim, my imagination starts to picture things moving that are really nothing but shadows in the trees. It is as if the shadows are racing around trying to find their owners before the sun peeks its gleaming face up over the horizon. A deer jumps from its bed, scaring the horses and pumping a quart of adrenaline through my system, as my pistol jumps to my hand. Once I realize it is just a deer, I put my pistol back in its holster.
I looked up at the black sky. I hadn't intended to be out this late. The sun had set, and the empty road ahead had no streetlights. I knew I was in for a dark journey home. I had decided that by traveling through the forest would be the quickest way home. Minutes passed, yet it seemed like hours and days. The farther I traveled into the forest, the darker it seemed to get. I was very had to even take a breath due to the stifling air. The only sound familiar to me was the quickening beat of my own heart, which felt as though it was about to come through my chest. I began to whistled to take my mind off the eerie noises I was hearing. In this kind of darkness I was in, it was hard for me to believe that I could be seeing these long finger shaped shadows that stretched out to me. I had this gut feeling as though something was following me, but I assured myself that I was the only one in the forest. At least I had hoped that I was.
The sun was still below the horizon but the clouds above the mountains were tainted the color of pomegranates. Around me the shadows seemed empty. I tried not to look into the brush as I walked down the driveway. I had stopped before, looking to see the back of the shadows; staring hard, only to have them retreat from my eyes indefinitely. Invisible birds called from within. Their sound followed me down the driveway and onto the road.