My Big Fat Greek Wedding: Structural Family Therapy

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Case Formulation Structural Family therapy Structural family therapy (SFT) emphasizes the idea that a system is only as good as its hierarchies, rules and boundaries. Under SFT, a family system functions by having boundaries, between and within each subsystem that offer clear identification with the hierarchy. Hierarchies determine the rules that govern each subsystem explicitly; therefore, SFT argues that hierarchies are necessary to ensure that the system continues to grow and adapt as well as provide structure for the family. SFT maintains that there are three primary subsystems in a family, parental, spousal and sibling. According to SFT, the rules and subsystem also determine the appropriate boundary that is needed when interacting with …show more content…

My Big Fat Greek Wedding depicts a patriarchal hierarchy in which, Gus, is the head of the household. This is exemplified when Gus continually makes the decisions about the families wellbeing in the film. Although this becomes complicated as the film depicts Maria as a covert hierarchy, which places her as the head of the family. This is seen when she reports that she is the neck that manipulates the head (Hanks et al., 2002) and when Maria insists that Gus believes women are inferior, which causes Gus to allow Toula to go to college. Therefore, the system lacks a clear establishment of power or authority within the parental subsystem. The lack of clear authority impacts the establishment of rules, which causes confusion among the subordinate subsystems. For example, Toula describes that until she is married she is expected to work at the family restaurant, this is a rule established by Gus; however, Maria convinces Gus to allow Toula to go to college. This implies who sets of rules from both parental figures. So without a cohesive parental subsystem, the child subsystem is unaware of what is truly expected of …show more content…

The most obvious example of their closeness, is when Gus responds by implying that Toula wants to leave him because she wants to attend college courses. Though there are cultural components that play into this family dynamic, the overarch response is that this system does not allow for separation. Throughout this movie, the theme of Toula striving for individuation is seen through her wish to go to college, work at the travel agency and marry Ian, but it is continually disregarded by her family. This rule of sameness trumps Toula’s hope for individuation. Another less obvious example of diffuse boundaries is when Ian’s family, the Milers, meet Toula’s family for the first time. During this event, Voula engages the Millers in conversation, expressing that since they are family now they should know that she had a lump on her neck that ended up being her twin. The diffuse boundary in the Portokalos family implies that there is an openness about personal matters; thus, Voula was obligated to disclose personal information to bring the Miller’s closer. However, the gesture appeared more as an outlandish overshare than a welcoming gesture of

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